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YERBY (FRANK) --- BARRETT (LINDSAY) --- CULTURE --- BROOKS (GWENDOLYN), 1917-2000 --- MARSHALL (PAULE), 1929 --- -MORRISON (TONI), 1931 --- -TOOMER (JEAN), 1894-1967 --- U.S. --- BLACKS
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For a work to be considered African American literature, does it need to focus on black characters or political themes? Must it represent these within a specific stylistic range? Or is it enough for the author to be identified as African American? In Deans and Truants, Gene Andrew Jarrett traces the shifting definitions of African American literature and the authors who wrote beyond those boundaries at the cost of critical dismissal and, at times, obscurity. From the late nineteenth century to the end of the twentieth, de facto deans--critics and authors as different as William Howells, Alain Locke, Richard Wright, and Amiri Baraka--prescribed the shifting parameters of realism and racial subject matter appropriate to authentic African American literature, while truant authors such as Paul Laurence Dunbar, George S. Schuyler, Frank Yerby, and Toni Morrison--perhaps the most celebrated African American author of the twentieth century--wrote literature anomalous to those standards.Jarrett explores the issues at stake when Howells, the "Dean of American Letters," argues in 1896 that only Dunbar's "entirely black verse," written in dialect, "would succeed."Three decades later, Locke, the cultural arbiter of the Harlem Renaissance, stands in contrast to Schuyler, a journalist and novelist who questions the existence of a peculiarly black or "New Negro" art. Next, Wright's 1937 blueprint for African American writing sets the terms of the Chicago Renaissance, but Yerby's version of historical romance approaches race and realism in alternative literary ways. Finally, Deans and Truants measures the gravitational pull of the late 1960s Black Aesthetic in Baraka's editorial silence on Toni Morrison's first and only short story, "Recitatif."Drawing from a wealth of biographical, historical, and literary sources, Deans and Truants describes the changing notions of race, politics, and gender that framed and were framed by the authors and critics of African American cultur
African American aesthetics --- Afro-Amerikaanse esthetica --- Esthétique afro-américains --- Littérature réaliste --- Neorealisme (Literatuur) --- Néoréalisme (Littérature) --- Realism (Literary movement) --- Realisme (Letterkundige beweging) --- Realisme (Literaire beweging) --- Realisme in de literatuur --- Realistische literatuur --- Réalisme (Mouvement littéraire) --- African Americans in literature --- African Americans --- American literature --- Race in literature --- Realism in literature --- English literature --- Agrarians (Group of writers) --- African American intellectuals --- Afro-Americans in literature --- Negroes in literature --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- Aesthetics, African American --- Afro-American aesthetics --- Aesthetics, American --- Intellectual life --- African American authors&delete& --- History and criticism --- African American authors --- Dunbar, Paul Laurence --- Criticism and interpretation --- Wright, Richard --- Locke, Alain Leroy --- Howells, William Dean --- Schuyler, George Samuel --- Morrison, Toni --- Yerby, Frank --- Realism in literature. --- Race in literature. --- African American aesthetics. --- African Americans in literature. --- Intellectual life. --- History and criticism. --- Locke, Alain LeRoy, 1885-1954 --- Cultural Studies. --- Literature. --- Littérature américaine --- Noirs américains --- ETHNICITE --- REALITE DANS LA LITTERATURE --- Auteurs noirs américains --- Histoire et critique --- Vie intellectuelle --- Dans la littérature --- DANS LA LITTERATURE --- Esthétique
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"This volume explores the contours and content of the Black Chicago Renaissance. A movement crafted in the crucible of rigid racial segregation in Chicago's "Black Belt" from the 1930's through the 1960's, its participants were also heavily influenced by--and influenced --the Harlem Renaissance and the Chicago Renaissance of white writers. Despite harsh segregation, black and white thinkers influenced one another particularly through their engagements with leftist organizations. In many ways, politically, racially, spatially, this was a movement invested in cross-pollination, change, and political activism, as much as literature, art, and aesthetics as it prepared the way for the literature of the Black Arts Movement and beyond. The volume begins with a look at Richard Wright, indisputably a central figure in the Black Chicago Renaissance with the publication of "Blueprint for Negro Writing." Wright sought to distance himself from what he considered to be the failures of the Harlem Renaissance, even as he built upon its aesthetic and cultural legacy. Subsequent chapters discuss Robert Abbott, William Attaway, Claude Barnett, Henry Blakely, Aldon Bland, Edward Bland, Arna Bontemps, Gwendolyn Brooks, Frank London Brown, Alice Browning, Dan Burley, Margaret Danner, Frank Marshall Davis, Katherine Dunham, Richard Durham, Lorraine Hansberry, Fenton Johnson, John Johnson, Marian Minus, Williard Motley, Marita Bonner, Gordon Parks, John Sengstacke, Margaret Walker, Theodore Ward, Frank Yerby, Black newspapers, the Chicago School of Sociologists, the Federal Theater Project, Black Music, and John Reed Clubs"--
American literature --- Illinois (Etat) --- Chicago (Ill.) --- History and criticism --- 20th century --- African American authors --- Intellectual life --- Abbott, Robert S. --- Attaway, William A. --- Barnett, Claude A. --- Blakely, Henry Lowington --- Bland, Alden --- Bland, Edward --- Bonner, Marita --- Brooks, Gwendolyn --- Brown, Frank London --- Browning, Alice C. --- Burley, Dan --- Danner, Margaret Esse --- Davis, Frank Marshall --- Durham, Richard --- Johnson, Fenton --- Johnson, John H. --- Minus, Mattie Marian --- Motley, Willard Francis --- Parks, Gordon --- Sengstacke, John --- Walker, Margaret Abigail --- Ward, Theodore --- Wright, Richard --- Yerby, Frank --- English literature --- Agrarians (Group of writers) --- History and criticism. --- Chikago (Ill.) --- Chikaho (Ill.) --- City of Chicago (Ill.) --- Shiḳago (Ill.) --- Čikago (Ill.) --- شيكاغو (Ill.) --- Shīkāghū (Ill.) --- Çikaqo (Ill.) --- Чыкага (Ill.) --- Chykaha (Ill.) --- Чикаго (Ill.) --- Shikááʼgóó (Ill.) --- Σικάγο (Ill.) --- Sikago (Ill.) --- Kikako (Ill.) --- שיקגו (Ill.) --- Sicagum (Ill.) --- Chicagia (Ill.) --- Chiagum (Ill.) --- Čikāga (Ill.) --- シカゴ (Ill.) --- شکاگو (Ill.) --- Shikāgū (Ill.) --- Kyekago (Ill.) --- Tchicago (Ill.) --- שיקאגא (Ill.) --- Čėkaga (Ill.) --- 芝加哥 (Ill.) --- Zhijiage (Ill.)
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