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Welty, Eudora --- Women and literature --- Order (Philosophy) in literature --- History --- Welty, Eudora, --- Criticism and interpretation --- Women and literature - Southern States - History - 20th century --- Welty, Eudora, - 1909-2001 - Criticism and interpretation --- Welty, Eudora, - 1909-2001
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Women and literature --- History --- Welty, Eudora --- Criticism and interpretation --- -Literature --- -Welty, Eudora --- -Criticism and interpretation --- -History --- Welty, Eudora, --- Criticism and interpretation. --- Women and literature - Southern States - History - 20th century --- Welty, Eudora - Criticism and interpretation
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History in literature. --- Fiction --- Women and literature --- Religious aspects --- Christianity. --- History --- O'Connor, Flannery --- Knowledge --- History. --- Fiction - Religious aspects - Christianity --- History in literature --- Women and literature - Southern States - History - 20th century --- O'Connor, Flannery - Knowledge - History
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Porter, Katherine Anne --- Women and literature --- History --- Porter, Katherine Anne, --- Criticism and interpretation --- Criticism and interpretation. --- -Literature --- -Porter, Katherine Anne --- -Criticism and interpretation --- -History --- Po-tʻe, Kʻai-shu-ling An, --- Kʻai-shu-ling An Po-tʻe, --- 波特凱淑琳安, --- Women and literature - Southern States - History - 20th century --- Porter, Katherine Anne, - 1890-1980 - Criticism and interpretation --- Porter, Katherine Anne (1890-1980) --- Critique et interprétation --- Porter, Katherine Anne, - 1890-1980 --- Critique et interprétation
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Groteske in de literatuur --- Grotesque dans la littérature --- Grotesque in literature --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Redemption in literature --- Rédemption dans la littérature --- Verhaal (Retoriek) --- Verlossing in de literatuur --- Women and literature --- Religion in literature --- History --- O'Connor, Flannery --- Criticism and interpretation --- O'Connor, Flannery Mary --- Women and literature - Southern States - History - 20th century --- Narration (Rhetoric) - History - 20th century --- O'Connor, Flannery - Criticism and interpretation
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Humanism, Religious, in literature --- Christian fiction, American --- Women and literature --- Fiction --- History and criticism --- History --- Religious aspects --- Christianity --- O'Connor, Flannery --- Criticism and interpretation --- Southern States --- In literature --- -Fiction --- -Humanism, Religious, in literature --- -Literature --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- American Christian fiction --- American fiction --- -Christianity --- -Philosophy --- -O'Connor, Mary Flannery --- O'Konnor, Flanneri --- О'Коннор, Фланнери --- -American South --- American Southeast --- Dixie (U.S. : Region) --- Former Confederate States --- South, The --- Southeast (U.S.) --- Southeast United States --- Southeastern States --- Southern United States --- United States, Southern --- -History and criticism --- -O'Connor, Flannery --- -Criticism and interpretation --- -In literature --- Religious aspects&delete& --- Philosophy --- O'Connor, Mary Flannery --- Criticism and interpretation. --- In literature. --- Christian fiction, American - History and criticism --- Women and literature - Southern States - History - 20th century --- Fiction - Religious aspects - Christianity --- O'Connor, Flannery - Criticism and interpretation --- Southern States - In literature
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The story of southern writing-the Dixie Limited, if you will-runs along an iron path: an official narrative of a literature about community, about place and the past, about miscegenation, white patriarchy, and the epic of race. Patricia Yaeger dynamites the rails, providing an entirely new set of categories through which to understand southern literature and culture. For Yaeger, works by black and white southern women writers reveal a shared obsession with monstrosity and the grotesque and with the strange zones of contact between black and white, such as the daily trauma of underpaid labor and the workings of racial and gender politics in the unnoticed yet all too familiar everyday. Yaeger also excavates a southern fascination with dirt-who owns it, who cleans it, and whose bodies are buried in it. Yaeger's brilliant, theoretically informed readings of Zora Neale Hurston, Harper Lee, Carson McCullers, Toni Morrison, Flannery O'Connor, Alice Walker, and Eudora Welty (among many others) explode the mystifications of southern literary tradition and forge a new path for southern studies. The book won the Barbara Perkins and George Perkins Award given by the Society for the Study of Narrative Literature.
American fiction --- Authors, American --- Race in literature. --- Women and literature --- Women authors --- History and criticism. --- Homes and haunts --- History --- Race in literature --- History and criticism --- Southern States --- Intellectual life --- In literature --- American literature --- Women authors&delete& --- In literature. --- American fiction - Southern States - History and criticism --- Women and literature - Southern States - History - 20th century --- American fiction - Women authors - History and criticism --- American fiction - 20th century - History and criticism --- Authors, American - Homes and haunts - Southern States --- Southern States - Intellectual life - 1865 --- -Southern States - In literature --- 20th century, southern writing, south, women, gender studies, femininity, feminism, literature, literary, community, miscegenation, race, racism, white patriarchy, whiteness, black writers, monstrosity, grotesque, trauma, unpaid labor, slavery, slaves, dirt, dirty, united states of america, usa, american, zora neale hurston, toni morrison, harper lee, carson mccullers, narrative, stories, alice walker, eudora welty, tradition, fiction, ownership, bodies, physicality.
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O'Connor, Flannery Mary, 1925-1964. A Good Man is Hard to Find --- O'Connor, Flannery Mary, 1925-1964. Good Country People --- O'Connor, Flannery Mary, 1925-1964. Judgement Day --- O'Connor, Flannery Mary, 1925-1964. Parker's Back --- O'Connor, Flannery Mary, 1925-1964. The Artificial Nigger --- O'Connor, Flannery Mary, 1925-1964. The Displaced Person --- O'Connor, Flannery Mary, 1925-1964. The Geranium --- O'Connor, Flannery Mary, 1925-1964. The Violent Bear It Away --- O'Connor, Flannery Mary, 1925-1964. Wise Blood --- Women and literature --- Fiction --- History --- Technique --- O'Connor, Flannery --- Criticism and interpretation --- Southern States --- In literature --- -Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- -Technique --- Philosophy --- -O'Connor, Mary Flannery --- O'Konnor, Flanneri --- О'Коннор, Фланнери --- -American South --- American Southeast --- Dixie (U.S. : Region) --- Former Confederate States --- South, The --- Southeast (U.S.) --- Southeast United States --- Southeastern States --- Southern United States --- United States, Southern --- -History --- -Criticism and interpretation --- -In literature --- Fiction writing --- Writing, Fiction --- Authorship --- O'Connor, Mary Flannery --- Criticism and interpretation. --- In literature. --- O'Connor, Flannery Mary --- Women and literature - Southern States - History - 20th century --- Fiction - Technique --- O'Connor, Flannery - Criticism and interpretation --- Southern States - In literature
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