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574 --- Ethnomusicologie --- Feminism and music --- Music --- Women musicians --- Musicians, Women --- Women as musicians --- Musicians --- Music and society --- Music and feminism --- Social aspects

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Women musicians. --- Women composers. --- Music --- Criticism --- Composers, Women --- Women as composers --- Composers --- Women musicians --- Musicians, Women --- Women as musicians --- Musicians --- History and criticism.

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The number of surviving medieval secular poems attributed to named female authors is small, some of the best known being those of the trobairitz the female troubadours of southern France. However, there is a large body of poetry that constructs a particular textual femininity through the use of the female voice. Some of these poems are by men and a few by women (including the trobairitz); many are anonymous, and often the gender of the poet is unresolvable. A "woman's song" in this sense can be defined as a female-voice poem on the subject of love, typically characterized by simple language, sexual candor, and apparent artlessness.The chapters in Medieval Woman's Song bring together scholars in a range of disciplines to examine how both men and women contributed to this art form. Without eschewing consideration of authorship, the collection deliberately overturns the long-standing scholarly practice of treating as separate and distinct entities female-voice lyrics composed by men and those composed by women. What is at stake here is less the voice of women themselves than its cultural and generic construction.

Music --- History of civilization --- anno 500-1499 --- Vocal music --- Women musicians --- Women singers --- Musicians, Women --- Women as musicians --- Musicians --- Music and society --- Social aspects --- History and criticism

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Raised in the gritty Mississippi River town of Davenport, Iowa, Cora Keck could have walked straight out of a Susan Glaspell story. When Cora was sent to Vassar College in the fall of 1884, she was a typical unmotivated, newly rich party girl. Her improbable educational opportunity at "the first great educational institution for womankind" turned into an enthralling journey of self-discovery as she struggled to meet the high standards in Vassar's School of Music while trying to shed her reputation as the daughter of a notorious quack and self-made millionaire: Mrs. Dr. Rebecca J. Keck, second

Women physicians --- Women musicians --- Women --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Musicians, Women --- Women as musicians --- Musicians --- Physicians --- Women in medicine --- Education (Higher) --- History --- Keck, Cora, --- Vassar College --- Vassar Female College --- Alumni and alumnae --- Davenport (Iowa)

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Women musicians --- Popular music --- -Feminism and music --- #SBIB:012.AANKOOP --- #SBIB:309H142 --- Music and feminism --- Music --- Musicians, Women --- Women as musicians --- Musicians --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Social aspects --- Populaire muziek: functies, muziekgenres, historiek --- Feminism and music. --- Women musicians. --- Social aspects. --- Feminism and music