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Jews have been active participants in shaping the healing practices of the communities of Eastern Europe. Their approach largely combined the ideas of traditional Ashkenazi culture with the heritage of medieval and early modern medicine. Holy rabbis and faith healers, as well as Jewish barbers, innkeepers, and pedlars, all dispensed cures, purveyed folk remedies for different ailments, and gave hope to the sick and their families based on kabbalah, numerology, prayer, and magical Hebrew formulas. Nevertheless, as new sources of knowledge penetrated the traditional world, modern medical ideas gained widespread support. Jews became court physicians to the nobility, and when the universities were opened up to them many also qualified as doctors. At every stage, medicine proved an important field for cross-cultural contacts.
Medicine --- Jews --- Traditional medicine --- Religious aspects --- Judaism. --- History. --- folk medicine --- Polish Jewish culture --- Yiddish culture --- Polish ethnography
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In the 1910s and 1920s, a "golem cult" swept across Europe and the U.S., later surfacing in Israel. Why did this story of a powerful clay monster molded and animated by a rabbi to protect his community become so popular and pervasive? The golem has appeared in a remarkable range of popular media: from the Yiddish theater to American comic books, from German silent film to Quentin Tarantino movies. This book showcases how the golem was remolded, throughout the war-torn twentieth century, as a muscular protector, injured combatant, and even murderous avenger. This evolution of the golem narrative is made comprehensible by, and also helps us to better understand, one of the defining aspects of the last one hundred years: mass warfare and its ancillary technologies. In the twentieth century the golem became a figure of war. It represented the chaos of warfare, the automation of war technologies, and the devastation wrought upon soldiers' bodies and psyches. Golem: Modern Wars and Their Monsters draws on some of the most popular and significant renditions of this story in order to unravel the paradoxical coincidence of wartime destruction and the fantasy of artificial creation. Due to its aggressive and rebellious sides, the golem became a means for reflection about how technological progress has altered human lives, as well as an avenue for experimentation with the media and art forms capable of expressing the monstrosity of war.
Golem. --- War. --- Armed conflict (War) --- Conflict, Armed (War) --- Fighting --- Hostilities --- Wars --- International relations --- Military art and science --- Peace --- Jewish legends --- Mysticism --- Judaism --- RELIGION / Judaism / History. --- german culture. --- jewish folklore. --- jewish history. --- jewish myth. --- legend. --- literary history. --- yiddish culture.
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Jack Nusan Porter’s writings date back to 1966 during the height of the Vietnam War. He describes the anguished struggle against war, racism, and poverty, as well as the radical groups involved—Jewish socialists, radical Zionists, radical Jews, Rabbi Meir Kahane and the Jewish Defense League, hippies, liberals, and conservatives alike. In addition, the anti-Zionist, anti-Israel, anti-Semitic and revolutionary terrorism of the times are all vividly described. Here, Porter draws from the past in order to explain the present, walking the precarious bridge between allegiance to Israel and the Jewish people and the universal rights of all people. This collection of old and new essays combines theory, sociology, film studies, literary criticism, post-modern thought, and politics to understand our present situation.
Jewish radicals. --- Jews --- Radicalism --- Radicals --- 1960s. --- Holocaust. --- Israel. --- Jewish radical. --- New Left. --- Yiddish culture. --- Zionism. --- activism. --- antisemitism. --- fascism. --- genocide. --- hippies. --- liberation. --- neo-Nazism. --- politics. --- progressivism. --- racism. --- reform. --- social change. --- socialism. --- sociology.
