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Television soap operas --- Television and women --- Television viewers --- Women and television --- Women --- History and criticism --- History and criticism.
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Feminism --- Television and women --- Women on television. --- Women on television --- Women in television --- Women in television plays --- Television --- Women and television --- Women
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Television and women --- Women on television. --- Women in television --- Women in television plays --- Television --- Women and television --- Women --- Cagney and Lacey (Television program) --- Cagney & Lacey (Television program)
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In this pathfinding book, based on original archival research, Marsha F. Cassidy offers the first thorough analysis of daytime television's earliest and most significant women's genres, appraising from a feminist perspective what women watched before soap opera rose to prominence. After providing a comprehensive history of the early days of women's programming across the nation, Cassidy offers a critical discussion of the formats, programs, and celebrities that launched daytime TV in America—Kate Smith's variety show and the famed singer's unsuccessful transition from patriotic radio star to 1950s TV idol; the "charm boys" Garry Moore, Arthur Godfrey, and Art Linkletter, whose programs honored women's participation but in the process established the dominance of male hosts on TV; and the "misery shows" Strike It Rich and Glamour Girl and the controversy, both critical and legal, they stirred up. Cassidy then turns to NBC's Home show, starring the urbane Arlene Francis, who infused the homemaking format with Manhattan sophistication, and the ambitious daily anthology drama Matinee Theater, which strove to differentiate itself from soap opera and become a national theater of the air. She concludes with an analysis of four popular audience participation shows of the era—the runaway hit Queen for a Day; Ralph Edwards's daytime show of surprises, It Could Be You; Who Do You Trust?, starring a youthful Johnny Carson; and The Big Payoff, featuring Bess Myerson, the country's first Jewish Miss America. Cassidy's close feminist reading of these shows clearly demonstrates how daytime TV mirrored the cultural pressures, inconsistencies, and ambiguities of the postwar era.
Television and women --- Women's television programs --- History. --- Television programs for women --- Television programs --- Women's mass media --- Women and television --- Women
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Fusing audience research and ethnography, the book presents a compelling account of women's changing lives and identities in relation to the impact of the most popular media culture in everyday life: television.
Within the historically-specific social conditions of Korean modernity, Youna Kim analyzes how Korean women of varying age and class group cope with the new environment of changing economical structure and social relations. The book argues that television is an important resource for women, stimulating them to research their own lives and identities. Youna Ki
Television and women --- Women --- Women on television. --- Women in television --- Women in television plays --- Television --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Women and television --- Identity. --- Social conditions.
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Sociology of the family. Sociology of sexuality --- Mass communications --- United States --- Television and women --- Television broadcasting --- Television programs for women --- Women on television. --- Women's television programs --- Social aspects --- Women and television --- Women --- Television programs --- Women's mass media --- Women in television --- Women in television plays --- Television --- United States of America
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In Screening Culture, Viewing Politics Purnima Mankekar presents a cutting-edge ethnography of television-viewing in India. With a focus on the responses of upwardly-mobile, yet lower-to-middle class urban women to state-sponsored entertainment serials, Mankekar demonstrates how television in India has profoundly shaped women’s place in the family, community, and nation, and the crucial role it has played in the realignment of class, caste, consumption, religion, and politics.Mankekar examines both “entertainment” narratives and advertisements designed to convey particular ideas about the nation. Organizing her study around the recurring themes in these shows—Indian womanhood, family, community, constructions of historical memory, development, integration, and sometimes violence—Mankekar dissects both the messages televised and her New Delhi subjects’ perceptions of and reactions to these messages. In the process, her ethnographic analysis reveals the texture of these women’s daily lives, social relationships, and everyday practices. Throughout her study, Mankekar remains attentive to the tumultuous historical and political context in the midst of which these programs’ integrationalist messages are transmitted, to the cultural diversity of the viewership, and to her own role as ethnographer. In an enlightening epilogue she describes the effect of satellite television and transnational programming to India in the 1990s.Through its ethnographic and theoretical richness, Screening Culture, Viewing Politics forces a reexamination of the relationship between mass media, social life, and identity and nation formation in non-Western contexts. As such, it represents a major contribution to a number of fields, including media and communication studies, feminist studies, anthropology, South Asian studies, and cultural studies.
Television and women --- Television broadcasting --- Television in community development --- Television in politics --- Television programs --- Social aspects --- Political broadcasting (Television) --- Politics, Practical --- Women and television --- Women --- Community development --- Programs, Television --- Shows, Television --- Television shows --- TV shows --- Electronic program guides (Television) --- Television scripts --- Telecasting --- Television --- Television industry --- Broadcasting --- Mass media
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The explosion of the use of VCRs in the home has provided the most significant new form of home entertainment since television. Gray discusses the experiences of women using VCRs and the social and cultural background to ownership.
Video recordings --- Video recording --- Television and women. --- Women and television --- Women --- Cinematography --- Electronic cinematography --- Video tape recorders and recording --- Video tape recording --- Video taping --- Videography --- Videorecording --- Videotape recording --- Videotaping --- Magnetic recorders and recording --- Videorecordings --- Videos --- Audio-visual materials --- Social aspects. --- Electronic methods
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Television play --- Television soap operas --- Television and women --- Women on television --- Téléromans --- Télévision et femmes --- Femmes à la télévision --- History and criticism --- Histoire et critique --- Etats-Unis --- #SBIB:309H521 --- #SBIB:309H523 --- #SBIB:309H1522 --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Audiovisuele communicatie: verhaalanalyse --- Radio- en/of televisieprogramma’s met een ideologische en spiegelfunctie --- Sex role on television --- Women in television --- Women in television plays --- Soap operas --- Soap operas, Television --- Telenovelas --- Women and television --- Sex role in television --- Television --- Television series --- Women
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#SBIB:033.AANKOOP --- #SBIB:309H525 --- #SBIB:309H402 --- Sociologie van de audiovisuele boodschap --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, ... --- Radio and women --- Television and women --- Women and television --- Women --- Women and radio --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, .. --- Archers (Radio program) --- Inspector Morse (Television program) --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, . --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media,
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