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Art, British --- Young British Artists (Group of artists) --- Artists --- Art britannique --- Young British Artists (Groupe d'artistes) --- Artistes
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Sculpture, Modern --- Proportion (Art) --- Composition (Art) --- Young British Artists (Group of artists) --- Sculpture moderne --- Young British Artists (Groupe d'artistes) --- Philosophy --- Philosophie --- Philosophy. --- Proportion (Art). --- Composition (Art). --- Young British Artists (Group of artists).
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Part of the YBA (Young British Artist) movement of the mid-1990s, Gavin Turk has created pioneering works of contemporary art using materials such as painted bronze, wax, and garbage. Featuring numerous colour illustrations, this volume includes Turk's major projects since the early 1990s as well as three texts.
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The Young British Artists (YBAs) stormed on to the contemporary art scene in 1988 with their attention-grabbing, ironic art. They exploded art-world conventions with brazen disdain. Dismissed as trivial gimmickry and praised for its witty energy, their art made a mark both on the art scene and on public consciousness that continues to reverberate today. Now, almost three decades after they emerged, 'Artrage!' tells the story of the YBAs with the benefit of perspective, chronicling the group's rise to prominence from the landmark show 'Freeze' curated by Damien Hirst, through the heyday of the 1990s and the notorious 'sensation' exhibition, to the Momart fire of 2004 that seemed to symbolize the group's fading from centre stage.
Young British Artists (Group of artists) --- Art, British --- 7.01 --- 7.038(410) --- 7.039 --- Kunsttheorie ; The Young British Artists ; 1988-2016 --- Young British Artists ("yBa") --- Beeldende kunst ; BritArt ; 20ste en 21ste eeuw --- British art --- Systems Group (Group of artists) --- YBAs (Group of artists) --- YBA (Group of artists) --- BritArt (Group of artists) --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 1950 - 2000 ; Groot-Brittannië --- Kunstgeschiedenis ; 2000 - 2050 --- Art --- Young British Art --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- Great Britain
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7.07 --- Beeldende kunst ; 1994-2008 ; Angus Fairhurst --- Fairhurst, Angus 1966-2008 (°Pembury, Kent, Engeland) --- Tentoonstellingscatalogi ; Leuven ; museum M --- Young British Artists ("yBa") --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Fairhurst, Angus
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Vainqueur du Prix Turner à Londres, l'artiste Gillian Wearing utilise la photographie et la video pour explorer l'intimité et la complexité de la vie de chaque jour. Son travail se concentre sur les formes familières et la culture populaire pour explorer les profondeurs de l'être humain, ses traumatismes et ses émotions. Elle adopte des méthodes similaires au documentaire télévisé.
multimediakunst --- multimedia works --- Wearing, Gillian --- Photographie --- Vidéo --- Criticism and interpretation --- Russel Ferguson, Donna De Salvo, John Slyce --- Seven Up --- Wearing Gillian --- Groot-Brittannië --- fotografie --- Apted Michael --- kunst --- twintigste eeuw --- videokunst --- video-installaties --- 77.071 WEARING --- 791.45 WEARING --- Young British Artists --- conceptuele kunst --- 705.8 --- kunstgeschiedenis, 20e eeuw --- Criticism and interpretation. --- Wearing, Gillian - Criticism and interpretation --- Wearing, Gillian - Interviews
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Hirst, Damien --- Damien Hirst (° 1965, Bristol, UK) --- Installaties ; beeldhouwkunst ; 1989-2001 ; Damien Hirst --- Kunstverzamelingen ; the Saatchi Collection --- Kunst en existentie ; vergankelijkheid ; leegte ; eenzaamheid --- Young British Artists (yBa) --- 7.07 --- 7.038 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- kunst --- Groot-Brittannië --- Hirst Damien --- installaties --- 7.071 HIRST --- 705.8 --- kunstgeschiedenis, 20e eeuw
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Art, British --- -Kunst ; galerijen ; organisaties ; Groot-Brittannië ; 2de h. 20ste e. --- 7(03)(410) --- Louisa Buck --- kunst --- twintigste eeuw --- kunstmarkt --- Groot-Brittannië --- kunstonderwijs --- galeries --- kunstprijzen --- kunsttijdschriften --- kunstpublicaties --- Artist-run spaces --- Londen --- Engeland --- Noord-Ierland --- Schotland --- Wales --- 7.038 --- British art --- Kunst ; encyclopedieën ; Groot-Brittannië --- Kunst ; galerijen ; organisaties ; Groot-Brittannië ; 2de h. 20ste e --- Systems Group (Group of artists) --- Young British Artists (Group of artists)