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"The Nazi Holocaust & the Exile of Yiddish is a history of the Algemeyne Entsikopedye (General Encyclopedia, Berlin, Paris, & New York, 1932-1966), the only attempt to publish a comprehensive encyclopedia of universal knowledge in the Yiddish language. In the decade after World War I, the potential for Yiddish was seemingly limitless. The global number of speakers of Yiddish was estimated at between nine and ten million, with major communities in Poland, the Soviet Union, and the United States. But by the early 1930s, as Jews were becoming invested in their host states, a dramatic rise in antisemitism from the political right threatened their new status. Extreme nationalists sought to undo Jewish participation in civic life, limit Jewish migration and settlement, and contain - or even purge - Jews' political, economic, cultural, and racial influence. This combination of factors led many within the Yiddishist camp both to reassert their commitment to the language and to a distinct Jewish national identity, increasing the urgency for the Entsiklopedye's architects to embark upon their project. Uncertainty over the Jewish future began to be reflected in the Entsiklopedye itself. The volumes of 1936 and 1937 contain otherwise out-of-place monograph-length entries on the specifically Jewish topics of "Antisemitism" and "Land of Israel," presaging a shift away from general subjects and toward more specifically Jewish content. In September 1939, the German invasion of Poland cut the Entsiklopedye off from its major source of readers and trapped many of its contributors who were based there. Just as the second Yidn volume was being sent to subscribers in Spring 1940, Germany invaded France. Making matters even worse, the copies of the second Yidn volume were sent to the United States, and but most copies were lost at sea. A few volumes that had been sent via the regular mail arrived safely in New York, however. The encyclopedia's editors themselves fled and, after making a harrowing escape via Spain and Portugal, arrived in New York by late summer / early autumn 1940. With the end of World War II and as the enormity of the Nazi Holocaust was becoming understood, the editors decided that the Entsiklopedye should continue. The post-war Yidn volumes contain descriptive essays on Jewish life on the eve of the Holocaust, a study of Jewish life in the Americas, and the last two volumes (1964 and 1966) are historical overviews of the Holocaust. By the release of the final volume in 1966, few of the original editors of The Algemeyne Entsiklopedye were still alive. Many of the great Jewish scholars who contributed to the project had also passed. In the Foreword, the administrator of the Entsiklopedye Iser Goldberg outlined the task of future Jewish scholarship as one of creating a new corpus of work dedicated to the Holocaust. He declared that this project that once was to guide millions of Yiddish readers into the modern world was now dedicated to "the thousands of readers and subscribers in Jewish communities" with the much more modest goal of making "an important contribution to the growing khurbn [Holocaust] literature." By bringing this neglected and unique work of Jewish scholarship back into studies of modern Jewish history, Trachtenberg makes a significant contribution to current historiographical debates on the content and boundaries of Jewish knowledge in the tumultuous middle decades of the twentieth-century. In large measure because of the lack of researchers able to work in the Yiddish language, the significance and history of the Algemeyne Entsiklopedye has been overlooked, despite the fact that it was one of the great (and few) collaborative projects involving the twentieth century's most influential Jewish scholars. This monograph will inform recent scholarly discussions on the function of Yiddish before, during, and after World War II, on the extent to which Eastern European Jews turned away from Diaspora Nationalism on the eve of war, and to what degree Jews in the United States were "silent" in the decades following the Nazi Holocaust"-- "The Nazi Holocaust & the Exile of Yiddish is a history of the Algemeyne Entsiklopedye (General Encyclopedia, Berlin, Paris, & New York, 1932-1966), the only attempt to publish a comprehensive encyclopedia of universal knowledge in the Yiddish language. In the decade after World War I, the potential for Yiddish was seemingly limitless. The global number of speakers of Yiddish was estimated at between nine and ten million, with major communities in Poland, the Soviet Union, and the United States. But by the early 1930s, as Jews were becoming invested in their host states, a dramatic rise in antisemitism from the political right threatened their new status. Extreme nationalists sought to undo Jewish participation in civic life, limit Jewish migration and settlement, and contain - or even purge - Jews' political, economic, cultural, and racial influence. This combination of factors led many within the Yiddishist camp both to reassert their commitment to the language and to a distinct Jewish national identity, increasing the urgency for the Entsiklopedye's architects to embark upon their project. Uncertainty over the Jewish future began to be reflected in the Entsiklopedye itself. The volumes of 1936 and 1937 contain otherwise out-of-place monograph-length entries on the specifically Jewish topics of "Antisemitism" and "Land of Israel," presaging a shift away from general subjects and toward more specifically Jewish content. In September 1939, the German invasion of Poland cut the Entsiklopedye off from its major source of readers and trapped