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This text critically examines images in the borderlands of the art world, investigating relations between visual art and vernacular visual culture within different images communities from the 1870s to the present day. It concentrates on the mechanisms of such processes and their implications for the understanding of art and art-historical narratives. Merging perspectives from art history and visual culture studies with media studies, it fills a gap in the field of visual studies through its use of a diversity of images as prime sources. Where textual statements are scarce the book maps visual statements instead, demonstrating the potential of image studies. Consequently, it will be of great relevance to those interested in art and visual culture in modernity, as well as discourses of the notion of art and art history writing.

1870-2009. --- Art world. --- Contemporary art. --- Fashion Photography. --- Images. --- Media. --- Photocollage. --- Visual Culture. --- Window display. --- Art --- History.

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"Wild Art" refers to work that exists outside the established, rarified world of art galleries and cultural channels. It encompasses uncatalogued, uncommodified art not often recognized as such, from graffiti to performance, self-adornment, and beyond. Picking up from their breakthrough book on the subject, Wild Art, David Carrier and Joachim Pissarro here delve into the ideas driving these forms of art, inquire how it came to be marginalized, and advocate for a definition of "taste," one in which each expression is acknowledged as being different while deserving equal merit.Arguing that both the "art world" and "wild art" have the same capacity to produce aesthetic joy, Carrier and Pissarro contend that watching skateboarders perform Christ Air, for example, produces the same sublime experience in one audience that another enjoys while taking in a ballet; therefore, both mediums deserve careful reconsideration. In making their case, the two provide a history of the institutionalization of "taste" in Western thought, point to missed opportunities for its democratization in the past, and demonstrate how the recognition and acceptance of "wild art" in the present will radically transform our understanding of contemporary visual art in the future.Provocative and optimistic, Aesthetics of the Margins / The Margins of Aesthetics rejects the concept of "kitsch" and the high/low art binary, ultimately challenging the art world to become a larger and more inclusive place.

ART / Criticism. --- Aesthetics. --- Art World. --- Art museum. --- Critique of the Art Establishment. --- Folk Art. --- Graffiti. --- Hegel. --- History of Aesthetics. --- Institutional Critique. --- Kant. --- Museum History. --- Outsider Art. --- Public Art. --- Wild art.

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‘Joanna, George and Henry’ tells the story of the intertwined lives of three young artists in the 1850s. When the transcript of the material on which this group portrait is based came to light ten years ago, no one could have imagined the drama within. They were family letters: letters from a young woman to her brother and later to her suitor - of interest chiefly because all three were painters, and all were active participants in the youthful Pre-Raphaelite revolution that swept England in the 1850s. They turned out to be a revelation - giving not only a comprehensive picture of what it was like to be an artist in the mid-19th century, but containing within them a powerful family drama and a most unusual love story. It is a love story, moreover, told largely from a woman's point of view. Between them, Joanna Boyce, of the most distinguished female painters of the time; her brother George and her suitor Henry Wells, knew all the artistic luminaries of the day, among them Ruskin, Millais and Rossetti (with whom George shared a great deal, including mistresses). They wrote to each other not just about art, but about their friends, their favourite books, their travels, their illnesses, their passions and their quarrels. In this book, they tell their story in their own vivid words - a story which portrays the age in which they lived and the powerful drama of their emotional and professional lives. Sue Bradbury taught in Spain for three years before joining The Folio Society in 1973. She became Editorial Director in 1984, a post she held for twenty-five years. She was awarded the OBE in 2010.

Pre-Raphaelites --- Art --- Love. --- Friendship. --- Affection --- Friendliness --- Conduct of life --- Interpersonal relations --- Love --- Emotions --- First loves --- Friendship --- Intimacy (Psychology) --- Preraphaelites --- Artists --- Wells, Joanna Mary, --- Boyce, George Price, --- Wells, Henry Tanworth, --- Boyce, Joanna Mary, --- 1850s. --- George. --- Henry Wells. --- Joanna Boyce. --- Millais. --- Pre-Raphaelite artists. --- Rossetti. --- Ruskin. --- Sue Bradbury. --- art revolution. --- art story. --- art world. --- family letters.

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Explores the scope that there is for Indigenous curatorial agency in the relationship of Indigenous contemporary art with the 'art world'.

Art museums --- Art, Brazilian --- Collection management --- Brazilian art --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Galleries and museums --- Brazilian art. --- Brazilian culture. --- Indigenous contemporary art. --- Indigenous curatorial agency. --- Indigenous curatorial practice. --- Indigenous people. --- art history. --- art world. --- colonial power. --- colonialism. --- cultural identity. --- cultural representation. --- decolonization. --- exhibitions.

