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In 1975, Marvel Comics revived the X-Men, a failed title which hadn't used new material for half a decade. It was a marginal project in an industry then in crisis. Five years later, it was the bestseller in a revived comics market. Unusually in the comics world, one man, Chris Claremont wrote the comic over seventeen years, from 1975 to 1991, developing new characters such as Wolverine and Storm, and taking themes from Freudian psychology, Christian temptation narratives, Existentialist philosophy and the language of sub-cultural identity. Marvel's Mutants is the first book to be devoted to the aesthetics of these comics that laid the foundation for the worldwide X-Men franchise we know today. Miles Booy explores Claremont's recurrent themes, the evolution of his reputation as an auteur within a collaborative medium, the superhero genre and the input of the artists with whom Claremont worked. Also covered are the successful spin-off projects, which Claremont wrote: solo Wolverine mini-series and whole new teams of mutant superheroes.
X-Men (Fictitious characters) --- History. --- Claremont, Chris, --- Criticism and interpretation.
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In 1975, Marvel Comics revived the X-Men, a failed title which hadn't used new material for half a decade. It was a marginal project in an industry then in crisis. Five years later, it was the bestseller in a revived comics market. Unusually in the comics world, one man, Chris Claremont wrote the comic over seventeen years, from 1975 to 1991, developing new characters such as Wolverine and Storm, and taking themes from Freudian psychology, Christian temptation narratives, Existentialist philosophy and the language of sub-cultural identity. Marvel's Mutants is the first book to be devoted to the aesthetics of these comics that laid the foundation for the worldwide X-Men franchise we know today. Miles Booy explores Claremont's recurrent themes, the evolution of his reputation as an auteur within a collaborative medium, the superhero genre and the input of the artists with whom Claremont worked. Also covered are the successful spin-off projects, which Claremont wrote: solo Wolverine mini-series and whole new teams of mutant superheroes.
X-Men (Fictitious characters) --- History. --- Claremont, Chris, --- Criticism and interpretation.
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Among both fans and the academic community, there is a general assumption that the X-Men franchise is one of the most progressive and inclusive superhero comic books that has been published. However, this study challenges such assumptions, revealing that there is an unfortunate trend throughout the majority of the title's history: Minority characters are most likely to be villains, female characters are most likely to be supporting cast members, and white males are most likely to be members of the X-Men.
X-Men (Fictitious characters) --- Race in literature. --- Gender identity in literature. --- Comic books, strips, etc. --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- X-men (Comic strip) --- Manhua (Comic books) --- Manhwa (Comic books)
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