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Stories about Jewesses proliferated in nineteenth-century Britain as debates about the place of the Jews in the nation raged. While previous scholarship has explored the prevalence of antisemitic stereotypes in this period, Nadia Valman argues that the figure of the Jewess - virtuous, appealing and sacrificial - reveals how hostility towards Jews was accompanied by pity, identification and desire. Reading a range of texts from popular romance to the realist novel, she investigates how the complex figure of the Jewess brought the instabilities of nineteenth-century religious, racial and national identity into uniquely sharp focus. Tracing the narrative of the Jewess from its beginnings in Romantic and Evangelical literature, and reading canonical writers including Walter Scott, George Eliot and Anthony Trollope alongside more minor figures such as Charlotte Elizabeth Tonna, Grace Aguilar and Amy Levy, Valman demonstrates the remarkable persistence of this narrative and its myriad transformations across the century.
Jewish women in literature. --- English literature --- Women, Jewish, in literature --- History and criticism. --- Arts and Humanities --- Literature
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The tragic mulatta was a stock figure in nineteenth-century American literature, an attractive mixed-race woman who became a casualty of the color line. The tragic muse was an equally familiar figure in Victorian British culture, an exotic and alluring Jewish actress whose profession placed her alongside the "fallen woman." In Transatlantic Spectacles of Race, Kimberly Manganelli argues that the tragic mulatta and tragic muse, who have heretofore been read separately, must be understood as two sides of the same phenomenon. In both cases, the eroticized and racialized female body is put on public display, as a highly enticing commodity in the nineteenth-century marketplace. Tracing these figures through American, British, and French literature and culture, Manganelli constructs a host of surprising literary genealogies, from Zelica to Daniel Deronda, from Uncle Tom's Cabin to Lady Audley's Secret. Bringing together an impressive array of cultural texts that includes novels, melodramas, travel narratives, diaries, and illustrations, Transatlantic Spectacles of Race reveals the value of transcending literary, national, and racial boundaries.
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Symposium: Sephardic Jewry and Mizrahi Jews. ""Sephardic and Oriental"" Jews in Israel and Western Countries, Sergio Della Pergola (Hebrew University). Jews of Muslim Lands in the Modern Period, Michel Abitbol (Hebrew University). The Brief Career of Prosper Cohen, Yaron Tsur (Tel Aviv University). From Arab Diaspora to Eretz Israel, Doli Benhabib (Open University of Israel). The Sephardic Halakhic Tradition in the 20th Century, Zvi Zohar (Bar-Ilan University). ""Zikui Harabim"", Nissim Leon (Bar-Ilan University). Studying Haredi Mizrahim in Israel, Kimmy Caplan (Bar-llan University). Breaking
Sephardim --- Jewish women in literature --- Women immigrants in literature --- Women, Jewish, in literature --- Jews, Sephardic --- Ladinos (Spanish Jews) --- Sefardic Jews --- Sephardi Jews --- Sephardic Jews --- Jews --- Jews, Portuguese --- Jews, Spanish --- Political activity --- Religious life
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Although women constitute half of the Jewish population and have always played essential roles in ensuring Jewish continuity and the preservation of Jewish beliefs and values, only recently have their contributions and achievements received sustained scholarly attention. Scholars have begun to investigate Jewish women's domestic, economic, intellectual, spiritual, and creative roles in Jewish life from biblical times to the present. Yet little of this important work has filtered down beyond specialists in their respective academic fields. Women and Judaism brings the broad new insights they ha
