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"In 1969, South Africas apartheid government arrested anti-apartheid leaders and activists nationwide for a key planned show trial. Among them were seven women, three of whom (including Winnie Madikizela-Mandela) have since died. This book by South African journalist Shanthini Naidoo uses rich interview material to share the previously unknown stories of the four imprisoned women who are still living: Joyce Sikhakhane-Rankin, Rita Ndzanga, Shanthie Naidoo, and Nondwe Mankahla. These four freedom fighters were held in solitary confinement for more than a year and subjected to brutal torture in a bid to force them to testify against their comrades. But they refused to do so, which forced the whole trial effort to collapse. Women Surviving Apartheids Prisons explores how women from different oppressed communities in South Africa defied traditional gender expectations and played a key role in the overthrow of Apartheid." --

Women prisoners --- Women anti-apartheid activists

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"Women in Solitary offers a new account based around the narratives of four women who experienced detention and torture in South Africa in the late 1960s when the regime tried to stage a trial to convict leading anti-apartheid activists. This timely book not only accords the four women and others their place in the history of the struggle for freedom in South Africa, but also weaves their experiences into the historical development of the anti-apartheid movement. The book draws on extended interviews with journalist Joyce Sikhakhane-Rankin, trade unionists Shanthie Naidoo and Rita Ndzanga and activist Nondwe Mankahla. Winnie Mandela's account of her time in detention is drawn from earlier published accounts. The narrative brings to light the unrelentingly brutal and comprehensive character of the attempt to silence resistance and break the spirit of the activists, both to disrupt organisation and to intimidate communities. It is testament to the triumph and strength of conviction that the women displayed. It also reflects the comprehensive nature of the resistance. The women fought not only as organisers, recruiters or couriers, but also in solitary confinement, resisting all its deprivations, the taunts by interrogators and anxieties about their children. And when they took the fight into the courtroom, they prevailed. The book weaves their experiences into the historical development of the struggle in a way that highlights broader issues, drawing out the particular ways in which women's experience of activism and repression differs from that of men, both in terms of the behaviour of the police and of the women's ties with community, family and children. The book's broad timespan underpins the psychological effects of sustained solitary confinement and its traumatic legacy, asking whether, by not attending more consistently to healing the trauma done to a generation by brutal repression, we allow it to contribute to social ills that worry us today. Women in Solitary is ideal reading for anyone interested in the history of apartheid, the criminalization of activism, and women's imprisonment, as well as scholars and students of penal and feminist studies"--

Solitary confinement --- Women anti-apartheid activists --- Women political prisoners --- South Africa --- Politics and government

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You Strike a Woman, You Strike a Rock / Wathint' Abafazi, Wathint' Imbokotho is a bristling example of protest theatre making during the height of apartheid. Created in ensemble fashion in 1986 by director Phyllis Klotz in collaboration with performers Thobeka Maqhutyana, Nomvula Qosha and Poppy Tsira, this play stands as a contemporary South African classic. The play focuses on three central characters: Sdudla, Mambhele and Mampompo living and working in a Cape Town township trying to eke out a living in a racially, socially and economically unequal world. There are few work opportunities and there is a great deal of red tape to be self-sufficient. Men are glaringly absent from this world - working as cheap migrant labour in urban areas. Women have to undertake great risk to see their husbands and to try keep a semblance of family cohesiveness. Helicopters fly above and state security police surveil the area. The play shows how these women work miracles to ensure the survival and well-being of their families at all cost. Following the famous 1956 slogan of the South African woman's march against apartheid laws, this latest publication in 2021 is a testament to the contemporariness of this play. Its themes around gender activism and the need for gender parity remains as true today as it did fifty years ago. Fresh and full of life, this is an important historical document and will be a landmark play for high schools and students of theatre.

South African drama (English) --- English drama --- South African literature (English) --- Women, Black --- Women anti-apartheid activists --- History --- Anti-apartheid activists --- Women civil rights workers --- Black women --- Women, Negro