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Zulu literature --- Zulu literature. --- History and criticism.
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Zulu poetry. --- Zulu literature --- poetry (form) --- South Africa.
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Inkondlo kaZulu (Zulu Poems), the first volume of poetry by B. W. Vilakazi, was first published in 1935. This was the first book of poems ever published in isiZulu; it also marked the launch of the newly established Bantu (later, African) Treasury Series, a collection of twenty classic works written between 1935 and 1987 in African indigenous languages. It contains superb nature poems and also reflects Vilakazi's contact with Western modernity. As both a traditional imbongi (bard) and a forward-looking poet who could fuse Western poetic forms with Zulu izibongo (praise poetry), he used his writings to express his resistance to the realities of capitalist exploitation of African labour and the appalling injustices of the migrant labour system. By committing to writing in poetic form what had traditionally been conveyed orally from one generation to the next, he preserves for future generations deep philosophical and emotional experiences of Zulu society.
The republication of Inkondlo kaZulu affords the reader the opportunity to reappraise Vilakazi's intellectual significance and his renown as the 'father of Nguni literature' at a time when the need is acutely felt to unshackle ourselves from ethnic boundaries and break the invisible chains of inherited prejudice.
Zulu poetry --- Zulu language --- Zulu poetry. --- Zulu literature
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Amal'ezulu (Zulu Horizons), first published in 1945, was the second volume of poetry produced by the renowned Zulu author B. W. Vilakazi. It was written during the ten years he spent living in Johannesburg, in 'exile' from his birthplace, KwaZulu-Natal. The poems in this collection represent a turning point in Vilakazi's life; they express yearnings for the beloved land, animals and ancestral spirits of his rural home, as well as expressions of deep disillusionment with the urban life he encountered in the 'City of Gold', and in particular the suffering of the black miners who brought this gold to the surface but never experienced the benefits of the wealth it produced for the mine owners.
Renowned as the father of Nguni literature, Vilakazi was both a traditional imbongi (bard) and a forward-looking poet who could fuse Western poetic forms with Zulu izibongo (praise poetry). In these poems he assumes the role of the voice of the voiceless, and gives poignant expression to the stoic endurance of those caught up in the brutalities of capitalist exploitation of African labour, and the appalling injustices of the migrant labour system.
Zulu poetry --- Zulu literature --- Zulu poetry. --- Zulu language
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Ukufa kukaShaka is a historical drama by Elliot Zondi, first published in 1960 in the Bantu (later, African) Treasury Series. Its plot is based on the events surrounding the assassination of Shaka, the mighty Zulu king, by his two half-brothers, Dingane and Mhlangana, aided and abetted by his paternal aunt, Mkabayi, in 1828. The play explores the classic theme of the tragic hero's fatal flaws: hubris and overconfidence. Shaka's ruthless ambition led him to overstep human boundaries, kill with impunity, bar his warriors from having families and force them into endless wars. His blind spot seems to have been to put the survival and expansion of the Zulu kingdom first and the welfare of his subjects second.
Against this backdrop Mkabayi, whose ambitions for a remarkable Zulu nation were more tempered, played a decisive role in his downfall. Zondi explores arguments both in favour of and against Shaka's assassination in a way that allows the reader to sympathise with his greater vision and his thwarted plan to fight impending colonialism. His dramatisation of the conflict between Shaka and Mkabayi highlights questions of leadership and nation-building that continue to be relevant today.
Shaka, --- Zulu drama. --- Zulu literature --- Chaka, --- Shaka kaSenzangakhona, --- Shaka Zulu, --- Tshaka, --- U-Shaka, --- Great Elephant,
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African-language writing is in crisis. The conditions under which African writing developed in the past (only remotely similar to those of Western models), resulted in an inability of Eurocentric literary models to explore the hermeneutic world of African language poetics inherited from the oral and the modern worlds. Existing modes of criticism in the study of this literary tradition are often unsuited for a nuanced understanding of the intrinsic and extrinsic aspects at play in the composition, production and reading of these literatures. In African-Language Literatures, Innocentia Jabulisile Mhlambi charts new directions in the study of African-language literatures generally and isiZulu fiction in particular by proposing that African popular arts and culture models be considered as a logical solution to current debates and challenges. Mhlambi shows how the popular arts and culture approach brings into relationship the oral and written forms, the local and the international, and elitist and popular genres, and locates and places the resultant emerging, eclectic culture into its socio-historical context. She uses this theoretical approach to explore - in a wide range of cultural products - what matters or what is of interest to the people, irrespective of social hierarchies and predispositions. It is her contention that, in profound ways the African-language literary tradition evinces diversity, complexity and fluidity, and that this should be seen as an invitation to look at systems of meaning which do not hide their connections with the facts of power and material life.
Zulu literature --- Language and culture. --- African fiction (English) --- Culture and language --- Culture --- South African literature --- History and criticism.
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English literature --- Epic literature, Zulu --- -Zulu epic literature --- Zulu literature --- Translations into English --- Translations into English. --- -Translations into English --- Zulu epic literature
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