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1980's Britain witnessed the brassy, multifaceted emergence of a new generation of young, Black-British artists. Practitioners such as Sonia Boyce and Keith Piper were exhibited in galleries up and down the country and reviewed approvingly. But as the 1980's generation gradually but noticeably fell out of favour, the 1990's produced an intriguing new type of Black-British artist. Ambitious, media-savvy, successful artists such as Steve McQueen, Chris Ofili, and Yinka Shonibare made extensive use of the Black image (or, at least, images of Black people, and visuals evocative of Africa), but did so in ways that set them apart from earlier Black artists. Not only did these artists occupy the curatorial and gallery spaces nominally reserved for a slightly older generation but, with aplomb, audacity, and purpose, they also claimed previously unimaginable new spaces. Their successes dwarfed those of any previous Black artists in Britain. Back-to-back Turner Prize victories, critically acclaimed Fourth Plinth commissions, and no end of adulatory media attention set them apart. What happened to Black-British artists during the 1990's is the chronicle around which Things Done Change is built. The extraordinary changes that the profile of Black-British artists went through are discussed in a lively, authoritative, and detailed narrative. In the evolving history of Black-British artists, many factors have played their part. The art world’s turning away from work judged to be overly ‘political’ and ‘issue-based’; the ascendancy of Blair’s New Labour government, determined to locate a bright and friendly type of ‘diversity’ at the heart of its identity; the emergence of the precocious and hegemonic yBa grouping; governmental shenanigans; the tragic murder of Black Londoner Stephen Lawrence – all these factors and many others underpin the telling of this fascinating story. Things Done Change represents a timely and important contribution to the building of more credible, inclusive, and nuanced art histories. The book avoids treating and discussing Black artists as practitioners wholly separate and distinct from their counterparts. Nor does the book seek to present a rosy and varnished account of Black-British artists. With its multiple references to Black music, in its title, several of its chapter headings, and citations evoked by artists themselves, Things Done Change makes a singular and compelling narrative that reflects, as well as draws on, wider cultural manifestations and events in the socio-political arena.
Art, Black --- Artists, Black --- Art, British --- Blacks in art. --- Negroes in art --- British art --- Black artists --- Negro artists --- Black art --- Negro art --- History. --- History --- Systems Group (Group of artists) --- Young British Artists (Group of artists) --- Blacks in art --- Black people in art.
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The First World War is usually believed to have had a catastrophic effect on British art, killing artists and movements, and creating a mood of belligerent philistinism around the nation. In this book, however, James Fox paints a very different picture of artistic life in wartime Britain. Drawing on a wide range of sources, he examines the cultural activities of largely forgotten individuals and institutions, as well as the press and the government, in order to shed new light on art's unusual role in a nation at war. He argues that the conflict's artistic consequences, though initially disruptive, were ultimately and enduringly productive. He reveals how the war effort helped forge a much closer relationship between the British public and their art - a relationship that informed the country's cultural agenda well into the 1920s.
World War, 1914-1918 --- Art, British --- Artists --- Art and society --- Art --- Art and sociology --- Society and art --- Sociology and art --- Persons --- Systems Group (Group of artists) --- Young British Artists (Group of artists) --- Social aspects --- History --- Great Britain --- Intellectual life --- Themes, motives. --- British art
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