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Photography, Artistic --- Wessel, Henry. --- California --- Las Vegas (Nev.)
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In 2012 Wessel assembled 'Incidents', a book of 27 previously unpublished photographs. Decisive and succinct, each incident is laid down with the aesthetic immediacy of a snapshot, recalling Garry Winogrand's quote that 'there is nothing as mysterious as a fact clearly described'. As Wessel stated in a recent interview: 'We can recognize and name what has been described but not what just happened, not what is going on, not what is about to happen. Once you accept the idea that all photographs are fictions, analogies for the things they represent, then you are more receptive to the meaning that is being suggested by that analogy, by that fiction. To be more specific, photographs are about something that would not exist without the photograph.'
fotografie --- documentaire fotografie --- straatfotografie --- Verenigde Staten --- twintigste eeuw --- Wessel Henry --- 77.071 WESSEL
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fotografie --- documentaire fotografie --- landschapsfotografie --- straatfotografie --- Verenigde Staten --- Hawai --- Wessel Henry --- twintigste eeuw --- 77.071 WESSEL --- Marine photography --- Photography, Artistic --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography, Marine --- Seascape photography --- Outdoor photography --- Aesthetics --- Marines --- Wessel, Henry. --- Wessel, Henry, --- Honolulu (Hawaii) --- Waikiki (Honolulu, Hawaii) --- City and County of Honolulu (Hawaii) --- Honolulu County (Hawaii) --- City of Honolulu (Hawaii)
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Looks at Britt Salvesen's exhibition 'New Topographics', which was first held in 1975. Demonstrating the historical significance of the exhibition and its continuing relevance, the book presents selected works from the exhibition, installation views, contextual comparisons and an illustrated checklist of the show.
photography [process] --- topografie --- artistieke fotografie --- Photography --- Adams, Robert --- Deal, Joe --- Gohlke, Frank --- Nixon, Nicholas --- Schott, John --- Shore, Stephen --- Wessel, Henry --- New Topographics --- Becher Bernd & Hilla --- Deal Joe --- Gohlke Frank --- Nixon Nicholas --- Schott John --- Shore Stephen --- Wessel Henry --- fotografie --- landschapsfotografie --- Verenigde Staten --- twintigste eeuw --- documentaire fotografie --- Adams Robert --- Baltz Lewis --- 77.047 --- Exhibitions --- Baltz, Lewis --- Becher, Bernd --- Becher, Hilla --- Photographie --- Baltz, Lewis, --- Nixon, Nicholas, --- Wessel Jr, Henry --- Baltz, Lewis, 1945 --- -Becher, Bernd --- Nixon, Nicholas, 1947 --- -Wessel Jr, Henry
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In *Photography After Frank*, *New York Times* writer and former picture editor Philip Gefter presents a page-turning look at contemporary photography, starting with a pivotal moment: Robert Frank's seminal work in the 1950s. Charting the medium's trajectory through a variety of genres and practices, Gefter postulates that photography post-Frank has created a paradoxical self-consciousness. While the photographic image has brought us to a heightened awareness of the world around us, the constant representation of who we are has conspired against our natural state of innocence. Gefter begins with Robert Frank's challenge to photography's formal objectivity with the grainy, off-handed spontaneity of *The Americans*. Next comes the challenge to the factual fidelity of "documentary" photography with the evolution of the "staged document". Other topics and themes include photojournalism; portraiture; the influence of collectors; and the market's effect on art-making, such as the spawning of super-sized prints. Throughout the book, Gefter seamlessly interweaves Frank's legacy with the work of dozens of important artists who have followed in his wake, from Lee Friedlander and Nan Goldin to Stephen Shore and Sze Tsung Leong. Included are texts written exclusively for this publication as well as essays drawn from Gefter's critical writings, reviews, and even obituaries for the *New York Times* and other publications.
