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Why we have to add so many things into one exhibition, even the space is good enough to be seen. I’m always trying to find out what interests me the most in the space, focusing on the things we easily ignore. Make the feeling strong enough to show to others. I don’t want to ruin the relationship which already exists in the space. Less is less, we don’t need more. Observe the space like an ant. The trails made by human beings in the world can’t last longer than what ants left behind. Staying, not to make, but to feel.
Drawing --- kunstenaarsboeken --- Zhang, Yi
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This pivot considers key transformations within the Chinese film industry since the country opened its doors to the outside world in the late 1970s, and moved from an ideologically-centred censorship system to one of contestation and cooperation between politics, art and market. Focusing on Zhang Yimou, arguably one of China’s most innovative and controversial filmmakers and directors, the author addresses the challenges faced by contemporary Chinese cinema in the face of Hollywood dominance, notably making genre films in an increasingly globalized context, and the necessary compromises between the local and global, the national and the international. Through a combination of textual analysis and context study, it examines action-oriented films Zhang made as responses to a rapidly changing film market and industry.
Culture --- Motion pictures --- Cultural studies. --- Cultural and Media Studies. --- Asian Cinema. --- Cultural Studies. --- American Cinema. --- Study and teaching. --- United States. --- Asia. --- Zhang, Yimou --- Criticism and interpretation. --- Chang, I-mou --- Zhang, Yi Mou --- 张艺谋 --- 張藝謀 --- Mou, Zhang Yi --- Yimou, Zhang --- Motion pictures-Asia. --- Motion pictures-United States. --- Asian Cinema and TV. --- American Cinema and TV. --- Motion pictures—Asia. --- Motion pictures—United States.
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Iconography --- Art --- installations [visual works] --- art [discipline] --- culturele diversiteit (kunst) --- Lao Si --- Li Sok-Ju --- Arellano, Agnes --- Banzon, Genara --- Bauwa Devi --- Bawa, Manjit --- Bimla Dutta --- Boonma, Montien --- Caur, Arpana --- Dave, Shanti --- Dhali Al Mamoon --- Emjaroen, Pratuang --- Feleo, Roberto --- Ganga Devi --- Gelvezon-Tequi, Ofelia --- Godawari Dutta --- He Duo-Ling --- Hori, Kosai --- Huang Rui --- I Dewa Putu Mokoh --- I Dewa Putu Sena --- I Ketut Budiana --- I Ketut Sadia --- Id Bagus Putu Taman --- Ida Bagus Tantra --- Ivan Sagito --- Janna Devi --- Karpoori Devi --- Kazi, Ghiyas Uddin --- Kazi, Mohammed Abdul Quayyum --- Kawamata, Tadashi --- Ko-Udomvit, Thavorn --- Li U-Wan --- Made Dini --- Maha Sundari Devi --- Maruyama, Naofumi --- Mohd Zain, Ismail --- Nakamura, Kazumi --- Ni Gusti Aya Natih Arimini --- Nyoman Meja --- Park, Seo-Bo --- Piyadasa, Redza --- Qu Qi-Feng --- Sakurai, Hideyoshi --- Santosh, Gulam Rasool --- Shao, Fan --- Sita Devi --- Tan, Chin-Kuan --- Tang, Sa-Wu --- Tatsuno, Toeko --- Toya, Shigeo --- Tsegmid, Tserennadmidin --- Vaidya, Batsa-Gopal --- Wang Zu-De --- Wayan Bendi --- Wayan Darsana --- Wayan Turun --- Xu Shao-Qing --- Yanagi, Yukinori --- Yang Yun-Qing --- Yoon, Hyong-Keun --- Zhang Yi-Fei --- Zhuang Su --- Zulkifli B. Yusoff --- Cai Guo Qiang --- Kapoor, Anish --- Duchanee, Thawan --- anno 1900-1999 --- Asia
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