many of its contributors who were based there. Just as the second Yidn volume was being sent to subscribers in Spring 1940, Germany invaded France. Making matters even worse, the copies of the second Yidn volume were sent to the United States, and but most copies were lost at sea. A few volumes that had been sent via the regular mail arrived safely in New York, however. The encyclopedia's editors themselves fled and, after making a harrowing escape via Spain and Portugal, arrived in New York by late summer / early autumn 1940. With the end of World War II and as the enormity of the Nazi Holocaust was becoming understood, the editors decided that the Entsiklopedye should continue. The post-war Yidn volumes contain descriptive essays on Jewish life on the eve of the Holocaust, a study of Jewish life in the Americas, and the last two volumes (1964 and 1966) are historical overviews of the Holocaust. By the release of the final volume in 1966, few of the original editors of The Algemeyne Entsiklopedye were still alive. Many of the great Jewish scholars who contributed to the project had also passed. In the Foreword, the administrator of the Entsiklopedye Iser Goldberg outlined the task of future Jewish scholarship as one of creating a new corpus of work dedicated to the Holocaust. He declared that this project that once was to guide millions of Yiddish readers into the modern world was now dedicated to "the thousands of readers and subscribers in Jewish communities" with the much more modest goal of making "an important contribution to the growing khurbn [Holocaust] literature." By bringing this neglected and unique work of Jewish scholarship back into studies of modern Jewish history, Trachtenberg makes a significant contribution to current historiographical debates on the content and boundaries of Jewish knowledge in the tumultuous middle decades of the twentieth-century. In large measure because of the lack of researchers able to work in the Yiddish language, the significance and history of the Algemeyne Entsiklopedye has been overlooked, despite the fact that it was one of the great (and few) collaborative projects involving the twentieth century's most influential Jewish scholars. This monograph will inform recent scholarly discussions on the function of Yiddish before, during, and after World War II, on the extent to which Eastern European Jews turned away from Diaspora Nationalism on the eve of war, and to what degree Jews in the United States were "silent" in the decades following the Nazi Holocaust"--
Litterature yiddish --- Encyclopedies et dictionnaires yiddish --- Holocaust, Jewish (1939-1945) --- Yiddish literature --- Jews --- Encyclopedias and dictionaries, Yiddish --- Histoire et critique. --- Influence. --- History --- History and criticism. --- Central Yiddish Culture Organization. --- Central Yiddish Culture Organization --- Algemeyne entsiḳlopedye. --- Berlin, Germany, Eastern Europe, Eastern European, Jewish, Yiddish, Jews, publish, publishing, language, encyclopedia, general knowledge, modern, reader, reader experience, Algemeyne entsiklopedye, General Encyclopedia, Hitler, Nazis, editor, editing, refugee, Jewish refugees, Paris, New York City, holocaust, audience, Eastern European Jews, genocide, persecution, World War II, 20th century, mid 20th century, cultural, political, knowledge, trauma, heritage, preserving heritage, extermination.
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The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre.
Klezmer music --- Jews --- Popular music --- History and criticism. --- Brandwein, Naftule, --- Tarras, Dave, --- Tarraschuk, Dovid, --- Brandwine, Naftule, --- Brandwein, Nifty, --- Brandwine, Nifty, --- Jewish musicians --- Musicians, Jewish --- Musicians --- New York (State) --- New York (City) --- Klezmer music, Yiddish music, East European music, American music, Music in New York, Dave Tarras, Naftule Brandwein, Shlumke Beckerman, New York Jewish immigrants, Jewish studies, Yiddish culture, ethnic studies, ethnomusicology, musicology.
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Adventures in Yiddishland examines the transformation of Yiddish in the six decades since the Holocaust, tracing its shift from the language of daily life for millions of Jews to what the author terms a post-vernacular language of diverse and expanding symbolic value. With a thorough command of modern Yiddish culture as well as its centuries-old history, Jeffrey Shandler investigates the remarkable diversity of contemporary encounters with the language. His study traverses the broad spectrum of people who engage with Yiddish-from Hasidim to avant-garde performers, Jews as well as non-Jews, fluent speakers as well as those who know little or no Yiddish-in communities across the Americas, in Europe, Israel, and other outposts of "Yiddishland."
Yiddish language. --- Yiddish language --- Jews --- Language and culture. --- Culture and language --- Culture --- German Hebrew --- Hebreo-German language --- Jewish language --- Jiddisch language --- Judaeo-German language (Yiddish) --- Judeo-German language (Yiddish) --- Social aspects. --- Languages. --- Languages --- avant garde. --- belief. --- contemporary. --- cultural history. --- cultural. --- faith. --- hasidic jews. --- hasidism. --- jewish culture. --- jewish. --- judaism. --- language change. --- language history. --- language. --- linguistics. --- postvernacular. --- religion. --- rhetoric. --- social studies. --- symbolic. --- symbolism. --- transformation. --- vernacular. --- world history. --- yiddish culture. --- yiddish history. --- yiddish speakers. --- yiddish.
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