Photographers --- Photographic criticism --- Photography --- 77.01 --- 77.038/039 --- Becher Bernd --- Capa Cornell --- Christenberry William --- diCorcia Philip-Lorca --- Disfarmer Mike --- eenentwintigste eeuw --- Fischl Eric --- fotografie --- fotografiegeschiedenis --- fotografietheorie --- Frank Robert --- Friedlander Lee --- Grannan Katy --- Gütschow Beate --- Leibovitz Annie --- Mapplethorpe Robert --- McGinley Ryan --- Misrach Richard --- Penn Irving --- Pierson Jack --- Polidori Robert --- Shambroom Paul --- Shore Stephen --- Sternfeld Joel --- Sze Tsung Leong --- Tan Fiona --- twintigste eeuw --- Verburg JoAnn --- Verenigde Staten --- Wagstaff Sam --- Wessel Henry --- Photography criticism --- Criticism --- History --- Frank, Robert, --- essays --- photography [process]
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fotografie --- fotografietheorie --- Verenigde Staten --- twintigste eeuw --- landschap --- landschapsfotografie --- documentaire fotografie --- New Topographics --- Adams Robert --- Gohlke Frank --- Baltz Lewis --- O'Sullivan Timothy H. --- Deal Joe --- Schort John --- Shore Stephen --- Stackpole Peter --- Smithson Robert --- Jackson William Henry --- Adams Ansel --- Becher Bernd & Hilla --- Ruscha Ed --- Graham Dan --- Wessel Henry --- Black James Wallace --- Nixon Nicholas --- Garnett William --- Lawrence George --- Antonioni Michelangelo --- Godard Jean-Luc --- Kepes Gyorgy --- Alajalov Constantin --- Orloff Deborah --- Burtynsky Edward --- Hanson David T. --- 77.047 --- Landscape photography --- New topographics (Photography) --- Hanson David T --- O'Sullivan Timothy H
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Moulton, Peggy ; Beuys, Joseph ; Braun, Craig ; Warhol, Andy ; McNatton, Gary ; Noguchi, Isamu ; Hillerich & Bradsby ; Egger, Robert ; Yagi, Tamotsu ; Starck, Philippe ; McCoy, Michael ; Gehry, Frank ; Alessi ; Chan, Eric ; Dyson, James ; Davidson, Carolyn ; Friedman, Dan ; Disney, Walt ; Bonauro, Tom ; Vanderlans, Rudy ; Swanlund, Gail ; Adigard, Erik ; Sciullo, Pierre Di ; Wessel, Henry ; Saee, Michele ; Bridges, Marilyn ; Predock, Antoine ; Gehry, Frank ; Ruscha, Ed ; Simpson, Veldon ; Predock, Antoine ; Bruder, William P. ; Rigolini, Luciano ; McAuley, Skeet ; Denari, Neil ; Sachs, Tom ; Stirling, James ; Wilford, Michael ; Rubio, Cesar ; Jones, Pfau ; Hinshaw, Holt ; Botta, Mario ; Lefebvre, Regis ; Le Corbusier
Iconography --- design [discipline] --- Applied arts. Arts and crafts --- anno 1900-1999 --- United States --- Architecture --- iconen --- design, industrieel --- logo's --- postmodernisme --- nieuwste tijd --- 501 --- 745.01 --- 745.03 --- 766.01 --- 766.036 --- BMW --- Levi's --- Luxor Hotel --- Wessel Henry --- auto's --- camera's --- cosmetica --- design --- ed. by Aaron betsky ; with contr. by Steven Flusty, Chee Pearlman, and David E. Nye --- esthetica --- grafiek --- grafisch design --- grafisch ontwerp --- grafische vormgeving --- jeans --- kunsttheorie --- lippenstift --- lipstick --- minicam --- mixers --- reclamevormgeving --- semiotiek --- snelwegen --- sportschoenen --- surfplanken --- 770.6 --- beeldcultuur --- ikonen --- productdesign --- tijdsbeeld --- productdesign, filosofie, esthetiek en kritiek --- Art objects --- Icons --- Material culture --- Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Folklore --- Technology --- Exhibitions --- San Francisco Museum of Modern Art --- San Francisco (Calif.). --- SFMOMA --- San Francisco Museum of Art --- Exhibitions. --- San Francisco (Calif.). Museum of Modern Art --- kunstsociologie --- United States of America
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In the 1960s and 1970s, the artist Ed Ruscha created a series of small photo-conceptual artist's books, among them Twentysix Gas Stations, Various Small Fires, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Real Estate Opportunities, and A Few Palm Trees. Featuring mundane subjects photographed prosaically, with idiosyncratically deadpan titles, these "small books" were sought after, collected, and loved by Ruscha's fans and fellow artists. Over the past thirty years, close to 100 other small books that appropriated or paid homage to Ruscha's have appeared throughout the world. This book collects ninety-one of these projects, showcasing the cover and sample layouts from each along with a description of the work. It also includes selections from Ruscha's books and an appendix listing all known Ruscha book tributes. These small books revisit, imitate, honor, and parody Ruscha in form, content, and title. Some rephotograph his subjects : Thirtyfour Parking Lots, Forty Years Later. Some offer a humorous variation : Various Unbaked Cookies (which concludes, as did Ruscha's Various Small Fires, with a glass of milk).
