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Philosophical anthropology --- Sociology of minorities --- Folklore --- Iconography --- genre pictures --- beggars --- farmers [people in agriculture] --- jesters --- wildeman --- andere mens
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This book provides a comprehensive assessment of Dürer’s depictions of human diversity, focusing particularly on his depictions of figures from outside his Western European milieu. Heather Madar contextualizes those depictions within their broader artistic and historical context and assesses them in light of current theories about early modern concepts of cultural, ethnic, religious and racial diversity. The book also explores Dürer’s connections with contemporaries, his later legacy with respect to his imagery of the other and the broader significance of Nuremberg to early modern engagements with the world beyond Europe. The book will be of interest to scholars working in art history, Renaissance studies and Renaissance history. Ce livre propose une étude complète des représentations de la diversité humaine chez Dürer, en se concentrant particulièrement sur ses représentations de personnages extérieurs à son milieu d'Europe de l'Ouest. Heather Madar replace ces représentations dans leur contexte artistique et historique plus large et les évalue à la lumière des théories actuelles sur les concepts de diversité culturelle, ethnique, religieuse et raciale du début de l'époque moderne. Le livre explore également les liens de Dürer avec ses contemporains, son héritage ultérieur en ce qui concerne son interprétation de l'autre et l'importance plus large de Nuremberg pour les contacts des débuts de l'époque moderne avec le monde non européen. Cet ouvrage intéressera les chercheurs qui se consacrent à l'histoire de l'art, aux études sur la Renaissance et à l'histoire de la Renaissance.
Ethnology. Cultural anthropology --- Iconography --- social anthropology --- andere mens --- Dürer, Albrecht --- Europe --- Ethnicité --- Différence (philosophie) --- Dans l'art. --- Dürer, Albrecht --- Thèmes, motifs. --- Aesthetics of art --- iconography --- art criticism
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Cycle de cinq conférences de 2014 consacrées au regard posé sur l'autre dans l'art occidental à travers les oeuvres de Titien, Dürer, Carpaccio, etc. ©Electre 2015
andere mens --- European --- zigeuner --- moslim --- negro --- Iconography --- portraits --- Sociology of minorities --- History of civilization --- easel paintings [paintings by form] --- anno 1500-1799 --- anno 1400-1499 --- Art, Renaissance --- Art, Modern --- Aliens in art --- Art de la Renaissance --- Art moderne --- Etrangers dans l'art --- Themes, motives --- Thèmes, motifs --- Thèmes, motifs --- Themes, motives. --- Noncitizens in art. --- black
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Sociology of minorities --- History of Europe --- Iconography --- anno 1500-1799 --- anno 1400-1499 --- Poor in art. --- Sick in art. --- Outsiders in art. --- Peddlers and peddling in art. --- Art, European --- Pauvres dans l'art --- Malades dans l'art --- Marginaux dans l'art --- Colporteurs dans l'art --- Art européen --- Themes, motives. --- Thèmes, motifs --- Peddlers in art. --- Art européen --- Thèmes, motifs --- social history --- andere mens --- beggars --- poverty
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social history --- andere mens --- beggars --- Social problems --- Iconography --- poverty --- anno 1500-1599 --- armoede --- bedelaars --- iconografie --- geschiedenis --- Raphaël --- Carracci, Annibale --- 16de eeuw --- 76.041 --- 75.041 --- Iconografie: de mens; portret; handeling; genre in de prentkunst --- Iconografie van de schilderkunst: de mens; handeling; genre --- 75.041 Iconografie van de schilderkunst: de mens; handeling; genre --- 76.041 Iconografie: de mens; portret; handeling; genre in de prentkunst --- bedelaar --- armoede. --- bedelaar. --- iconografie. --- geschiedenis. --- Rafaël. --- Carracci, Annibale. --- 16de eeuw. --- armoede; 'Povertà', 'Povertà del doni', 'Povertà in uno ch'habbia bell'ingegno' (Ripa) --- Rafaël
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Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Dürer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Victor I. Stoichita's nuanced and detailed study examines images of racial otherness during a time of new encounters of the West with different cultures and peoples, such as those with dark skins: Muslims and Jews. Featuring a host of informative illustrations and crossing the disciplines of art history, anthropology, and postcolonial studies, Darker Shades also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the "Other," Stoichita would have us ask, in such a crystalline, unchanging paradigm?
Sociology of minorities --- Iconography --- History of civilization --- fine arts [discipline] --- exoticism --- iconography --- social anthropology --- zigeuner --- andere mens --- moslim --- negro --- anno 1500-1799 --- anno 1400-1499 --- Europe --- Aliens in art --- Art, Renaissance --- Art, Baroque --- Themes, motives. --- black --- Noncitizens in art. --- zwarten --- Joden, Joods leven --- Moslims --- zigeuners --- rassen --- rondzwervende gemeenschappen: zigeuners --- antropologie --- Westerse kunst --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- orientalisme --- barok --- zwarten. --- Joden, Joods leven. --- Moslims. --- zigeuners. --- rassen. --- rondzwervende gemeenschappen: zigeuners. --- antropologie. --- Westerse kunst. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- orientalisme. --- barok. --- rondzwervende gemeenschappen: Roma --- Noncitizens in art --- Other (Philosophy) in art --- Themes, motives --- Orient --- In art.
