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"Revue de théorie et analyse littéraires."
Literature --- Littérature --- Poétique --- Literature. --- French. --- Art of poetry. --- History and criticism --- Histoire et critique --- #TS:KOHU --- #FHIW:CAT1 --- 82 --- 82 Literatuur. Algemene literatuurwetenschap --- Literatuur. Algemene literatuurwetenschap --- Periodicals --- French literature --- 82 Literature in general --- Literature in general
Book
ISBN: 1283687712 0520953622 9780520953628 0520259262 9780520259263 9780520259263 9781283687713 0520324854 Year: 2012 Publisher: Berkeley : University of California Press,
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A landmark in the publication of twentieth-century American poetry, this first volume of the long-awaited collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan's books and magazine publications up to and including Letters: Poems 1953-1956. Deftly edited, it thoroughly documents the first phase of Duncan's distinguished life in writing, making it possible to trace the poet's development as he approaches the brilliant work of his middle period. This volume includes the celebrated works Medieval Scenes and The Venice Poem, all of Duncan's long unavailable major ventures into drama, his extensive "imitations" of Gertrude Stein, and the remarkable poems written in Majorca as responses to a series of collaged paste-ups by Duncan's life-long partner, the painter Jess. Books appear in chronological order of publication, with uncollected periodical and other publications arranged chronologically, following each book. The introduction includes a biographical commentary on Duncan's early life and works, and clears an initial path through the textual complexities of his early writing. Notes offer brief commentaries on each book and on many of the poems. The volume to follow, The Collected Later Poetry and Plays, will include The Opening of the Field (1960), Roots and Branches (1964), Bending the Bow (1968), Ground Work (1984), and Ground Work II (1987).
American literature. --- English literature --- Agrarians (Group of writers) --- Duncan, Robert, --- Duncan, Robert Edward, --- Symmes, Robert, --- Duncan, Edward Howard, --- R. D. --- D., R. --- Duncan, Edward Howe, --- Symmes, Robert Edward, --- 20th century poetry. --- american history. --- american poetry. --- art of poetry. --- books for poetry lovers. --- classical plays. --- classical poetry. --- complex literacy. --- creative writing. --- drama. --- emotional poems. --- engaging. --- gifts for mom. --- hardship. --- how to write a poem. --- inspirational stories. --- intense emotion. --- intense. --- leisure reads. --- literary art. --- literary skills. --- love poems. --- page turner. --- playwright. --- poems and plays. --- poetry book. --- poetry skills. --- robert duncan. --- touching. --- travel books. --- vacation reads.
Book
ISBN: 1782042423 1843843722 Year: 2014 Publisher: Woodbridge, Suffolk, England ; Rochester, New York : D.S. Brewer,
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A close examination of an important theme in Machaut's works. A milestone in Machaut studies and in late-medieval French literature in general. Machaut, already considered the seminal figure in late-medieval poetics and music, here comes across in these respects more clearly than ever. Kelly also further contextualises him within what we might call the authorial `apprenticeship tradition' of Boethius, the Roman de la Rose, Dante, and later Gower, Chaucer, and Christine de Pizan. The fruit of one of the field's most distinguished scholars today. Nadia Margolis, Mount Holyoke College. Guillaume de Machaut was celebrated in the later Middle Ages as a supreme poet and composer, and accordingly, his poetry was recommended as amodel for aspiring poets. In his Voir Dit, Toute Belle, a young, aspiring poet, convinces the Machaut figure to mentor her. This volume examines Toute Belle as she masters Machaut's dual arts of poetry and love, focusing onher successful apprenticeship in these arts; it also provides a thorough review of Machaut's art of love and art of poetry in his dits and lyricsm, and the previous scholarship on these topics. It goes on to treat Machaut's legacy among poets who, like Toute Belle, adapted his poetic craft in new and original ways. A concluding analysis of melodie identifies the synaesthetic pleasure that late medieval poets, including Machaut, offer their readers. Douglas Kelly is Professor Emeritus at the University of Wisconsin, Madison.
Narrative poetry, French --- Poetry --- History and criticism. --- Psychological aspects. --- Guillaume, --- Criticism and interpretation. --- French narrative poetry --- French poetry --- de Machaut, Guillaume --- Guillaume de Machaut --- Guillaume de Machault --- de Machault, Guillaume --- de Machau, Guillaume --- de Machaudio, Guillaume --- de Machaudo, Guillaume --- de Mascaudio, Guillaume --- de Machaudio, Guillelmus --- de Machaut, Guillaume, --- Guillaume de Machaut, --- Guillelmus, --- Machau, Guillaume de, --- Machauld, G. de, --- Machault, Guillaume de, --- Machaut, G. de --- Machaut, Guillaume de, --- Mauchaut, Guillaume de, --- Douglas Kelly. --- Fiction. --- Guillaume de Machaut. --- Machaut. --- Medieval Apprenticeship Tradition. --- Poetic Craft. --- Toute Belle. --- Truth. --- University of Wisconsin, Madison. --- Voir Dit. --- art of love. --- art of poetry. --- late-medieval poetics. --- music. --- synaesthetic pleasure.
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