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Chaucer's Wife of Bath's prologue and tale
Authors: --- ---
ISBN: 1282028693 9786612028694 1442672927 9781442672925 0802043666 9780802043665 Year: 1998 Publisher: Toronto Buffalo [N.Y.] University of Toronto Press University of Rochester

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Abstract

One of Chaucer's most popular and complex characters, the Wife of Bath has inspired a rich and diverse range of published scholarship. This work is the latest in the University of Toronto Press's Chaucer Bibliographies series, a series which aims to provide annotated bibliographies for all of Chaucer's works, and summarizes twentieth-century commentary on the Chaucer's Wife of Bath's Prologue and Tale. There are six sections to the bibliography, with items arranged chronologically in each section: editions and translations, sources and analogues, the marriage group, gentillesse or nobility, the General Prologue, the Wife of Bath's Prologue and the actual Tale.The editors have assembled a comprehensive bibliography covering not only standard English literature, medieval studies, and Chaucerian studies sources, but also less well-known references and items published in languages other than English. Developments in Chaucer criticism are traced and grouped thematically, a particular benefit for those approaching Chaucerian studies for the first time.


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The English "Loathly Lady" tales : boundaries, traditions, motifs.
Authors: ---
ISBN: 9781580441230 9781580441247 1580441238 1580441246 Year: 2007 Volume: 48 Publisher: Kalamazoo Medieval Institute Publications

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“In the earliest versions [of the Loathly Lady tales], the Irish sovereignty hag tales, her excessive body allegorizes the nature of sovereignty; the Loathly Lady is the shape of success in power contestation. Because the vehicle of the allegory is gendered, however, and because the motif’s fictional flesh is sexually active, these ideas about control are entangled with personal power politics. These factors make the motif curiously promiscuous, an intersection of ideas that generates other ideas, sometimes unexpectedly, always provocatively. . . . “ This volume concentrates on the medieval English Loathly Lady tales, written a little later than the Irish tales, and developing the motif as a vehicle for social ideology. Geoffrey Chaucer’s “Wife of Bath’s Tale” and John Gower’s “Tale of Florent” are the better known of the English Loathly Lady tales, but “The Wedding of Sir Gawain and Dame Ragnelle,” the balladic versions—the “Marriage of Sir Gawain” and “King Henry” (and even “Thomas of Erceldoune”)—all use shape-shifting female flesh to convey ideas about the nature of women, about heretosexual relations, and about national identity.”—from the Introduction

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