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Fifteenth-century Bologna is one of the major Italian cities, home to a prestigious university and thriving industrial and economic center; in these conditions, ideal for the development of the early typographic art, the market of the manuscript book, with its world of copyists, illuminators, bookbinders, stationaries, soon adapts to the new way of production, fostering between XV and XVI century the emergence of some great families of booksellers-printers-publishers. Since the first decades of the sixteenth century, however, an overwhelming foreign book production is increasingly present on bolognese market: important printers like Vincenzo Valgrisi and Gabriele Giolito establish branches in the city, while in the law book sector the Lyonese publishing industry of Giunti is gaining momentum. The situation changes again in the second half of the century, when the market is remodeled following the conditioning by the ecclesiastical authorities and it extends to social strata previously excluded from cultural consumption. The work, which is based on a detailed investigation of the documentary sources, reconstructs for the first time a social history of the Bolognese book trade, both outlining the events of families and shops operating in the city, and opening the look at the relationships with the large foreign firms.
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Fifteenth-century Bologna is one of the major Italian cities, home to a prestigious university and thriving industrial and economic center; in these conditions, ideal for the development of the early typographic art, the market of the manuscript book, with its world of copyists, illuminators, bookbinders, stationaries, soon adapts to the new way of production, fostering between XV and XVI century the emergence of some great families of booksellers-printers-publishers. Since the first decades of the sixteenth century, however, an overwhelming foreign book production is increasingly present on bolognese market: important printers like Vincenzo Valgrisi and Gabriele Giolito establish branches in the city, while in the law book sector the Lyonese publishing industry of Giunti is gaining momentum. The situation changes again in the second half of the century, when the market is remodeled following the conditioning by the ecclesiastical authorities and it extends to social strata previously excluded from cultural consumption. The work, which is based on a detailed investigation of the documentary sources, reconstructs for the first time a social history of the Bolognese book trade, both outlining the events of families and shops operating in the city, and opening the look at the relationships with the large foreign firms.
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Fifteenth-century Bologna is one of the major Italian cities, home to a prestigious university and thriving industrial and economic center; in these conditions, ideal for the development of the early typographic art, the market of the manuscript book, with its world of copyists, illuminators, bookbinders, stationaries, soon adapts to the new way of production, fostering between XV and XVI century the emergence of some great families of booksellers-printers-publishers. Since the first decades of the sixteenth century, however, an overwhelming foreign book production is increasingly present on bolognese market: important printers like Vincenzo Valgrisi and Gabriele Giolito establish branches in the city, while in the law book sector the Lyonese publishing industry of Giunti is gaining momentum. The situation changes again in the second half of the century, when the market is remodeled following the conditioning by the ecclesiastical authorities and it extends to social strata previously excluded from cultural consumption. The work, which is based on a detailed investigation of the documentary sources, reconstructs for the first time a social history of the Bolognese book trade, both outlining the events of families and shops operating in the city, and opening the look at the relationships with the large foreign firms.
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French literature --- Love stories, French --- Tales --- Histoires d'amour françaises --- Contes --- Romance fiction, French. --- Histoires d'amour françaises --- Poetry --- XVIth century --- Tales - France
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Un formidable élan créateur anime la pensée et l'art de la Renaissance. Michel Jeanneret tente de capter cette effervescence, de communiquer cet enthousiasme. Ce livre est à la mesure de la culture, extraordinairement diverse et féconde, du XVIe siècle européen. Il interroge de nombreux écrivains, d'Érasme à Rabelais, de Ronsard à Du Bartas. Il prend à témoins différents philosophes : Marsile Ficin, Montaigne et Giordano Bruno. Il analyse les dessins de Léonard, les statues de Michel-Ange et entraîne le lecteur dans les jardins de la Renaissance italienne. Partout, Michel Jeanneret découvre l'attrait des métamorphoses. Les savants perçoivent le monde comme un système instable, un corps flexible ; ils rêvent d'une création qui, toujours en cours, n'en finirait pas de réinventer les formes de la vie. Animées par une même passion pour les naissances et les transformations, les œuvres d'art sont conçues, elles aussi, comme des chantiers ouverts, des énergies potentielles. La perfection de l'art tient à la promesse d'un développement futur. Exploration des puissances de la nature, foisonnement intellectuel, inventivité de la recherche ; tout cela est à l'origine de notre modernité.
