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"The concept of alchemy in Daoist philosophy describes the process of individual transformation that occurs as a result of long-term meditation practice. While that classical terminology may seem arcane, it actually beautifully represents Daoism's straightforward philosophy. In clear and engaging language, Ten Discourses on Daoist Alchemy shows us that alchemy is not something one does, but a process that unfolds when one "does nothing"-meaning abiding in one's basic, primordial state. It teaches the entire process of Daoist inner alchemy cultivation through meditation practices and includes authentic explanations of fundamental theories and methods needed to actually start walking the path. To create this book, Ge Guolong, a contemporary academic, drew from his lectures on the "Oral Record from the Hall of Joyous Teaching," written by Huang Yuanji -a Daoist master from the late-Ming, early-Qing Dynasty (1636-1912). Guolong's vivid explanation of this classic text will surprise readers with its clarity and practicality. Huang's teachings synthesize Daoism, Buddhism, and Confucianism, and readers who have found Daoist books to be too vague, too interpretive, or too baroque to be practical will appreciate this book an excellent entry point to Daoist philosophy and its accessible meditation practices"--

Taoism. --- Yuanji, Huang

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Shitao, --- Painting, Chinese --- Peinture chinoise --- Shih-tijao, --- S17/0624 --- China: Art and archaeology--Painting: Qing --- A-chʻang, --- Achang, --- Chʻao-chi, --- Chaoji, --- Chi-shan-seng, --- Chih-hsia-sou, --- Ching-chiang-hou-jen, --- Chʻing-hsiang-chʻen-jen, --- Chʻing-hsiang-i-jen, --- Chʻing-hsiang-lao-jen, --- Chu, A-chʻang, --- Chu, Jo-chi, --- Citrouille-Amère, --- Dadizi, --- Daitekishi, --- Daoji, --- Dōsei, --- Dun'gen, --- Hsia-tsun-che, --- I-chih-ko, --- Jingjianghouren, --- Jishanseng, --- Kʻu-kua-ho-shang, --- Kuguaheshang, --- Ling-ting-lao-jen, --- Lingdinglaoren, --- Qingxiangchenren, --- Qingxianglaoren, --- Qingxiangyiren, --- Sekitō, --- Shan-chʻeng-kʻo, --- Shanchengke, --- Shi, Tao, --- Shi-tao, --- Shih-tʻao, --- Shih, Tʻao, --- Sŏkto, --- Ta-ti-tzu, --- Tao-chi, --- Tao-shi, --- Tun-ken, --- Wan-tao-jen, --- Wandaoren, --- Xiazunzhe, --- Yizhige, --- Yüan-chi, --- Yuanji, --- Zhixiasou, --- Zhu, Achang, --- Zhu, Ruoji, --- 石涛, --- 石濤, --- 道濟, --- 釋道, --- Criticism and interpretation. --- 朱若极, --- Shitao, - 1642-1707 --- Writing --- Painting --- calligraphy [process] --- wash technique --- Chinese ink --- Shitao

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Le traité de Shitao, qui date de 1710 environ, est le fruit relativement tardif d'une littérature esthétique qui, en l'espace de plus d'un millénaire, avait déjà accumulé une production singulièrement riche. Par sa forme et sa composition, ce traité se présente extérieurement comme un manuel de peinture, divisé en chapitres analytiques. Mais à la lecture, il révèle aussitôt une double originalité essentielle qui ne trouve de répondant dans aucune branche de la littérature esthétique : il s'agit en effet d'un ouvrage exclusivement philosophique, dont la pensée est organisée en un système synthétique. Shitao fonde sa pensée hors du temps, au-delà des œuvres et des écoles ; il ne s'occupe ni des peintres ni des peintures, mais du Peintre et de la Peinture ou, plus exactement, de l'acte du Peintre.L'étude de ce traité qui, de l'aveu général des critiques chinois, représente une des expressions les plus hautes et les plus complètes de la pensée esthétique chinoise, offre pour nous un intérêt particulier : apparaissant presqu'au terme d'une longue tradition qui cristallise en lui ses richesses essentielles, ce texte d'une part nous donne l'occasion de passer en revue les notions les plus importantes de cette littérature esthétique et, d'autre part, il incarne de manière exemplaire l'attitude du peintre chinois, épurée jusqu'en ce qu'elle représente de plus universel, c'est-à-dire la vision de l'homme agissant en communion avec l'Univers.

Painting, Chinese --- Painting --- Technique --- Shitao, --- Sources --- S17/0600 --- S17/0430 --- -Painting --- -#SML: Joseph Spae --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Chinese painting --- Paintings, Chinese --- China: Art and archaeology--Calligraphy and painting: general (incl. technic. and esthetic aspects) --- China: Art and archaeology--Esthetics --- Shih-t'ao --- -Sources --- #SML: Joseph Spae --- A-chʻang, --- Achang, --- Chʻao-chi, --- Chaoji, --- Chi-shan-seng, --- Chih-hsia-sou, --- Ching-chiang-hou-jen, --- Chʻing-hsiang-chʻen-jen, --- Chʻing-hsiang-i-jen, --- Chʻing-hsiang-lao-jen, --- Chu, A-chʻang, --- Chu, Jo-chi, --- Citrouille-Amère, --- Dadizi, --- Daitekishi, --- Daoji, --- Dōsei, --- Dun'gen, --- Hsia-tsun-che, --- I-chih-ko, --- Jingjianghouren, --- Jishanseng, --- Kʻu-kua-ho-shang, --- Kuguaheshang, --- Ling-ting-lao-jen, --- Lingdinglaoren, --- Qingxiangchenren, --- Qingxianglaoren, --- Qingxiangyiren, --- Sekitō, --- Shan-chʻeng-kʻo, --- Shanchengke, --- Shi, Tao, --- Shi-tao, --- Shih-tʻao, --- Shih, Tʻao, --- Sŏkto, --- Ta-ti-tzu, --- Tao-chi, --- Tao-shi, --- Tun-ken, --- Wan-tao-jen, --- Wandaoren, --- Xiazunzhe, --- Yizhige, --- Yüan-chi, --- Yuanji, --- Zhixiasou, --- Zhu, Achang, --- Zhu, Ruoji, --- 石涛, --- 石濤, --- 道濟, --- 釋道, --- Sources. --- 朱若极, --- Painting, Chinese - Technique --- Painting - Technique --- Shitao, - active 17th century-18th century - Sources --- Shitao, - active 17th century-18th century --- Graphisme --- Chine