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Thematische bespreking van enkele normatieve verbeeldingen van het Bijbelboek in de orthodoxe westerse apocalyptische iconografie, van de Romeinse mozaïeken tot de renaissance-fresco's.
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"L'ouvrage comprenant 11 essais sur le cinéma examine la fascination de la culture pop pour la fin du monde ou les récits apocalyptiques. Les contributions abordent de films tels que The Matrix, The Terminator, The Day after Tomorrow, et de films pour la télévision tels que Deep impact. Ces films présentent principalement des catastrophes qu'elles soient d'origine humaine ou naturelles. Ces représentations complètent la littérature ainsi que les films médiatisés sur les perspectives religieuses de l'apocalypse : la série Left Behind, et d'autres films/livres qui traitent de la prophétie du livre de l'Apocalypse dans la Bible." Traduit de Bibliographic Sélection n° 83 - ITI.
Cinéma --- Apocalypse
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This collective volume aims to highlight the philosophical and literary idea of "apocalypse," within some key examples in the "Slavic world" during the nineteenth and twentieth century. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth century philosophy, not omitting theatre, cinema or music, there is a specific examination of the concepts of "end of history" and "end of present time" as conditions for a redemptive image of the world. To understand this idea means to understand an essential part of Slavic culture, which; however divergent and variegated it may be in general, converges on a specific myth in a surprising manner.
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This collective volume aims to highlight the philosophical and literary idea of "apocalypse," within some key examples in the "Slavic world" during the nineteenth and twentieth century. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth century philosophy, not omitting theatre, cinema or music, there is a specific examination of the concepts of "end of history" and "end of present time" as conditions for a redemptive image of the world. To understand this idea means to understand an essential part of Slavic culture, which; however divergent and variegated it may be in general, converges on a specific myth in a surprising manner.
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This collective volume aims to highlight the philosophical and literary idea of "apocalypse," within some key examples in the "Slavic world" during the nineteenth and twentieth century. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth century philosophy, not omitting theatre, cinema or music, there is a specific examination of the concepts of "end of history" and "end of present time" as conditions for a redemptive image of the world. To understand this idea means to understand an essential part of Slavic culture, which; however divergent and variegated it may be in general, converges on a specific myth in a surprising manner.
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