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The present volume explores a specific aspect of creativity in South Asian systems of knowledge, literature and rituals. Under the heading of “adaptive reuse,” it discusses the relationship between innovation and perpetuation of earlier forms and contents of knowledge and aesthetic expressions within the process of creating new works. Although this relation rarely became the topic of explicit reflections in the South Asian intellectual traditions, it is here investigated by taking a closer look at the treatment of older materials by later authors.
Sanskrit literature --- Philosophy, Indic --- Appropriation (Arts) --- Humanities --- History and criticism. --- History. --- South Asia --- Civilization. --- adaptive reuse --- creativity --- South Asian religions --- South Asian philosophy --- South Asian cultural history --- Adaptive reuse --- Kreativität --- Religionen Südasiens --- Philosophie Südasiens --- Kulturgeschichte Südasiens --- Sanskrit. --- Adi Shankara --- Chariot --- Madhvacharya --- Vedas --- Wiesbaden
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The present volume explores a specific aspect of creativity in South Asian systems of knowledge, literature and rituals. Under the heading of “adaptive reuse,” it discusses the relationship between innovation and perpetuation of earlier forms and contents of knowledge and aesthetic expressions within the process of creating new works. Although this relation rarely became the topic of explicit reflections in the South Asian intellectual traditions, it is here investigated by taking a closer look at the treatment of older materials by later authors.
Sanskrit literature --- Philosophy, Indic --- Appropriation (Arts) --- History and criticism. --- History. --- South Asia --- Civilization. --- adaptive reuse --- creativity --- South Asian religions --- South Asian philosophy --- South Asian cultural history --- Adaptive reuse --- Kreativität --- Religionen Südasiens --- Philosophie Südasiens --- Kulturgeschichte Südasiens --- Sanskrit. --- Adi Shankara --- Chariot --- Madhvacharya --- Vedas --- Wiesbaden
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The present volume explores a specific aspect of creativity in South Asian systems of knowledge, literature and rituals. Under the heading of “adaptive reuse,” it discusses the relationship between innovation and perpetuation of earlier forms and contents of knowledge and aesthetic expressions within the process of creating new works. Although this relation rarely became the topic of explicit reflections in the South Asian intellectual traditions, it is here investigated by taking a closer look at the treatment of older materials by later authors.
Sanskrit literature --- Philosophy, Indic --- Appropriation (Arts) --- Humanities --- adaptive reuse --- creativity --- South Asian religions --- South Asian philosophy --- South Asian cultural history --- Adaptive reuse --- Kreativität --- Religionen Südasiens --- Philosophie Südasiens --- Kulturgeschichte Südasiens --- Sanskrit. --- Adi Shankara --- Chariot --- Madhvacharya --- Vedas --- Wiesbaden --- History and criticism. --- History. --- South Asia --- Civilization.
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"The Korea gallery at the Smithsonian's National Museum of Natural History presents Korea's millennia of history and its distinctive culture through ceramics, paintings, textiles, and sculptures, ranging from the 6th century B.C. to the 21st century. Introducing Korea to a broad audience, this book also presents many previously unpublished Korean artifacts and artworks. The authors consider the exhibition to be the "flagship" of a fleet of related activities in the field of Korean heritage, including research, education, outreach, public programs and the development and improvement of museum collections"--Back cover.
Arts, Korean --- National Museum of Natural History (U.S.) --- National Museum of Natural History (U.S.). --- Korean arts --- National Museum of Natural History/National Museum of Man --- NMNH --- Smithsonian Institution. --- United States. --- USNM --- Museum of Natural History (U.S.) --- Smithsonian Institution --- Asian Cultural History Program (National Museum of Natural History) --- K9802.40 --- Korea: Art and antiquities -- musea, exhibitions, collections, fairs -- North and Central America --- Smithsonian Institution. National Museum of Natural History --- United States. National Museum of Natural History
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In 1884, Smithsonian Secretary Spencer Baird appointed J. B. Bernadou, a naval officer, to gather a collection of material culture from the Hermit Kingdom, which had been closed to outsiders until 1882. Baird gave Bernadou the official title of "Smithsonian Attache" to the American Legation. Richly illustrated with beautiful color photographs, An Ethnography of the Hermit Kingdom will interest art-, social-, and diplomatic-historians; anthropologists; linguists; students of Korean culture; and all those who appreciate the aesthetic quality of these objects, and the stories they tell. This ethnographic catalogue of historic Korean objects includes chapters that cover a wide range of pre-industrial material and intellectual resources (including ceramics, textiles, furniture, paintings, manuscripts and maps) that illustrate Korean life styles, values, philosophy, and aesthetics.
Arts, Korean --- Arts --- Arts coréens --- Private collections --- Bernadou, John B. --- National Museum of Natural History (U.S.). --- Korea --- Corée --- Antiquities --- Antiquités --- Art --- Collections privées --- Civilisation --- K9802.40 --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Korean arts --- Korea: Art and antiquities -- musea, exhibitions, collections, fairs -- North and Central America --- Asian Cultural History Program (National Museum of Natural History) --- Arts coréens --- Corée --- Antiquités --- Bernadou, John Baptiste, --- Art collections --- Collections privées --- Arts, Primitive
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How did one dine with a shogun? Or make solid gold soup, sculpt with a fish, or turn seaweed into a symbol of happiness? In this fresh look at Japanese culinary history, Eric C. Rath delves into the writings of medieval and early modern Japanese chefs to answer these and other provocative questions, and to trace the development of Japanese cuisine from 1400 to 1868. Rath shows how medieval "fantasy food" rituals-where food was revered as symbol rather than consumed-were continued by early modern writers. The book offers the first extensive introduction to Japanese cookbooks, recipe collections, and gastronomic writings of the period and traces the origins of dishes like tempura, sushi, and sashimi while documenting Japanese cooking styles and dining customs.
Cooking, Japanese --- Food habits --- Food --- Social aspects. --- Social aspects --- Japan --- Social life and customs. --- 1400. --- 1868. --- anthropology. --- asian cultural history. --- asian foods. --- culinary history. --- early modern food. --- early modern japan. --- fantasy food. --- food historians. --- food lovers. --- food rituals. --- food symbolism. --- food. --- gastronomic writings. --- history and food. --- japanese chefs. --- japanese cookbooks. --- japanese cooking styles. --- japanese cuisine. --- japanese culinary history. --- japanese dining customs. --- japanese recipes. --- medieval japan. --- nonfiction account. --- sashimi. --- shogun. --- social history. --- sushi. --- tempura.
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