Ruscha, Edward --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- fotografie --- kunst en fotografie --- kunstenaarsboeken --- artists' books --- conceptuele kunst --- concept art --- Ruscha Ed --- Ambe Noriko --- Arceneaux Edgar --- Baskauskas Eric --- Boehme Doro --- Brown Denise Scott --- Burton Wendy --- Colen Dan --- Cook Julie --- Dalton Jennifer --- Daniel Bill --- Denike Jen --- Doeringer Eric --- Douglas Stan --- Erskine Harlan --- Ezawa Kota --- Flick Robbert --- Freuchen Jan --- Gasq Anne-Valérie --- Galler Thomas --- Hackbardt Marcella --- Habicht Dejan --- Hadfield Charles Andrew --- Henner Mishka --- Hesse Kai-Olaf --- Hirano Taro --- Hruza Dominik --- Izenour Steven --- Kappenberg Henning --- Koester Joachim --- Lazetic Tanja --- Lester Gabriel --- Lewis Jonathan --- Manz Jochen --- Maranda Michael --- Mellis Daniel --- McMillan Jerry --- Möll Martin --- Morris Simon --- Mussman Toby --- Nannucci Maurizio --- Batten Luke --- Sadler Jonathan --- O'Brian John --- Pichler Michalis --- Pogacar Tadej --- Porteous Susan --- Prioux Clara --- Pufleb Robert --- Rafman Jon --- Riechers Achim --- Russ David --- Ruwedel Mark --- Sachs Tom --- Schmid Joachim --- Schnyder Jean-Frédéric --- Sérandour Yann --- Shaffer Travis --- Sowden Tom --- Stringfellow Kim --- Stroup Derek --- Sullivan Derek --- Svensson Chris --- Tabuchi Eric --- Tremblay John --- Valesella Marc --- van Leer Louisa --- Venturi Robert --- Voigt Reinhard --- Wessel Henry --- Wilson Keith --- Woodard Charles --- Wyse Mark --- 77.038/039 --- 7.038/039 --- Artists' books. --- Influence. --- Themes, motives. --- Artists' books --- Artist books --- Book art --- Book works (Art) --- Books, Artists' --- Bookworks (Art) --- Art, Modern --- Books --- Conceptual art --- Ruscha, Ed --- Ruscha, Edward, --- Ecrit d'artiste --- Design --- Design graphique --- Livre d'artiste --- Livre --- Livre-objet --- Photographie --- Art --- photography [process] --- artists' books [books]
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fotografie --- kunst --- Verenigde Staten --- twintigste eeuw --- Evans Walker --- Abbott Berenice --- Adams Robert --- Arbus Diane --- Atget Eugène --- Baltz Lewis --- Barnard George N. --- Bartos Adam --- Becher Bernd & Hilla --- Benson Richard --- Berges Laurenz --- Bey Dawoud --- Burckhardt Rudy --- Callahan Harry --- Casebere James --- Christenberry William --- Christo --- Croner Ted --- Currier Charles H. --- Dane Bill --- D'Arcangelo Allan --- Davis Stuart --- Deal Joe --- Delano Jack --- Deroo Wijnanda --- diCorcia Philip-Lorca --- Divola John --- Dix Otto --- Dove Arthur G. --- Downes Rackstraw --- Eggleston William --- Elliott Philip --- Ernst Max --- Erwitt Elliott --- Faurer Louis --- Frampton Hollis --- Frank Robert --- Friedlander Lee --- Gedney William --- Glover L.S. --- Gohlke Frank --- Goldblatt David --- Gonzalez-Torres Felix --- Graham Dan --- Groover Jan --- Grosz George --- Gursky Andreas --- Hare Chauncey --- Harrison Rachel --- Hopper Edward --- Kalisher Simpson --- Klein William --- Laughlin Clarence John --- Lee Russell --- LeWitt Sol --- Lichtenstein Roy --- Lincoln Edwin Hale --- Mayfield William Preston --- Meyerowitz Joel --- Morris Wright --- Nixon Nicholas --- Nothhelfer Gabriele & Helmut --- Papageorge Tod --- Paulin Frank --- Penn Irving --- Picasso Pablo --- Rauschenberg Robert --- Roma Thomas --- Rosenquist James --- Ross Judith Joy --- Rothstein Arthur --- Ruscha Edward --- Sander August --- Scales Jeffrey --- Schad Christian --- Schmidt Michael --- Schwitters Kurt --- Shahn Ben --- Shear G. Willard --- Sheeler Charles --- Sherman Cindy --- Shore Stephen --- Siskind Aaron --- Sinsabaugh Art --- Spano Michael --- Steiner Ralph --- Sterling Joseph --- Sternfeld Joel --- Strand Paul --- Struth Thomas --- Szarkowski John --- Tice George A. --- Vachon John --- Vanderbilt Paul --- Venturi Robert --- Warhol Andy --- Webb Todd --- Wessel Henry --- Weston Brett --- Weston Edward --- Winogrand Garry --- Wolcott Marion Post --- Wood Brian --- Wool Christopher --- 77.036 --- 7.036 --- Exhibitions --- Barnard George N --- Currier Charles H --- Dove Arthur G --- Glover L.S --- Tice George A --- Nineteen thirties --- Nineteen twenties --- Photography, Artistic --- Photography --- 1920s --- 20s (Twentieth century decade) --- Jazz Age --- Roaring twenties --- Twenties (Twentieth century decade) --- Twentieth century --- 1930s --- 30s (Twentieth century decade) --- Thirties (Twentieth century decade) --- History --- Evans, Walker, --- Museum of Modern Art (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Nyū Yōku Kindai Bijutsukan --- MOMA --- Photograph collections --- Evans, Walker
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