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Following the three-part exhibition series THE BIG SHOW (NICC, Antwerp, April - November 2001), this publication continues the exhibition's outlines to approach issues of exoticism, collective memory, globalization, utopia and alterity in a demanding way. THE BIG SHOW is inevitably part of a climate of post-colonial and global cultural interests, without identifying itself totally with them. Rather the series of exhibitions and this publication form a searching interrogation of the ways in which decolonization and globalization can be seen in the context of a wider debate surrounding cultural production and representation, without thereby having to lead to an iconoclasm of the center of image production. THE BIG SHOW chooses to approach globalization indirectly from three different views. The first path is historical, retracing globalization to a highly problematic post-colonial mentality; with two specific bodies of work by Tshibumba Kanda Matulu and W. Eugene Smith, 'A Congo Chronicle - A Man of Mercy' highlights the complexities surrounding colonial memory. The second chapter, 'Healing', traces that trauma - as part of a larger cluster that defines our conceptions of globalization - to a broader cultural present. 'Healing' simulates the gathering of all elements that would allow for shifts in collective memory to be reconstructed. Part three, 'Demonstration Room: Ideal House' is utopian; the revolutionary potential of the house and the city are reconsidered from the specific situation of Latin America, but still within a broader international context, rethinking the evolutionary potential present there in actuality or rhetorically.
andere mens --- utopias --- postcolonialism --- globalization --- art [fine art] --- exoticism --- Art --- Schweitzer, Albert --- Smith, W. Eugene --- Congo --- Latin America --- Afrika --- Zaïre --- Kunst en politiek ; globalisering ; 2de h. 20ste eeuw --- Beeldende kunst ; koloniaal verleden België-Kongo --- Tentoonstellingscatalogi ; Antwerpen ; NICC ; New International Cultural Centre --- 7.038 --- (069) --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- edited by Wim Peeters ; text contributions by Marius Babias, Jesus Fuenmayor, Julieta Elena Gonzalez [et al.] --- kunst --- mulitculturalisme --- globalisering --- kolonisatie --- dekolonisatie --- kolonialisme --- postkolonialisme --- Zuid-Amerika --- politiek --- kunst en politiek --- Matulu Tshibumba Kanda --- fotografie --- Smith W. Eugene --- exotisme --- Arocha Carla --- Beuys Joseph --- Bijl Guillaume --- Carlos Isaac --- Darmawan Ade --- Doll Tatjana --- Douglas Stan --- Duchamp Marcel --- Fischli Peter --- Weiss David --- Graham Rodney --- Grundmann Gesine --- Gutai --- HAnssen Karin --- Jozefowicz Katarzyna --- Keiser Daniela --- Marshall Kerry James --- Mikhailov Boris --- Piper Adrian --- Robijns Gert --- Slominski Andreas --- Sugimoto Hiroshi --- Tshibumba Kanda Matulu --- Weiner Lawrence --- Yoshihara Jiro --- Alÿs Francis --- Best Anna --- Bruggeman Stefan --- Bunimov Mariana --- Cuevas Minerva --- Deleu Luc --- Fernandez José Gabriel --- Framis Alicia --- Garaicoa Carlos --- Gerdel Alexander --- Gillick Liam --- Graham Dan --- van heeswijk Jeanne --- Hernandez-Diez José Antonio --- Proyecto Incidental --- Kuri Gabriel --- Atelier van Lieshout --- Lopez Diana --- Lupini Mauricio --- McBride Rita --- Molina Carlos Julio --- Neto Ernesto --- Perna Claudio --- Ramirez-Jonas Paul --- Sachs Tom --- Schneider Karin --- Téllez Javier --- Vega Sergio --- art [discipline]
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soldiers --- outcast --- andere mens --- lepralijder --- late middeleeuwen --- hairstyles --- executioners --- moslim --- negro --- farmers [people in agriculture] --- costume [mode of fashion] --- Iconography --- jew --- prostitutes --- Ethnology. Cultural anthropology --- Social stratification --- Semiotics --- Art --- anno 500-1499 --- Europe: North --- Beschaving [Middeleeuwse ] in de kunst --- Civilisation médiévale dans l'art --- Civilization [Medieval ] in art --- Art, Northern European --- Art, Medieval --- Christian art and symbolism --- Civilization, Medieval, in art --- Art nord-européen --- Art médiéval --- Art et symbolisme chrétiens --- Difference (Philosophy) in art. --- Art, European. --- 75.046.2 --- Art, European --- 091.31:7.04 --- 7.04 --- -Art, Medieval --- -Civilization, Medieval, in art --- Difference (Philosophy) in art --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Medieval art --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Legenden in de schilderkunst. Fantastische schilderkunst --- Verluchte handschriften: iconografie --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- -Legenden in de schilderkunst. Fantastische schilderkunst --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 091.31:7.04 Verluchte handschriften: iconografie --- 75.046.2 Legenden in de schilderkunst. Fantastische schilderkunst --- human figures [visual works] --- Late Medieval --- -7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Art, Christian --- Art nord-européen --- Art médiéval --- Art et symbolisme chrétiens --- Civilisation médiévale dans l'art --- -Art, Modern --- Religious art --- Art [Medieval ] --- Europe [Northern ] --- Art [European ] --- Medieval, 500-1500 --- Middle Ages, 500-1500 --- Symbolism in art --- black --- Art, Medieval - Europe, Northern. --- Christian art and symbolism - Europe, Northern - Medieval, 500-1500. --- gokker --- ketter
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