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Britain's recent historical culture is marked by a shift. As a consequence of new political directives, black history began to be mainstreamed into the realm of national history from the late 1990s onwards. »Black History - White History« assesses a number of manifestations of this new cultural historiography on screen and on stage, in museums and other accessible sites, emerging in the context of two commemorative events: the Windrush anniversary and the 1807 abolition bicentenary. It inquires into the terms on which the new historical programme could take hold, its sustainability and its representational politics.
Media; Black History; Britain; Film; Theatre; Museum; Historiography; Windrush; Wilberforce; Memory Culture; Postcolonialism; British History; Cultural History; Cultural Studies --- Black History. --- Britain. --- British History. --- Cultural History. --- Cultural Studies. --- Film. --- Historiography. --- Memory Culture. --- Museum. --- Postcolonialism. --- Theatre. --- Wilberforce. --- Windrush.
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"Valerie Mason-John's poetry collection, I Am Still Your Negro, blends spoken word and hashtags with villanelles, sonnets, and haiku to traverse the African Diaspora experience through place, time, and circumstance. Blak Inglis street vernacular, the cadence of enslaved people in the Americas, patois and creole join the enduring spirit voice of Yaata, Supreme Being of the Kona people, to reveal narratives of liberation, entrapment, sexual assault, eating disorders, and rave culture. An emotive critique of colonization's bitter legacy, this collection will draw audiences of the spoken word genre and poetry readers who wish to broaden their knowledge about contemporary social justice issues."--
Social justice --- African-Canadian, spoken word, social justice, environmental justice, Queenie, environmental racism, #metoo, Anita Hill, queer, Black feminism, anorexia, bulimia, Sierra Leone, Windrush Generation, Kona, Yoruba, Thomas Peters, sexual assault, drug culture, decolonization, immigration, social media.
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In 1980s Britain, while the country failed to reckon with the legacies of its empire, a black, transnational sensibility was emerging in its urban areas. In Handsworth, an inner-city neighborhood of Birmingham, black residents looked across the Atlantictoward African and Afro-Caribbean social and political cultures and drew upon them while navigating the inequalities of their locale. For those of the Windrush generation and their British-born children, this diasporic inheritance became a core influence on cultural and political life. Through rich case studies, including photographic representations of the neighborhood, Black Handsworth takes readers inside pubs, churches, political organizations, domestic spaces, and social clubs to shed light on the experiences and everyday lives of black residents during this time. The result is a compelling and sophisticated study of black globality in the making of post-colonial Britain.
Black people --- Social conditions --- Handsworth (Birmingham, England) --- Race relations --- History --- 1980s britain. --- african. --- afro-caribbean. --- atlantic. --- birmingham. --- black residence. --- black residents. --- black. --- british born children. --- churches. --- core influence. --- diaspora inheritance. --- domestic spaces. --- handsworth. --- inequalities. --- inner-city neighborhood. --- legacies of its empire. --- photographic representations. --- political organizations. --- pubs. --- shed light on experiences. --- social and political cultures. --- social clubs. --- transnational sensibility. --- urban areas. --- windrush generation.
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Country life --- Plantation life --- Material culture --- Vernacular architecture --- History. --- History. --- History. --- History. --- Burden family. --- LSU Rural Life Museum (Baton Rouge, La.) --- Windrush Gardens (Baton Rouge, La.) --- Louisiana --- Mississippi River Valley --- Baton Rouge (La.) --- Social life and customs. --- Social life and customs.
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