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Besides important key works such as Raum 19 III (1968/2006), Batterie (2005), and the 21-part complex of works from the so-called Core Pieces, this catalog presents new works of art created by the artist Imi Knoebel (*1940) especially for the exhibition Guten Morgen, weisses Kätzchen (Good morning, white kitten) at the Museum Haus Konstruktiv. They position Knoebel's work in a dialogue with the historical legacy of constructive, concrete, and conceptual art. Along with many photographs of the works and the exhibition itself, the catalog also features texts by Sabine Schaschl, Max Wechsler, and Beat Wismer.
Sculpture --- assemblage [sculpture technique] --- wall pieces --- wood [plant material] --- Knoebel, Imi --- Knoebel, Imi.
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Sculpture --- assemblage [sculpture technique] --- branches [plant components] --- Animalier --- Desmet, Stief --- DeSmet, Stief
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Art --- collages [visual works] --- assemblage [sculpture technique] --- private collections [object groupings] --- Meerwein, Gerhard
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Painting --- exhibition catalogs --- paintings [visual works] --- assemblage [sculpture technique] --- fiber art --- Abstract Expressionist --- Bissière, Roger
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Art --- paintings [visual works] --- assemblage [sculpture technique] --- mixed media --- Raveel, Roger
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Art --- photomontages [visual works] --- assemblage [sculpture technique] --- landscapes [representations] --- Reichhold, Werner
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Art --- photomontages [visual works] --- assemblage [sculpture technique] --- landscapes [representations] --- Reichhold, Werner
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Sculpture --- sculpture [visual works] --- assemblage [sculpture technique] --- iron [metal] --- Reichhold, Werner
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Art --- found objects --- criticism --- irony --- artists' books [books] --- assemblage [sculpture technique] --- appliances --- Berman, Harriete Estel
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Artiste, vidéaste, performeur et poète, Julien Creuzet construit des passerelles entre les histoires minoritaires oubliées, les imaginaires de l'ailleurs et les réalités sociales de l'ici. Son exposition au Palais de Tokyo, dont la visite est rythmée par une bande-son composée pour l'occasion, prend la forme d'une grande place publique où règne une tension permanente propre à notre époque, et déploie la profusion de ses œuvres en une multitude de récits fragmentés. Préférant l'anachronisme à la linéarité des discours consacrés, Julien Creuzet convoque les registres du poétique et du politique pour livrer un imaginaire mobile associant différentes temporalités et géographies
installations [visual works] --- video art --- performance art --- assemblage [sculpture technique] --- Creuzet, Julien --- Creuzet, Julien, 1986-.... --- Catalogues d'exposition
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