Jewish literature --- Jewish women in literature. --- Jewish women --- Feminism --- Women in Judaism. --- Women authors. --- History. --- Religious aspects --- Judaism. --- Religious life. --- Judaism --- Jewish feminism --- Women, Jewish --- Women --- Women, Jewish, in literature --- Jews --- Judaica --- Hebrew literature --- Literature
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Beautiful Jewesses have been among the stock figures featuring in literature in German for centuries. The present study is the first consistent attempt to typify the figure of the 'beautiful Jewess' by examining 70 novels and shorter narratives from four centuries. The 'beautiful Jewess' topos is the expression of a non-Jewish and non-female view, i.e. a view from the outside. The correspondingly stereotyped features of the literary image of the Jewess are traceable from Grimmelshausen to Heinrich Mann. In the history of this motif, we also find a reflection of the problematic nature of Jewish emancipation and assimilation in the course of time. Reference to public discourse on Jewish women and their role in state and society permits a reconstruction of the foundations underlying contemporary attitudes and collective opinion-forming mechanisms determining the image of the Jewess in literary works and the reception accorded to such figures. Schöne jüdische Frauengestalten gehören über Jahrhunderte hinweg zum Figurenarsenal der deutschsprachigen Literatur. An siebzig Romanen und Erzählungen aus vier Jahrhunderten wird hier erstmals im Zusammenhang der literarische Typus der 'Schönen Jüdin' dargestellt. Der sprachliche Topos 'Die Schöne Jüdin' ist Ausdruck einer (nichtjüdischen und nichtweiblichen) Außensicht; die entsprechend stereotypen Züge des literarischen Bilds der Jüdin lassen sich von Grimmelshausen bis Heinrich Mann nachweisen. In der Motivgeschichte spiegelt sich zugleich der problematische Verlauf der jüdischen Emanzipations- und Assimilationsgeschichte. Ausblicke auf den öffentlichen Diskurs über jüdische Frauen und ihre Rolle in Staat und Gesellschaft ermöglichen die Rekonstruktion der zeitgenössischen Verständnisvoraussetzungen und kollektiven Urteilsmechanismen, die die literarische Gestaltung jüdischer Frauenfiguren und ihre Rezeption bestimmen.
German literature --- Thematology --- anno 1600-1699 --- Short stories, German --- Jewish women in literature. --- Jews in literature. --- Nouvelles allemandes --- Juifs dans la littérature --- History and criticism. --- Histoire et critique --- 830-3 "16/19" --- -Women, Jewish, in literature --- Jews in literature --- Jewish women in literature --- Women, Jewish, in literature --- German short stories --- German fiction --- Duitse literatuur: proza--?"16/19" --- History and criticism --- 830-3 "16/19" Duitse literatuur: proza--?"16/19" --- Juifs dans la littérature
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This collection includes groundbreaking essays, and interviews with scholars and writers which reveal that despite pressures of assimilation, personal goals, and in some cases, anti-Semitism, they have never been able to divorce their lives or literature from their heritage.
Femmes juives dans la littérature --- Jewish women in literature --- Jews in literature --- Joden in de literatuur --- Joodse vrouwen in literatuur --- Juifs dans la littérature --- Women [Jewish ] in literature --- American literature --- Jewish women --- Jews --- American Jews --- Jewish Americans --- Women, Jewish, in literature --- English literature --- Agrarians (Group of writers) --- Jewish authors&delete& --- History and criticism --- Women authors&delete& --- Intellectual life --- Jewish authors --- Women authors --- 20th century --- United States --- Antin, Mary --- Yezierska, Anzia --- Criticism and interpretation --- Ferber, Edna --- Roiphe, Anne --- Kaplan, Johanna --- Interviews --- Rosen, Norma --- Ozick, Cynthia --- Goldstein, Rebecca --- Goodman, Allegra --- Mirvis, Tova --- Social sciences. --- Theology. --- Judaism. --- Literature. --- Sociology. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Social Sciences. --- Gender Studies. --- Christian Theology. --- Literature, general. --- North American Literature. --- America --- Literatures.
