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Book
Andre Bazin's new media
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ISBN: 9780520283572 9780520283565 9780520959392 0520283562 0520283570 1322105472 0520959396 Year: 2014 Publisher: Oakland : University of California Press,

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Abstract

Andre Bazin's writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the new media" of the 1950s, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies their artistic potential, social influence, and relationship to existing art forms have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin's astute approach to a range of visual media and the relevance of his critical thought to our own era of new media. An exciting companion to the essential What Is Cinema? volumes, Andre Bazin's New Media is excellent for classroom use and vital for anyone interested in the history of media.


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Funnybooks : the improbable glories of the best American comic books
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ISBN: 9780520283909 0520241185 9780520241183 0520283902 0520960025 9780520960022 132219470X Year: 2015 Publisher: Oakland, California : University of California Press,

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Funnybooks is the story of the most popular American comic books of the 1940's and 1950's, those published under the Dell label. For a time, "Dell Comics Are Good Comics" was more than a slogan-it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.

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