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North of Boston, Robert Frost's second book of verse and arguably his greatest, brought him suddenly into national prominence in 1915. Though completed and first published in England in 1914, the book was rooted in the decade, 1900-1910, that Frost spent in Derry, New Hampshire, where he witnessed the decline of its traditional farming culture. In presenting this "drama of disappearance," twelve of the book's fifteen principal poems are literally dramatic, composed mainly of direct dialogue. Among them are three of Frost's most famous lyrics, each featuring a signature task of New England life and underlining the book's tribute to a fading culture. Collectively, the poems bring the diction and tones of a New England vernacular within a traditional metric frame, making "music," as Frost boasted, "from the sound of sense" and poetry of "a language absolutely unliterary." Such adaptations of ordinary language and experience to blank verse drama made Frost a founder of American modernism and North of Boston one of its monuments. Exploring Frost's complex connection to his poetic characters, this study provides new readings of the individual poems and a new look at North of Boston's development. To a degree no other study has done, it addresses the book's design as an artistic whole while placing it in the context of Frost's unfolding career.
Authors, American --- History and criticism. --- Frost, Robert, --- Criticism and interpretation. --- American authors --- Frost, Robert Lee, --- פראסט, ראבערט, --- פרוסט, רוברט, --- فروست ، روبرت --- Фрост, Роберт, --- American modernism. --- New England. --- North of Boston. --- Robert Frost. --- blank verse drama. --- traditional farming culture. --- LITERARY CRITICISM / American / General.
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Viewing Louis Zukofsky as a reader, writer, and innovator of twentieth-century poetry, Sandra Stanley argues that his works serve as a crucial link between American modernism and post- modernism. Like Ezra Pound, Zukofsky saw himself as a participant in the transformation of a modern American poetics; but unlike Pound, Zukofsky, the ghetto-born son of an immigrant Russian Jew, was keenly aware of his marginal position in society. Championing the importance of the little words, such as a and the, Zukofsky effected his own proletarian "revolution of the word." Stanley explains how Zukofsky emphasized the materiality of language, refusing to reduce it to a commodity controlled by an "authorial/authoritarian" self. She also describes his legacy to contemporary poets, particularly such Language poets as Ron Silliman and Charles Bernstein.
820 "19" ZUKOFSKY, LOUIS --- Aesthetics, American --- American poetry --- -Poetics --- -American aesthetics --- 820 "19" ZUKOFSKY, LOUIS Engelse literatuur--20e eeuw. Periode 1900-1999--ZUKOFSKY, LOUIS --- Engelse literatuur--20e eeuw. Periode 1900-1999--ZUKOFSKY, LOUIS --- Poetry --- American literature --- History and criticism --- History --- -Technique --- Zukofsky, Louis --- -Criticism and interpretation --- Aesthetics [American ] --- Esthetica [Amerikaanse ] --- Esthétique américaine --- Poetics --- Poétique --- Poëtica --- Aesthetics, American. --- Poetics. --- American Literature --- English --- Languages & Literatures --- American aesthetics --- History and criticism. --- Technique --- Zukofsky, Louis, --- Criticism and interpretation. --- Criticism and interpretation --- 20th century --- Literature --- Philosophy. --- american literature criticism. --- american modernism. --- american poetics. --- american poetry. --- artist. --- biographical. --- biography. --- contemporary poets. --- critical. --- cultural. --- ghetto. --- immigrants. --- immigration. --- literary criticism. --- little words. --- materiality of language. --- modern american poetics. --- original study. --- poetry. --- poets. --- post modernism. --- revolution of the word. --- russian jew. --- social class. --- society. --- writers.
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The Routledge Introduction to American Postmodernism offers readers a fresh, insightful overview to all genres of postmodern writing. Drawing on a variety of works from not only mainstream authors but also those that are arguably unconventional, renowned scholar LindaWagner-Martin gives the reader a solid framework and foundation to reading, understanding, and appreciating postmodern literature since its inception through the present day.
Modernism (Literature) --- American literature --- LITERARY CRITICISM / Modern / 21st Century. --- LITERARY CRITICISM / Modern / General. --- Adrienne Rich. --- Alice Walker. --- American Literature. --- American Modernism. --- A Farewell to Arms. --- autobiography. --- avant garde. --- biography. --- Charles Bukowski. --- Chuck Palahniuk. --- contemporary literature. --- culture. --- David Cowart. --- David Foster Wallace. --- Denise Levertov. --- Donald Barthelme. --- drama. --- Ernest Hemingway. --- existentialism. --- experimentation within genres. --- fiction. --- Gary Snyder. --- Gertrude Stein. --- Gloria Naylor. --- Helena Maria Viramontes. --- Infinite Jest. --- identity politics. --- John Barth. --- Ken Kesey. --- Kurt Vonnegut. --- Literature of Exhaustion. --- modernism. --- North American Literature. --- One Flew Over the Cuckoo’s Nest. --- Philip Roth. --- poetry. --- prose. --- Ralph Ellison. --- Raymond Carve. --- Richard Kostelanetz. --- Richard Powers. --- Sherwood Anderson. --- Slaughterhouse Five. --- short story. --- The Color Purple. --- The Waste Land. --- Toni Morrison. --- T. S. Eliot. --- United States. --- Yusef Komunyakaa.
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