French literature --- Art --- anno 1400-1499 --- anno 1500-1599 --- Creation (Literary, artistic, etc.) --- Metamorphosis in art --- Creation (Literary, artistic, etc.). --- Metamorphosis in art. --- Renaissance. --- Social change --- Metamorphosis in literature. --- Renaissance --- Changement social --- Métamorphose dans la littérature --- Métamorphose dans l'art --- History --- Histoire --- Literature --- XVIth Century --- Criticism --- Aesthetics
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Catherine Monbeig Goguel, Francesco Salviati et la Bella Maniera. Quelques points à revoir. Interprétation, chronologie, atttributions ; Michael Hirst, Francesco Salviati : some additions and reflections ; Melinda Schlitt, « Lavorando per pratica ». Study, labor and facility in Vasari's life of Salviati ; Leatrice Mendelsohn, The sum of the parts. Recycling antiquities in the Maniera workshops of Salviati and his colleagues ; Alessandro Nova, Erotismo e spiritualità nella pittura romana del Cinquecento ; Tiziana Giuliani, Francesco Salviati e gli spettacoli di corte ; Nicole Dacos, Italiens et Espagnols dans l'atelier de Salviati. La chapelle du Pallio à la Chancellerie ; Philippe Costamagna, Le mécénat et la politique culturelle du cardinal Giovanni Salviati ; Antonio Pinelli, La cappella delle tombe scambiate. Novità sulla Cappella Chigi in Santa Maria del Popolo ; Julian Kliemann, L'immagine di Paolo III come pacificatore. Osservazioni sul «Salotto dipinto» ; Sylvie Deswarte-Rosa, Le mage, le calice, les enluminures et le reste. Francesco Salviati et Francisco de Holanda entre Rome et Venise (1538-1540) ; Janet Cox-Rearick, Beyond eclecticism : Salviati and Giulio Romano ; Annamaria Petrioli Tofani, Francesco Salviati e Polidoro da Caravaggio : sulle tracce di una consonanza ; Simonetta Prosperi Valenti Rodinò, « Officina farnesiana » : disegni per oreficerie ; David McTavish, Some suggestions for the work of Francesco Salviati, with comments on his relationship with Pellegrino Tibaldi ; William R. Rearick, Francesco Salviati, Giuseppe Porta and Venetian draftsmen of the 1540's ; Alessandra Baroni, Francesco Salviati e Giovanni Stradano : riflessioni su una collaborazione possibile ; Suzanne Boorsch, Salviati and prints : the question of Fagiuoli ; Anna Forlani Tempesti, Studi di teste fra verità e Maniera e aggiunte salviatesche ; Marzia Faietti, Disegni giovanili di Prospero Fontana : da Perino a Vasari, attraverso Salviati ; Florian Härb, Prospero Fontana alias Giorgio Vasari : collaboration and the limits of authorship ; Lynda Fairbairn, Orazio Porta circa 1540-1616. A new draughtsman in the circle of Giorgio Vasari ; Bert W. Meijer, À propos de quelques dessins de Lambert Sustris ; Maria Teresa Caracciolo, Pour le Maître des albums Egmont et ses sources Editeurs collections
Rossi, de, Francesco --- Art --- Salviati, Francesco --- Michelangelo --- 16de eeuw --- Italië --- Mannerism (Art) --- 75.071 SALVIATI --- CDL --- Salviati, Francesco, --- Rossi, Francesco del, --- Del Rossi, Francesco, --- Cecchino del Salviati, --- Salviati, --- Painting --- XVIth century. --- Salviati, Francesco. --- Michelangelo. --- 16de eeuw. --- Italië. --- The National Museum of Western Art (Tokyo).
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Art [Renaissance ] --- Italy --- Themes, motives --- Leonardo da Vinci --- Isabelle d'Este --- In art --- Leonardo, --- Isabella d'Este, --- CDL --- 75.071 DA VINCI --- Isabelle d'Este, --- Gonzaga, Isabella d'Este, --- Mantua, Isabella d'Este, --- D'Este Gonzaga, Isabella, --- D'Este, Isabella, --- Este, Isabella d', --- Isabella, --- Italian painting --- XVIth century --- Criticism
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