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Après avoir redéfini la stratégie du roman autobiographique dans Est-il je ? L'auteur s'interroge dans ce nouvel essai sur la validité du concept d'autofiction. Depuis quelques années, ce terme est en effet entré dans l'usage sans que l'on puisse déterminer s'il a pour vocation d'absorber les anciennes catégories - autobiographie, roman personnel, récit - ou de désigner un type réellement nouveau d'écriture du moi. Pour sortir de cette confusion il fallait tirer les fils de l'histoire. C'est pourquoi Philippe Gasparini s'attache d'abord à resituer le contexte dans lequel Serge Doubrovsky a lancé son néologisme, puis retrace les débats qu'il a soulevés. Les différentes définitions données par Jacques Lecarme, Philippe Lejeune, Gérard Genette, Régine Robin, Vincent Colonna, Marie Darrieussecq, sont ainsi mises en perspective avec les réflexions d'Alain Robbe-Grillet, Paul Nizon, Raymond Federman, Philippe Vilain ou Philippe Forest sur leur pratique de l'écriture. Ce parcours montre comment l'autonarration est peu à peu sortie de la clandestinité pour revendiquer un véritable statut littéraire. Il permet de dégager les principaux traits qui la caractérisent. Et il suggère que ce nouveau genre, fondé sur le doute, le fragment et l'altérité, peut aussi constituer un acte de résistance.
Non-fiction --- Autobiographical fiction --- Biography as a literary form --- History and criticism --- Biography as a literary form. --- Autobiographical fiction. --- avtobiografija --- History and criticism. --- avtobiografska literatura --- avtorski pripovedovalec --- francoska književnost --- Doubrovsky, Serge --- Lecarme, Jacques --- Lejeune, Philippe --- Genette, Gérard --- Robin, Régine --- Colonna, Vincent --- Darrieussecq, Marie --- Robe-Grillet, Alain --- Nizon, Paul --- Federman, Raymond --- Vilain, Philippe --- Forest, Philippe --- Forest, Philippe. --- Avtobiografija --- Autobiographical fiction - History and criticism
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This collective volume is the first monographic and interdisciplinary study of autobiography in Slovenia. Nineteen authors are discussing the issues of its development, combining the methods of literary scholarship with the philosophical, historiographical, ethnological, sociological and other perspectives. Theoretical insights are complemented by a series of case studies on the history of autobiographical discourse in Slovenian cultural space and beyond it from the end of the 18th century to the present. Knjiga je prva monografska in interdisciplinarna obravnava naslovne teme pri nas. Prispevki devetnajstih avtoric in avtorjev jo postavljajo v razvojni kontekst, literarnovedna perspektiva pa je teoretsko in metodološko soočena s filozofskim, historiografskim, etnološkim, sociološkim ter drugimi diskurzi. Konkretizirajo jo vzorčne študije iz zgodovine avtobiografskega diskurza v slovenskem kulturnem prostoru in onkraj njega od konca osemnajstega stoletja do sodobnosti.
Autobiography in literature. --- Autobiography. --- Autobiographies --- Autobiography --- Egodocuments --- Memoirs --- Biography as a literary form --- History and criticism --- Technique --- Slovenian --- Literary theory --- autobiography --- collective volume --- history --- interdisciplinary research --- literary theory --- Slovenia --- avtobiografija --- interdisciplinarne raziskave --- literarna teorija --- Slovenija --- zborniki --- zgodovina
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Non-fiction --- Spanish-American literature --- Spanish literature --- Self in literature. --- Autobiographical fiction, Spanish --- Autobiographical fiction, Spanish American --- Spanish American literature --- Moi dans la littérature --- Roman autobiographique espagnol --- Roman autobiographique hispano-américain --- Littérature espagnole --- Littérature hispano-américaine --- History and criticism. --- Themes, motives. --- Histoire et critique --- Thèmes, motifs --- 860-31 --- Spaanse literatuur: roman --- Spanish fiction --- Spanish American fiction --- španska književnost --- avtobiografija --- literarna teorija --- literarne zvrsti --- 860-31 Spaanse literatuur: roman --- literarne zvrsti. --- Moi dans la littérature --- Roman autobiographique hispano-américain --- Littérature espagnole --- Littérature hispano-américaine --- Thèmes, motifs --- Spanish autobiographical fiction --- Spanish American autobiographical fiction --- History and criticism --- Avtobiografija --- Literarna teorija --- Literarne zvrsti.
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Koron’s monograph explores a vast field of theory – occassionally called post-classical narratology – from the historical-developmental and the systematic or theoretical-methodological perspectives. The first part of the book treats the theoretical preliminaries, basic concepts, terminological questions, delimitations of the research subject, and the definitions of narrative. The second part outlines the history of narrative theories, divided into several phases, and the formation of its concepts. The third part discusses Slovenian contributions to the field and compares them to the international state of research. The fourth part examines the applicability of contemporary narratological approaches to concrete texts. It treats the concept of omniscient narration, aspects of narratology of drama and the phenomenon of narrativity in the plays of Dušan Jovanović (1939–), the development of gendered narratology, the introduction of narratological concepts in autobiographies and concludes the discussion with entering the interdisciplinary field of historiographical narratology. Knjiga se razvejanega področja, za katerega je v rabi tudi termin postklasična naratologija, loteva iz dveh literarnovednih perspektiv: historično razvojne in sistematske ali teoretično metodološke. Tako zajame pojav, ki v slovenski literarni vedi doslej še ni bil obravnavan na ta način in v takem obsegu in se pri tem osredotoči na verbalne pripovedi. Prvi del knjige se ukvarja s teoretskimi preliminarijami, vpeljavo temeljnih pojmov in terminološkimi vprašanji, določitvijo predmeta raziskovanja in definicijami pripovedi. Drugi del sledi zgodovini teorij pripovedi in oblikovanju njenega pojmovnega instrumentarija skozi več razvojnih faz. Tretji del pregleda slovenske dosežke in jih primerja z razvojem mednarodnih raziskav. Četrti del pa preverja aplikabilnost sodobnih pripovednoteoretskih teženj ob konkretnem gradivu. Obravnava koncept vsevednega pripovedovanja, vidike naratologije drame in pojav pripovednosti v dramatiki Dušana Jovanovića, razvoj naratologije družbenih spolov, vpeljavo pripovednoteoretskih kategorij v raziskovanje avtobiografij in zaokroži razpravljanje z vstopom na interdisciplinarno področje t. i. historiografske naratologije.
Slovenian literature --- Narration (Rhetoric) --- Point of view (Literature) --- Autobiography. --- History and criticism. --- Autobiographies --- Autobiography --- Egodocuments --- Memoirs --- Biography as a literary form --- Fiction --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- History and criticism --- Technique --- Slovenian --- Literary studies: general --- autobiography --- literary science --- narrative --- narrativity --- narratology --- Slovenia --- story --- tale --- theory of narrative --- avtobiografija --- literarna veda --- naratologija --- pripoved --- pripovedništvo --- pripovednost --- Slovenija --- teorija pripovedi --- zgodba
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