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Capitalist crises do not begin within art, but art reflects and even amplifies their effects. The dizzying prices achieved by artists who pander to the financial elites, the proliferation of museums that contribute to the global competition between cities to attract capital, and the strange relationship between art and the rampant gentrification that restructures the urban landscape: these are the obvious features of art's subservience to capitalism. There is a flipside, however, which shows art playing an increasingly important role in resistance to austerity and the prefiguration of a different world. Delirium and Resistance engages in critical dialogue with artists' collectives, counter-institutions and activist groups, while reflecting on the inequalities of neoliberal culture. It draws on over thirty years of critical debates and practices both in and beyond the art world to historicise and advocate for the art activist tradition that radically entangles the visual arts with political struggles.

Political art --- Art, Modern --- Art --- Art and society --- Activist art --- Protest art --- Resistance art --- Social art --- Art and sociology --- Society and art --- Sociology and art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Contemporary art --- Modernism (Art) --- Political aspects --- History --- Social aspects --- Art, Primitive --- 2000-2099

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Mexico has become notorious for crime-related violence, and the efforts of governments and national and international NGOs to counter this violence have proven largely futile. Citizens against Crime and Violence studies societal responses to crime and violence within one of Mexico’s most affected regions, the state of Michoacán. Based on comparative ethnography conducted over twelve months by a team of anthropologists and sociologists across six localities of Michoacán, ranging from the most rural to the most urban, the contributors consider five varieties of societal responses: local citizen security councils that define security and attempt to influence its policing, including by self-defense groups; cultural activists looking to create safe 'cultural' fields from which to transform their social environment; organizations in the state capital that combine legal and political strategies against less visible violence (forced disappearance, gender violence, anti-LGBT); church-linked initiatives bringing to bear the church’s institutionality, including to denounce 'state capture'; and women’s organizations creating 'safe' networks allowing to influence violence prevention.

Crime prevention --- Minorities --- Violence --- Citizen participation. --- Crimes against --- Michoacán de Ocampo (Mexico) --- Social conditions. --- Mexico, crime-related violence, NGOs, violence, crime, Michoacán, comparative ethnography, anthropology, sociology, security council, security, policing, self-defense, cultural activism, visible violence, invisible violence, forced disappearance, gender violence, anti-LGBT, church, state capture, women organizations, safe networks, violence prevention, crime prevention, State Security, Sustainable Responses, mobilization, activist art, Institutional Violence, sex workers, Organized Crime, Women’s Activism, policy makers, Policy, Corruption.

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For the Wild explores the ways in which the commitments of radical environmental and animal-rights activists develop through powerful experiences with the more-than-human world during childhood and young adulthood. The book addresses the question of how and why activists come to value nonhuman animals and the natural world as worthy of protection. Emotions and memories of wonder, love, compassion, anger, and grief shape activists' protest practices and help us understand their deep-rooted dedication to the planet and its creatures. Drawing on analyses of activist art, music, and writings, as well as interviews and participant-observation in activist communities, Sarah M. Pike delves into the sacred duties of these often misunderstood and marginalized groups with openness and sensitivity.

Animal rights --- Animal rights movement --- Animal rights activists --- Environmentalists --- Nature --- Environmental ethics --- Social movements --- Animal liberation --- Animals' rights --- Rights of animals --- Animal welfare --- Anthropogenic effects on nature --- Ecological footprint --- Human beings --- Anthropogenic soils --- Human ecology --- Scientists --- Activists, Animal rights --- Advocates, Animal rights --- Animal rights advocates --- Reformers --- Moral and ethical aspects --- Attitudes. --- Effect of human beings on. --- Animal rights activists. --- Animal rights movement. --- Environmental ethics. --- NATURE / Animal Rights. --- NATURE / Environmental Conservation & Protection. --- RELIGION / Religion & Science. --- Moral and ethical aspects. --- Attitudes --- United States. --- activism. --- activist art. --- activist communities. --- activists. --- animal rights activists. --- animal rights. --- animal welfare. --- childhood. --- conservation. --- contemporary activism. --- emotions. --- environmentalism. --- environmentalist. --- growing up. --- inclusion. --- interviews. --- marginalized groups. --- music. --- natural world. --- nonhuman animals. --- observation. --- protection. --- radical activists. --- radical environmentalists. --- writings. --- young adulthood.

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An authoritative, richly illustrated history of six centuries of global protest artThroughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics.Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth's Gin Lane, Thomas Nast's political caricatures, French and British comics, postcards from the women's suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the "Silence=Death" emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong's Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes.From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women's March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.

Political art. --- Political posters --- Protest movements. --- ART / Art & Politics. --- Social movements --- Campaign posters --- Political collectibles --- Posters --- Activist art --- Protest art --- Resistance art --- Social art --- Art --- History. --- Political sociology --- Graphic arts --- graphic design --- history [discipline] --- revolutions --- political art --- graphic arts --- Activism. --- Adolf Hitler. --- Adolf. --- Advertising campaign. --- Advertising. --- Alamy. --- Alberto Korda. --- Anti-war movement. --- Apartheid. --- Art movement. --- Ben Shahn. --- Black people. --- Campaign for Nuclear Disarmament. --- Caricature. --- Cartoon. --- Cartoonist. --- Charlie Hebdo. --- Che Guevara. --- Civil disobedience. --- Civilization. --- Combatant. --- Communism. --- Dada. --- Defamation. --- Designer. --- Dictatorship. --- Editorial cartoon. --- El Lissitzky. --- Emblem. --- Environmentalism. --- Feminism (international relations). --- Feminism. --- Film poster. --- George Grosz. --- Global warming. --- Guerrilla Girls. --- Gulf War. --- Harper's Weekly. --- Headline. --- Iconography. --- Illustration. --- Illustrator. --- James Gillray. --- Je suis Charlie. --- Jesus Barraza. --- John Heartfield. --- LGBT. --- Le Charivari. --- Manifesto. --- March on Washington for Jobs and Freedom. --- Modernism. --- Mushroom cloud. --- National Association for the Advancement of Colored People. --- Nazi Germany. --- Nazi Party. --- Nazism. --- Newspaper. --- Nicaragua. --- Nuclear disarmament. --- Nuclear warfare. --- Nuclear weapon. --- Pamphlet. --- Pass laws. --- Photomontage. --- Political satire. --- Politician. --- Postcard. --- Poster. --- Power politics. --- Princeton University Press. --- Protest. --- Publication. --- Publishing. --- Racial segregation. --- Racism. --- Riot police. --- Sacco and Vanzetti. --- Satire. --- See Red Women's Workshop. --- Sexism. --- Simplicissimus. --- Soviet Union. --- Spanish Civil War. --- Special Relationship. --- Suffrage. --- Suffragette. --- Tear gas. --- Technology. --- Terrorism. --- The Quarto Group. --- Their Lives. --- Thomas Nast. --- Thomas Rowlandson. --- To This Day. --- Trade union. --- Trafalgar Square. --- Trayvon Martin. --- Tristan Tzara. --- Typography. --- Unemployment. --- communication design