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Mothering and music are complex and universal events, the structure and function of each show remarkable variability across social domains and different cultures. Although mother studies and studies in music are each recognized as important areas of research, the blending of the two topics is a recent innovation. The chapters in this collection bring together artists and scholars in conversations about the multiple profound relationships that exist between music and mothering. The discussions are varied and exciting. Several of the chapters revolve around the challenges of mothering partnered with a musical career; others look at the affordances that music offers to mothers and children; and some of the chapters examine the ways in which music inspires social and political change, as well as acknowledging the rise of the mom rock phenomenon.
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On the occasion of the 100th anniversary of the death of Elise Hall, a pioneering musician in the history of the saxophone. The saxophone is a globally popular instrument, often closely associated with renowned players such as Charlie Parker, John Coltrane, or more recently, Kenny G. Less well known, however, is the historical presence of women saxophonists in the nineteenth century, shortly after the instrument's invention. Elise Hall (1853-1924), a prominent wealthy socialite in Boston at the turn of the twentieth century, defied social norms by mastering the saxophone, an unconventional instrument for a woman of her time. Despite her career's profound impact, Elise Hall remains relatively obscure in broader music communities. Her untiring work as an impresario, patron, and performer made a significant mark on the history of the instrument. Yet these contributions have been historically undervalued, largely due to gender bias. This collection of essays, written by mainly women saxophonists/scholars, re-evaluates Elise Hall's legacy beyond a discrete history, updating the narrative by highlighting the ways in which her identity and the saxophone itself have influenced historical accounts. By analyzing the sociocultural factors surrounding this innovative musician through a contemporary lens, the contributors challenge previously held narratives shaped by patriarchal structures and collectively affirm her place as one of the pioneers in the history of the saxophone. (Vorlage).
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Non, Mozart n’était pas une femme. Mais Mozart aurait pu être une femme : Maria Anna Mozart fut, comme son frère, un prodige de la musique, avant de devoir se marier et de disparaître de la scène. Résultat : personne ne se souvient d’elle. Qui peut se vanter de pouvoir citer ne serait-ce qu’une compositrice ? Connaissez-vous… La flamboyante Hildegarde de Bingen, femme de pouvoir et pionnière de la musique médiévale ? Ou encore Élisabeth Jacquet de La Guerre, protégée de Louis XIV et claveciniste de génie ? D’autres, comme Clara Schumann, Fanny Mendelssohn ou Alma Mahler, ont vu leur talent et leur prénom rester dans l’ombre d’un grand homme. Compositrices, instrumentistes, cheffes d’orchestre, fondatrices d’ensembles… nombreuses sont celles qui ont dû renoncer au succès. Pourtant, la musique classique leur doit beaucoup. Et si on réécrivait l’histoire ?
Women composers --- Women musicians --- Women in music --- Sexism in music
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Aging --- Older musicians. --- Popular music --- Women in music. --- Women musicians. --- Social aspects.
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Music trade --- Popular music --- Women in music. --- Women musicians. --- Social aspects.
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Women musicians --- Women in music --- Musiciennes --- Femmes dans la musique --- Social conditions --- History --- Conditions sociales --- Histoire
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Feminism and the arts --- Women in motion pictures --- Women in music --- Women in popular culture
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Women in music --- Feminism and music --- Women singers - Spain --- Women singers - France
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Women musicians --- Music --- Women in music. --- Musiciennes --- Musique --- Femmes dans la musique --- History and criticism. --- Histoire et critique
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A Women's History of the Beatles is the first book to offer a detailed presentation of the band's social and cultural impact as understood through the experiences and lives of women. Drawing on a mix of interviews, archival research, textual analysis, and autoethnography, this scholarly work depicts how the Beatles have profoundly shaped and enriched the lives of women, while also reexamining key, influential female figures within the group's history. Organized topically based on key themes important to the Beatles story, each chapter uncovers the varied and multifaceted relationships women have had with the band, whether face-to-face and intimately or parasocially through mediated, popular culture. Set within a socio-historical context that charts changing gender norms since the early 1960s, these narratives consider how the Beatles have affected women's lives across three generations. Providing a fresh perspective of a well-known tale, this is a cultural history that moves far beyond the screams of Beatlemania to offer a more comprehensive understanding of what the now iconic band has meant to women over the course of six decades.
Women popular music fans. --- Popular music fans. --- Women in music. --- Feminism and music. --- Popular music --- Social aspects. --- Beatles.
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