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This collection of "es demonstrates the elegant simplicity of Ai Weiwei's thoughts on key aspects of his art, politics, and life. A master at communicating powerful ideas in astonishingly few words, Ai Weiwei is known for his innovative use of social media to disseminate his views. The short "ations presented here have been carefully selected from articles, tweets, and interviews given by this acclaimed Chinese artist and activist. The book is organized into six categories: freedom of expression; art and activism; government, power, and moral choices; the digital world; history, the historical moment, and the future; and personal reflections. Together, these "es span some of the most revealing moments of Ai Weiwei's eventful career--from his risky investigation into student deaths in the 2008 Sichuan earthquake to his arbitrary arrest in 2011--providing a window into the mind of one of the world's most electrifying and courageous contemporary artists. Select Quotes from the Book: On Freedom of Expression "Say what you need to say plainly, and then take responsibility for it." "A small act is worth a million thoughts." "Liberty is about our rights to question everything." On Art and Activism "Everything is art. Everything is politics." "The art always wins. Anything can happen to me, but the art will stay." "Life is art. Art is life. I never separate it. I don't feel that much anger. I equally have a lot of joy." On Government, Power, and Making Moral Choice "Once you've tasted freedom, it stays in your heart and no one can take it. Then, you can be more powerful than a whole country." "I feel powerless all the time, but I regain my energy by making a very small difference that won't cost me much." "Tips on surviving the regime: Respect yourself and speak for others. Do one small thing every day to prove the existence of justice." On the Digital World "Only with the Internet can a peasant I have never met hear my voice and I can learn what's on his mind. A fairy tale has come true." "The Internet is uncontrollable. And if the Internet is uncontrollable, freedom will win. It's as simple as that." "The Internet is the best thing that could have happened to China." On History, the Historical Moment, and the Future "If a nation cannot face its past, it has no future." "We need to get out of the old language." "The world is a sphere, there is no East or West." Personal Reflection "I've never planned any part of my career-- except being an artist. And I was pushed into that corner because I thought being an artist was the only way to have a little freedom." "Anyone fighting for freedom does not want to totally lose their freedom." "Expressing oneself is like a drug. I'm so addicted to it."

ART / Individual Artists / Artists' Books. --- Ai, Weiwei --- Ai, Wei Wei --- Wei Wei, Ai --- 艾未未 --- Weiwei, Ai, --- ai, wei wei --- 2008 Sichuan earthquake. --- Accountability. --- Activism. --- Ai Qing. --- Ai Weiwei. --- Alliance for the Arts. --- Art critic. --- Art world. --- ArtReview. --- Arthur M. Sackler Gallery. --- Arts council. --- Autocracy. --- Beijing. --- Biennale of Sydney. --- Blog. --- Busan Biennale. --- Caochangdi. --- Censorship. --- Chen Guangcheng. --- Chengdu. --- China Institute. --- Chinese art. --- Chinese people. --- Christina Paxson. --- Citizens (Spanish political party). --- Communism. --- Communist revolution. --- Contemporary art gallery. --- Contemporary art. --- Cover-up. --- Criticism. --- Cyberspace. --- Dictatorship. --- Documenta. --- Electricity. --- Feeling. --- Freedom of speech. --- Fuck Off (art exhibition). --- Fundamental rights. --- Generosity. --- Governance. --- Groninger Museum. --- Guangzhou. --- Han dynasty. --- Haus der Kunst. --- Hirshhorn Museum and Sculpture Garden. --- House arrest. --- Ideology. --- Illustration. --- In This World. --- International community. --- J. Paul Getty Museum. --- Jean-Michel Basquiat. --- Jinhua. --- Laziness. --- Liberty. --- Liu Xiaobo. --- Mori Art Museum. --- My Father. --- Nagoya. --- North Korea. --- On the Boards. --- Open society. --- Party system. --- Performance art. --- Philosophy. --- Photography. --- Politician. --- Politics. --- Poster. --- Princeton University Press. --- Princeton University. --- Prostitution. --- Public art. --- Requirement. --- Ruler. --- Salary. --- Self-censorship. --- Seoul. --- Sichuan. --- Somerset House. --- Start to Finish. --- State (polity). --- Stupidity. --- Sunflower Seeds. --- Surveillance. --- Tate Modern. --- Tax. --- Technology. --- Telephone interview. --- Thought. --- Twitter. --- Understanding. --- Venice Biennale of Architecture. --- Venice Biennale. --- Wealth. --- What Happened. --- Writing. --- Yiwu. --- Zhejiang.