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Frederick Wiseman is among America's foremost documentary filmmakers. The recipient of many awards, including three Emmys, Wiseman has made more than thirty feature-length documentaries during a career that has spanned five decades. Together, these films provide a fascinating chronicle of American social and institutional life. This book makes available for the first time transcriptions of five of Wiseman's most important films- Titicut Follies, High School, Welfare, High School II, Public Housing-providing all of the dialogue as well as annotations about other aspects of the soundtracks such as music and ambient noise, and notes about editing and camera movement. These scene-by-scene transcripts enable readers to scrutinize the films' complex structural patterns, recurring motifs, editing regimes, and the unscripted dialogue that makes Wiseman's cinema a rich repository of American speech. Editor Barry Keith Grant's critical introduction discusses the importance of sound in Wiseman's documentaries. Liberally illustrated with images from the films, these meticulous transcriptions are accompanied by a bibliography and filmography.
Motion picture plays. --- PERFORMING ARTS / Film & Video / General. --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- america. --- american filmmakers. --- american institutions. --- american society. --- annotated. --- cinema. --- critical introduction. --- documentaries. --- emmy winners. --- famous filmmakers. --- feature length documentaries. --- film criticism. --- film critics. --- film editing. --- film scholars. --- film studies. --- film transcriptions. --- filmmakers. --- filmography. --- frederick wiseman. --- high school ii. --- high school. --- performing arts. --- public housing. --- social life. --- sound. --- students and teachers. --- titicut follies. --- welfare.
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In the first book devoted to Charles Burnett, a crucial figure in the history of American cinema often regarded as the most influential member of the L.A. Rebellion group of African American filmmakers, James Naremore provides a close critical study of all Burnett's major pictures for movies and television, including Killer of Sheep, To Sleep with Anger, The Glass Shield, Nightjohn, The Wedding, Nat Turner: A Troublesome Property, and Warming by the Devil's Fire. Having accessed new information and rarely seen material, Naremore shows that Burnett's career has developed against the odds and that his artistry, social criticism, humor, and commitment to what he calls "symbolic knowledge" have given his work enduring value for American culture.
African American motion picture producers and directors. --- Afro-American motion picture producers and directors --- Motion picture producers and directors, African American --- Motion picture producers and directors --- Burnett, Charles, --- Criticism and interpretation. --- a troublesome property. --- african american filmmakers. --- american cinema. --- cinematography. --- film appreciation. --- film collectors. --- film theorists. --- film theory. --- killer of sheep. --- movie history. --- nat turner. --- nightjohn. --- social criticism. --- the glass shield. --- the wedding. --- to sleep with anger. --- warming by the devils fire.
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"L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group--including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis--shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles"--Provided by publisher.
African American motion picture producers and directors --- Independent filmmakers --- Independent films --- Experimental films --- History --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- Indie films --- Independent moviemakers --- Motion picture producers and directors --- Afro-American motion picture producers and directors --- Motion picture producers and directors, African American --- Sociology of minorities --- Film --- anno 1970-1979 --- anno 1980-1989 --- Los Angeles [California] --- 20th century american film. --- african american filmmakers. --- african filmmakers. --- alternative film. --- american cinema. --- archival work. --- billy woodberry. --- black cinema. --- black experience. --- black visual culture. --- caribbean filmmakers. --- charles burnett. --- cinema. --- critical analysis. --- film and television. --- film studies. --- filmography. --- haile gerima. --- hollywood. --- jamaa fanaka. --- julie dash. --- la rebellion. --- movie theory. --- new black cinema. --- political. --- postwar art. --- rebellion. --- ucla. --- university of california los angeles. --- video artists. --- zeinabu irene davis.
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James Stewart once said, "For John Ford, there was no need for dialogue. The music said it all." This lively, accessible study is the first comprehensive analysis of Ford's use of music in his iconic westerns. Encompassing a variety of critical approaches and incorporating original archival research, Kathryn Kalinak explores the director's oft-noted predilection for American folk song, hymnody, and period music. What she finds is that Ford used music as more than a stylistic gesture. In fascinating discussions of Ford's westerns-from silent-era features such as Straight Shooting and The Iron Horse to classics of the sound era such as My Darling Clementine and The Searchers -Kalinak describes how the director exploited music, and especially song, in defining the geographical and ideological space of the American West.
Motion picture music --- History and criticism. --- Ford, John, --- O'Feeney, Sean, --- O'Fearna, Sean Aloysius, --- O'Fienne, Sean Aloysius, --- Feeney, John Martin, --- Ford, Jack, --- Criticism and interpretation. --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- History and criticism --- Ford, John --- O'Feeney, Sean --- O'Fearna, Sean Aloysius --- O'Fienne, Sean Aloysius --- Feeney, John Martin --- Ford, Jack --- 20th century american film. --- american cinema. --- american film director. --- american filmmakers. --- american folk music. --- american folk songs. --- american west. --- biographical. --- cinema. --- film criticism. --- film studies. --- film. --- hollywood. --- hymnody. --- john ford. --- movie studies. --- movie. --- music in film. --- music. --- my darling clementine. --- old west. --- period music. --- stagecoach. --- the iron horse. --- the man who shot liberty valance. --- the searchers. --- western films. --- western united states. --- westerns.
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