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This collection of essays explores concepts present in literatures in French that, since the 2007 manifesto, more and more critics, suspicious of the term Francophonie, now prefer to designate as littérature-monde (world literature). The book shows how the three movements of antillanité, créolité and littérature-monde each in their own way break with the past and distance themselves from the hexagonal centre. The critics in this collection show how writers seek to represent an authentic view ...
West Indian literature (French) --- French literature --- West Indian literature --- History and criticism --- West Indian authors
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West Indian literature (English) --- History and criticism --- Congresses.
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As recently as the early 1970's, scholars were able to argue conclusively for the existence of West Indian poetry as distinct from the English canon. Because much of its development occurred in Britain, hybridising with British practice was inevitable and this book makes a case for a West Indian British poetry which at first parallels and later becomes distinct from either of its parent bodies, relying instead on a cross-cultural aesthetic that continues to evolve. Early chapters examine the...
West Indian poetry (English) --- West Indian poetry --- West Indian literature --- English poetry --- West Indian literature (English) --- History and criticism. --- West Indian authors --- History and criticism
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The present book offers a reader-theoretical model for approaching anglophone Caribbean women's writing through affects, emotions, and feelings related to sexuality, a prominent theme in the literary tradition. How does an affective framework help us read this tradition of writing that is so preoccupied with sexual feelings? The novelists discussed in the book - chiefly Erna Brodber, Opal Palmer Adisa, Edwidge Danticat, Shani Mootoo, and Oonya Kempadoo - are representative of various anglophone Caribbean island cultures and English-speaking backgrounds. The study makes astute use of the theoretical writings of such scholars as Sara Ahmed, Milton J. Bennett, Sue Campbell, Linden Lewis, Evelyn O'Callaghan, Lizabeth Paravisini - Gebert, Lynne Pearce, Elspeth Probyn, Eve Kosofsky Sedgwick, and Rei Terada, as well as the critical writings of Adisa, Brodber, Kempadoo, to shape an individual, focused argument. The works of the creative artists treated, and this volume, hold sexuality and emotions to be vital for meaning-production and knowledge-negotiation across differences (be they culturally, geographically or otherwise marked) that challenge the postcolonial reading process.
West Indian literature (English) --- Sex in literature. --- English literature --- West Indian literature --- History and criticism. --- Women authors. --- Caribbean literature (English) --- Women authors
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