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Poëzie. --- Ritmepatronen - metrum. --- Stilistiek: vormbespreking. --- Vergelijking origineel - vertaling. --- Vertaalonderzoek - schriftelijke taal. --- William Butler Yeats.

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A feminist artist, poet, folklorist, editor, publisher, and stage designer who was active from 1896 through the 1920s, Colman Smith became popular for her live performances of Jamaican folktales in both England and the U.S., using the creole of the island to capture the dramatic power of these tales while driving speculation about her purposefully indeterminate racial and sexual identity. She also travelled in - and was expelled from - occult circles, and her ability to take on and cast aside a wide range of identities was central to her life's work. Colman Smith illustrated more than 20 books and well over 100 magazine articles, wrote two collections of Jamaican folktales, and edited two magazines. Her paintings were exhibited in galleries in the U.S. and Europe.

Smith, Pamela Colman --- Criticism and interpretation. --- Pamela Colman Smith --- feminist modernism --- tarot --- transatlantic --- Arthur Edward Waite --- William Butler Yeats

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This number of Yeats Annual collects the essays resulting from the University College Cork/ESB International Annual W. B. Yeats Lectures Series (2003-08) by Roy Foster, Warwick Gould, John Kelly, Paul Muldoon, Bernard O'Donoghue and Helen Vendler. Those that were available in pamphlet form are now collectors' items, but here is the complete series. These revised essays cover such themes as Yeats and the Refrain, Yeats as a Love Poet, Yeats, Ireland and Europe, the puzzles he created and solved with his art of poetic sequences, and his long and crucial interaction with the emerging T. S. Eliot. The series was inaugurated by a study of Yeats and his Books, which marked the gift to the Boole Library, Cork, of Dr Eamonn Cantwell's collection of rare editions of books by Yeats (here catalogued by Crónán Ó Doibhlin). Many of the volume's fifty-six plates offer images of artists' designs and resulting first editions. This bibliographical theme is continued with Colin Smythe's census of surviving copies of Yeats's earliest separate publication, Mosada (1886) and a resultant piece by Warwick Gould on that dramatic poem's source in the legend of The Phantom Ship. John Kelly reveals Yeats's ghost-writing for Sarah Allgood; Geert Lernout discovers the source for Yeats's 'Tulka'; Günther Schmigalle unearths his surprising connexions with American communist colonists in Virginia; while Deirdre Toomey edits some new letters to the French anarchist, Auguste Hamon-all providing new annotation for standard editions. The volume is rounded with review essays by Colin McDowell (on A Vision, and Berkeley, Hone and Yeats), shorter reviews of current studies by Michael Edwards, Jad Adams and Deirdre Toomey, and obituaries of Jon Stallworthy (Nicolas Barker) and Katharine Worth (Richard Cave).

Literature, British Isles --- Poetry --- Yeats Annual --- Institute of English Studies --- Irish poetry --- Ireland --- rare books --- irish poetry --- ireland --- eliot --- yeats annual --- william butler yeats --- eamonn cantwell --- institute of english studies --- warwick gould --- London --- W. B. Yeats

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Yeats, William Butler, --- Yeats, W. B. --- Criticism and interpretation. --- Poetry --- Yeats, William B. --- Criticism and interpretation --- Yeats, W. B. (William Butler), --- Yeats, William Butler --- Yeats, W. B. - (William Butler), - 1865-1939 - Criticism and interpretation --- Yeats, W. B. - (William Butler), - 1865-1939 --- William Butler Yeats (1865 - 1939)

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The two great Yeats Family Sales of 2017 and the legacy of the Yeats family's 80-year tradition of generosity to Ireland's great cultural institutions provide the kaleidoscope through which these advanced research essays find their theme. Hannah Sullivan's brilliant history of Yeats's versecraft challenges Poundian definitions of Modernism; Denis Donoghue offers unique family memories of 1916 whilst tracing the political significance of the Easter Rising; Anita Feldman addresses Yeats's responses to the Rising's appropriation of his symbols and myths, the daring artistry of his ritual drama developed from Noh, his poetry of personal utterance, and his vision of art as a body reborn rather than a treasure preserved amid the testing of the illusions that hold civilizations together in ensuing wars. Warwick Gould looks at Yeats as founding Senator in the new Free State, and his valiant struggle against the literary censorship law of 1929 (with its present-day legacy of Irish anti-blasphemy law still presenting a constitutional challenge). Drawing on Gregory Estate documents, James Pethica looks at the evictions which preceded Yeats's purchase of Thoor Ballylee in Galway; Lauren Arrington looks back at Yeats, Ezra Pound, and the Ghosts of The Winding Stair (1929) in Rapallo. Having co-edited both versions of A Vision, Catherine Paul offers some profound reflections on ‘Yeats and Belief'. Grevel Lindop provides a pioneering view of Yeats's impact on English mystical verse and on Charles Williams who, while at Oxford University Press, helped publish the Oxford Book of Modern Verse. Stanley van der Ziel looks at the presence of Shakespeare in Yeats's Purgatory. William H. O'Donnell examines the vexed textual legacy of his late work, On the Boiler while Gould considers the challenge Yeats's intentionalism posed for once-fashionable post-structuralist editorial theory. John Kelly recovers a startling autobiographical short story by Maud Gonne. While nine works of current…

Yeats, William Butler --- Yeats, W. B. --- D. E. D. I., --- Daemon Est Deus Inversus, --- Ganconagh, --- I., D. E. D., --- Йейтс, У. Б. --- Ĭeĭts, U. B. --- Йейтс, Уильям Батлер, --- Ĭeĭts, Uilʹi︠a︡m Batler, --- Weilian Batele Yezhi, --- Yeṭs, Ṿilyam Baṭler, --- יטס, יטלאם בטלר --- ייטס, ויליאם בטלר, --- 威廉,巴特勒,叶芝, --- Literary studies: poetry & poets --- ireland --- poetry --- drama --- william butler yeats --- institute of english studies --- London --- W. B. Yeats