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Has the creative period of the New Hong Kong Cinema now come to an end? However we answer this question, there is a need to evaluate the achievements of Hong Kong cinema. This series distinguishes itself from the other books on the subject by focusing in-depth on individual Hong Kong films, which together make the New Hong Kong cinema.

Woo, John --- Diexue shuang xiong (Motion picture). --- Woo, John, 1948-. --- Music, Dance, Drama & Film --- Film --- Woo, John, --- Diexue shuang xiong (Motion picture) --- Wu, Yü-sen, --- Wu, Yusen, --- Wu Yu-Sheng, --- Ng Yu-sum, --- 吳宇森, --- 吴宇森, --- Wu, Yu-Seng, --- Wu, Yu-Sheng, --- Ng, Yu-sum,

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In The Martial Arts Cinema of the Chinese Diaspora, Kin-Yan Szeto critically examines three of the most internationally famous martial arts film artists to arise out of the Chinese diaspora and travel far from their homelands to find commercial success in the world at large: Ang Lee, John Woo, and Jackie Chan. Positing the idea that these filmmakers' success is evidence of a ""cosmopolitical awareness"" arising from their cross-cultural ideological engagements and geopolitical displacements, Szeto demonstrates how this unique perspective allows these three filmmakers to develop and

Lee, Ang --- Woo, John --- Chan, Jackie --- Los Angeles [California] --- Martial arts films --- Kung fu films --- Spaghetti Easterns --- Action and adventure films --- History and criticism. --- Cheng, Long, --- Woo, John, --- Lee, Ang, --- Chʻeng, Lung, --- Chan, Jackie, --- Chan, Jacky, --- Chen, Lung, --- Chan, Kong-sang, --- Chan, Yuen-Lung, --- Sing, Lung, --- 成龍, --- 成龙, --- Wu, Yü-sen, --- Wu, Yusen, --- Wu, Yu-Sheng, --- Ng, Yu-sum, --- Wu, Yu-Seng, --- 吳宇森, --- 吴宇森, --- Li, An, --- 李安, --- Criticism and interpretation.