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The first behind-the-scenes history of the organization behind the Academy Awards. For all the near-fanatic attention brought each year to the Academy Awards, the organization that dispenses those awards-the Academy of Motion Picture Arts and Sciences-has yet to be understood. To date, no one has ever produced a thorough account of the Academy's birth and its awkward adolescence, and the few reports on those periods from outside have always had a glancing, cursory quality. Yet the story of the Academy's creation and development is a critical piece of Hollywood's history. Now that story is finally being told. Bruce Davis, executive director of the Academy for over twenty years, was given unprecedented access to its archives, and the result is a revealing and compelling story of the men and women, famous and infamous, who shaped one of the best-known organizations in the world. Davis writes about the Academy with as intimate a view of its workings, its awards, and its world-famous membership. Thorough and long overdue, The Academy and the Award fills a crucial gap in Hollywood history.
Academy Awards (Motion pictures) --- Motion pictures --- History. --- Academy of Motion Picture Arts and Sciences --- Film
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Academy awards (Cinema) --- Academy awards (Film) --- Academy awards (Moving-pictures) --- Academy awards (motion pictures) --- #SBIB:309H1313 --- #SBIB:309H1312 --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Academy of Motion Picture Arts and Sciences --- A.M.P.A.S. --- AMPAS --- History. --- History --- Sources --- Motion pictures --- United States --- Sources.
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This engaging book chronicles the first classes on the art and industry of cinema and the colorful pioneers who taught, wrote, and advocated on behalf of the new art form. Using extensive archival research, Dana Polan looks at, for example, Columbia University's early classes on Photoplay Composition; lectures at the New School for Social Research by famed movie historian Terry Ramsaye; the film industry's sponsorship of a business course on film at Harvard; and attempts by the Academy of Motion Picture Arts and Sciences to create programs of professionalized education at the University of Southern California, Stanford, and elsewhere. Polan examines a wide range of thinkers who engaged with the new art of film, from Marxist Harry Alan Potamkin to sociologist Frederic Thrasher to Great Books advocates Mortimer Adler and Mark Van Doren.
Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Study and teaching --- History and criticism --- Motion picture industry. --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Cinéma --- Etude et enseignement --- Motion pictures - Study and teaching - United States. --- academy of motion picture arts and sciences. --- american cinema. --- american film history. --- art of cinema. --- business course on film. --- cinema. --- film industry. --- film studies. --- film. --- frederic thrasher. --- great books advocates. --- harry alan potamkin. --- historical. --- history of film studies. --- mark van doren. --- marxism. --- mortimer adler. --- movie studies. --- movies. --- new school for social research. --- photoplay composition. --- retrospective. --- sociology. --- terry ramsaye. --- united states of america.
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