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Holy adolescence, Batman! Robin and the Making of American Adolescence offers the first character history and analysis of the most famous superhero sidekick, Robin. Debuting just a few months after Batman himself, Robin has been an integral part of the Dark Knight’s history—and debuting just a few months prior to the word “teenager” first appearing in print, Robin has from the outset both reflected and reinforced particular images of American adolescence. Closely reading several characters who have “played” Robin over the past eighty years, Robin and the Making of American Adolescence reveals the Boy (and sometimes Girl!) Wonder as a complex figure through whom mainstream culture has addressed anxieties about adolescents in relation to sexuality, gender, and race. This book partners up comics studies and adolescent studies as a new Dynamic Duo, following Robin as he swings alongside the ever-changing American teenager and finally shining the Bat-signal on the latter half of “Batman and—.”
Adolescence in literature. --- Sidekicks in literature. --- Superheroes. --- LITERARY CRITICISM / General. --- Robin, --- Batman, Robin, superhero, sidekick, Dark Night, American comics, American adolescence, Boy Wonder, teenager, teen anxiety, American teen, dynamic duo, comic figure, Nightwing, Dick Grayson, modern comics, television, film, race, sexuality, childhood, childhood studies, comic culture, comic studies. --- Comic book heroes --- Super heroes --- Fictitious characters --- Grayson, Richard John --- Wayne, Damian --- Robin --- Drake, Tim --- Grayson, Dick --- Todd, Jason --- Nightwing --- børne- og ungdomslitteratur. --- bsup.
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Funnybooks is the story of the most popular American comic books of the 1940's and 1950's, those published under the Dell label. For a time, "Dell Comics Are Good Comics" was more than a slogan-it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.
82-931 --- 76 <73> --- Stripverhaal --- Grafische kunsten. Grafiek. Prentkunst--Verenigde Staten van Amerika. VSA. USA --- 76 <73> Grafische kunsten. Grafiek. Prentkunst--Verenigde Staten van Amerika. VSA. USA --- 82-931 Stripverhaal --- Comic books, strips, etc. --- United States --- History and criticism --- History and criticism. --- Drawing --- Literature --- United States of America --- beeldverhalen --- 20th century comic books. --- american comics. --- animation graphic design. --- art. --- artistic potential. --- artists. --- business history. --- business. --- carl barks. --- cartoonists. --- comic book history. --- comic books. --- comic history. --- comic studies. --- comics. --- dell comics. --- disney. --- donald duck. --- entertainment industry. --- enthusiasm. --- john stanley. --- literary criticism. --- literary. --- little lulu. --- midcentury comics. --- pogo. --- retrospective. --- uncle scrooge. --- walt kelly.
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