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Femmes juives dans la littérature --- Jewish women in literature --- Jews in literature --- Joden in de literatuur --- Joodse vrouwen in literatuur --- Juifs dans la littérature --- Women [Jewish ] in literature --- American literature --- Jewish women in literature. --- Jewish women --- Jews in literature. --- Judaism and literature --- Women and literature --- Jewish authors --- History and criticism. --- Women authors --- Intellectual life. --- History --- History and criticism --- Intellectual life --- 19th century --- United States --- Women [Jewish ] --- Lazarus, Emma --- Criticism and interpretation
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American comics reflect the distinct sensibilities and experiences of the Jewish American men who played an outsized role in creating them, but what about the contributions of Jewish women? Focusing on the visionary work of seven contemporary female Jewish cartoonists, Tahneer Oksman draws a remarkable connection between innovations in modes of graphic storytelling and the unstable, contradictory, and ambiguous figurations of the Jewish self in the postmodern era.Oksman isolates the dynamic Jewishness that connects each frame in the autobiographical comics of Aline Kominsky Crumb, Vanessa Davis, Miss Lasko-Gross, Lauren Weinstein, Sarah Glidden, Miriam Libicki, and Liana Finck. Rooted in a conception of identity based as much on rebellion as identification and belonging, these artists' representations of Jewishness take shape in the spaces between how we see ourselves and how others see us. They experiment with different representations and affiliations without forgetting that identity ties the self to others. Stemming from Kominsky Crumb's iconic 1989 comic "Nose Job," in which her alter ego refuses to assimilate through cosmetic surgery, Oksman's study is an arresting exploration of invention in the face of the pressure to disappear.
Graphic novels --- Jewish women in literature. --- Autobiography in literature. --- Jews --- American literature --- Comic books, strips, etc. --- Women in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- English literature --- Agrarians (Group of writers) --- Women, Jewish, in literature --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- History and criticism. --- Identity. --- Women authors
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Between 1830 and 1880, the Jewish community flourished in England. During this time, known as haskalah, or the Anglo-Jewish Enlightenment, Jewish women in England became the first Jewish women anywhere to publish novels, histories, periodicals, theological tracts, and conduct manuals. The Origin of the Modern Jewish Woman Writer analyzes this critical but forgotten period in the development of Jewish women's writing in relation to Victorian literary history, women's cultural history, and Jewish cultural history. Michael Galchinsky demonstrates that these women writers were the most widely recognized spokespersons for the haskalah. Their romances, some of which sold as well as novels by Dickens, argued for Jew's emancipation in the Victorian world and women's emancipation in the Jewish world.
Jews in literature. --- Judaism in literature. --- Jewish women in literature. --- Judaism and literature --- Jews --- Jewish women --- Judaism --- English literature --- Women and literature --- History --- Intellectual life. --- History and criticism. --- Women authors --- Jewish authors --- Aguilar, Grace, --- Criticism and interpretation. --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Religions --- Semites --- Women, Jewish --- Women --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Literature and Judaism --- Literature --- Women, Jewish, in literature --- Religion --- Social groups: religious groups & communities
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This illuminating study explores a central but neglected aspect of modern Jewish history: the problem of abandoned Jewish wives, or agunes ("chained wives")-women who under Jewish law could not obtain a divorce-and of the men who deserted them. Looking at seventeenth- and eighteenth-century Germany and then late nineteenth-century eastern Europe and twentieth-century United States, Enforced Marginality explores representations of abandoned wives while tracing the demographic movements of Jews in the West. Bluma Goldstein analyzes a range of texts (in Old Yiddish, German, Yiddish, and English) at the intersection of disciplines (history, literature, sociology, and gender studies) to describe the dynamics of power between men and women within traditional communities and to elucidate the full spectrum of experiences abandoned women faced.
Jewish literature --- Jewish women in literature. --- Jewish women --- Agunahs. --- Women, Jewish, in literature --- Women, Jewish --- Women --- Agunah --- ʻAgunot --- History and criticism. --- Legal status, laws, etc. --- Agunahs --- Jewish women in literature --- 296*52 --- 296*52 Joodse ethiek: Halacha; Minhag (gewoonten); Tora --- Joodse ethiek: Halacha; Minhag (gewoonten); Tora --- History and criticism --- Legal status, laws, etc --- 17th century germany. --- 19th century europe. --- 20th century united states. --- 21st century germany. --- abandoned wives. --- divorce. --- english. --- experiences of women. --- family. --- gender studies. --- german. --- intersectionality. --- jewish academic studies. --- jewish history. --- jewish wives. --- judaic history. --- judaism. --- life changes. --- literature. --- old yiddish. --- sociology. --- yiddish.
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