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Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late 19th- and early 20th-century American realism, 'Realist Ecstasy' travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism's relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices - including literature, photography, audio recording, and early film - Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice.

Performance in literature. --- Race in literature. --- Religion in literature. --- Realism in literature. --- American literature --- History and criticism. --- Anna Julia Cooper. --- Frances E. W. Harper. --- Ghost Dance. --- Hamlin Garland. --- James Mooney. --- James Weldon Johnson. --- Jim Crow. --- Nella Larsen. --- Pentecostalism. --- Reconstruction. --- W. E. B. Du Bois. --- William Dean Howells. --- William Van der Weyde. --- affect. --- body. --- capital punishment. --- conversion. --- electricity. --- ethnography. --- gesture. --- haunting. --- intersectionality. --- lynching. --- messiah craze. --- performance. --- photography. --- queerness. --- realism. --- recording. --- reenactment. --- secularism. --- secularization. --- settler colonialism. --- sexuality. --- storefront church. --- temporality. --- whiteness.

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In his best-selling travel memoir, The Innocents Abroad, Mark Twain punningly refers to the black man who introduces him to Venetian Renaissance painting as a “contraband guide,” a term coined to describe fugitive slaves who assisted Union armies during the Civil War. By means of this and similar case studies, Paul H. D. Kaplan documents the ways in which American cultural encounters with Europe and its venerable artistic traditions influenced nineteenth-century concepts of race in the United States.Americans of the Civil War era were struck by the presence of people of color in European art and society, and American artists and authors, both black and white, adapted and transformed European visual material to respond to the particular struggles over the identity of African Americans. Taking up the work of both well- and lesser-known artists and writers—such as the travel writings of Mark Twain and William Dean Howells, the paintings of German American Emanuel Leutze, the epistolary exchange between John Ruskin and Charles Eliot Norton, newspaper essays written by Frederick Douglass and William J. Wilson, and the sculpture of freed slave Eugène Warburg—Kaplan lays bare how racial attitudes expressed in mid-nineteenth-century American art were deeply inflected by European traditions. By highlighting the contributions people of black African descent made to the fine arts in the United States during this period, along with the ways in which they were represented, Contraband Guides provides a fresh perspective on the theme of race in Civil War–era American art. It will appeal to art historians, to specialists in African American studies and American studies, and to general readers interested in American art and African American history.

African American art --- Art, American --- African Americans in art --- Art and race --- Black people in art --- European influences. --- History --- Abraham Lincoln. --- Adoration of the Magi. --- African American. --- Afro-European. --- Billy Lee. --- Charles Eliot Norton. --- Civil War. --- Emanuel Leutze. --- Eugène Warburg. --- Frederick Douglass. --- George Washington. --- Harriet Beecher Stowe. --- Jacopo Tintoretto. --- John Hay. --- John Ruskin. --- Joshua Bowen Smith. --- Mark Twain. --- Neoclassical sculpture. --- Paolo Veronese. --- Pierre Soulé. --- Race. --- Slavery. --- Transatlantic. --- William Cooper Nell. --- William Dean Howells. --- William J. Wilson.

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This book charts how the cartographies of American literature as an institutional category have varied radically across different times and places. Arguing that American literature was consolidated as a distinctively nationalist entity only in the wake of the U.S. Civil War, Paul Giles identifies this formation as extending until the beginning of the Reagan presidency in 1981. He contrasts this with the more amorphous boundaries of American culture in the eighteenth century, and with ways in which conditions of globalization at the turn of the twenty-first century have reconfigured the parameters of the subject. In light of these fluctuating conceptions of space, Giles suggests new ways of understanding the shifting territory of American literary history. ranging from Cotton Mather to David Foster Wallace, and from Henry Wadsworth Longfellow to Zora Neale Hurston. Giles considers why European medievalism and Native American prehistory were crucial to classic nineteenth-century authors such as Emerson, Hawthorne, and Melville. He discusses how twentieth-century technological innovations, such as air travel, affected representations of the national domain in the texts of F. Scott Fitzgerald and Gertrude Stein. And he analyzes how regional projections of the South and the Pacific Northwest helped to shape the work of writers such as William Gilmore Simms, José Martí, Elizabeth Bishop, and William Gibson. Bringing together literary analysis, political history, and cultural geography, The Global Remapping of American Literature reorients the subject for the transnational era.

National characteristics, American, in literature. --- Regionalism in literature. --- Space in literature. --- Boundaries in literature. --- Geography in literature. --- American literature --- Topography in literature --- History and criticism. --- United States --- In literature. --- American Civil War. --- American Renaissance. --- American South. --- American broadcasting. --- American culture. --- American literary studies. --- American literature. --- Augustan American literature. --- Cotton Mather. --- Dave Eggers. --- David Foster Wallace. --- Don DeLillo. --- Douglas Coupland. --- Elizabeth Bishop. --- European medievalism. --- F. O. Matthiessen. --- F. Scott Fitzgerald. --- Flix Guattari. --- Gary Snyder. --- Gertrude Stein. --- Gilles Deleuze. --- Jos Mart. --- Magnalia Christi Americana. --- Nathaniel Hawthorne. --- Native Americans. --- New England. --- Pacific Northwest. --- Philip Roth. --- Phillis Wheatley. --- Ralph Waldo Emerson. --- Richard Brautigan. --- South America. --- Timothy Dwight. --- Toni Morrison. --- U.S. national identity. --- Ursula Le Guin. --- Voice of America. --- Wallace Stevens. --- William Dean Howells. --- William Faulkner. --- William Gibson. --- William Gilmore Simms. --- Zora Neale Hurston. --- allegory. --- antebellum narratives. --- cartography. --- deterritorialization. --- electronic media. --- extravagance. --- geography. --- globalization. --- liberal democracy. --- medieval American literature. --- medievalism. --- metaregionalism. --- modernism. --- narratives. --- national space. --- place. --- plantations. --- poetry. --- pseudo-geography. --- regionalism. --- social boundaries. --- space. --- technological innovations. --- transnationalism.