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Furniture --- Wood-carving, Renaissance --- Wood-carving --- History --- History --- Sambin, Hugues,

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73.023.1 --- 73.034 --- 73.046.3 --- 73.046.3 Religieuze beeldhouwkunst --- Religieuze beeldhouwkunst --- 73.034 Beeldhouwkunst van de renaissance barok rococo --- Beeldhouwkunst van de renaissance barok rococo --- 73.023.1 Beeldhouwwerken in hout --- Beeldhouwwerken in hout --- 73.034 Beeldhouwkunst van de renaissance; barok; rococo --- Beeldhouwkunst van de renaissance; barok; rococo --- Wood sculpture, German --- Wood sculpture, Renaissance --- Renaissance wood sculpture --- German wood sculpture --- Sculpture --- anno 1400-1499 --- anno 1500-1599 --- Germany --- Sculpture, German --- Sculpture, Renaissance --- -Wood-carving --- -Wood-carving, Renaissance --- -Wood sculpture, German. --- Wood sculpture, German. --- Wood-carving, Renaissance --- Wood-carving --- Sculpture de la Renaissance --- Sculpture allemande --- -73.023.1 --- -Wood sculpture, German --- -Sculpture, German --- Sculpture, Renaissance - Germany --- Wood-carving - - Germany --- Wood-carving, Renaissance - - Germany

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My husband Jan finished me on 17 June 1439. . . . My age was 33 years." So speaks Margaret van Eyck from the frame of her portrait. This painted inscription honors its maker Jan van Eyck, even as it blurs the distinction between living subject and painted double. Frame Work, an in-depth study of paintings, sculpture, and manuscript illumination in their varied social settings, argues that frames and framing devices are central to how Renaissance images operate. In a period of rapid cultural change, framing began to secure the very notion of an independent "artwork," and reframings could regulate the meaning attached to works of art-a process that continues in the present day. Highlighting innovations in framing introduced by figures such as Donatello, Giovanni Bellini, and Jean Fouquet, this original book shows how the inventive character of Renaissance frames responds to broader sociopolitical and religious change. The frame emerges as a site of beauty, display, and persuasion, and as a mechanism of control.

Kunst --- lijsten [interieurinrichting] --- Italiaanse renaissance- en barokstijlen --- anno 1400-1499 --- anno 1500-1599 --- Italië --- Art --- frames [protective furnishings] --- ornaments --- Italian Renaissance-Baroque styles --- Italy --- ornaments [object genre] --- Picture frames and framing --- Borders, Ornamental (Decorative arts) --- Wood-carving, Renaissance --- Decoration and ornament, Renaissance --- Art, Italian --- Art, Renaissance

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This catalog which accompanied an exhibition in 1987 introduces the masters of painted wood sculpture in Italy from 1250-1450 and provides visual examples of their work

Sculpture, Italian --- Sculpture, Gothic --- Wood-carving, Gothic --- Sculpture, Renaissance --- Wood-carving, Renaissance --- Polychromy --- Sculpture italienne --- Sculpture gothique --- Sculpture sur bois gothique --- Sculpture de la Renaissance --- Sculpture sur bois de la Renaissance --- Polychromie --- Exhibitions --- Expositions --- beeldhouwkunst --- 13de eeuw --- 14de eeuw --- 15de eeuw --- Siena --- Wood sculpture, Italian --- Wood sculpture, Gothic --- Wood sculpture, Renaissance --- Wood sculpture, Medieval --- Wood sculpture, Italian - Italy - Siena - Exhibitions --- Wood sculpture, Gothic - Italy - Siena - Exhibitions --- Wood sculpture, Renaissance - Italy - Siena - Exhibitions --- Wood sculpture, Medieval - Italy - Siena - Exhibitions --- Polychromy - Italy - Siena - Exhibitions --- sculptuur --- 13de eeuw. --- 14de eeuw. --- 15de eeuw. --- Siena.