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Van de hipste kantoren met verstelbare werkplekken tot innovatieve hulpmiddelen in de zorgsector om patiënten veilig te verplaatsen, ergonomie is overal. En maar goed ook, want door ergonomische principes toe te passen, kunnen we werknemers helpen om hun taken en hun omgeving op elkaar af te stemmen. Daardoor kunnen ze hun werk vlotter, veiliger en duurzamer uitvoeren zonder hun gezondheid in het gedrang te brengen. In De mens in zijn omgeving maak je kennis met de ergonomische principes op de werkvloer. Die zullen je helpen begrijpen waarom bepaalde activiteiten op sommige plekken moeilijk of vermoeiend zijn, en vooral hoe je daar verandering in kunt brengen. Je leert kritisch naar werkplekken kijken en draagt zo bij aan duurzamere loopbanen. Met talloze voorbeelden en praktische toepassingen helpen de auteurs je om de theorie in de praktijk om te zetten. https://borgerhoff-lamberigts.be/boeken/de-mens-in-zijn-omgeving

Ergonomie --- Arbeidsomstandigheden --- Risicoanalyse --- Arbeidstevredenheid --- Arbeids- en organisatiepsychologie --- Arbeidsmotivatie --- Werkruimten --- arbeidstevredenheid --- Arbeidspsychologie --- Organisatiepsychologie --- arbeidsmotivatie --- 331.4 --- Industrial psychology --- Personnel management --- ergonomie --- organisatiepsychologie --- Werkplaatsen --- Human engineering --- Preventie en bescherming op het werk --- heelkunde --- ergotherapie

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heads [representations] --- hands [animal components] --- sexuality --- studios [work spaces] --- marble [rock] --- sculpture [visual works] --- gypsum --- Sculpture --- socles --- life masks --- nudes [representations] --- bronze [metal] --- drawings [visual works] --- Rodin, Auguste --- bronsgieters --- Hanako (Mevr.) --- Druet, Eugène --- techniek --- fotografie --- Beeldhouwkunst --- tekeningen --- beeldhouwwerken [beeldmateriaal] --- maskers [beeldhouwwerk] --- seksualiteit --- sokkels --- naakten --- ateliers [werkruimten] --- koppen [figuurvoorstellingen] --- handen [dierlijke of menselijke lichaamsdelen] --- brons --- gips --- sirenen --- marmer --- sirens [imaginary beings] --- techniek. --- bronsgieters. --- Rodin, Auguste. --- Hanako (Mevr.). --- Druet, Eugène. --- lichaam (van de mens)

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The evolution of studio and “post-studio” practice over the last half century. With the emergence of conceptual art in the mid-1960s, the traditional notion of the studio became at least partly obsolete. Other sites emerged for the generation of art, leading to the idea of “post-studio practice.” But the studio never went away; it was continually reinvented in response to new realities. This collection, expanding on current critical interest in issues of production and situation, looks at the evolution of studio and “post-studio” practice over the last half century. In recent decades many artists have turned their studios into offices from which they organize a multiplicity of operations and interactions. Others use the studio as a quasi-exhibition space, or work on a laptop computer mobile, flexible, and ready to follow the next commission. Among the topics surveyed here are the changing portrayal and experience of the artist's role since 1960; the diversity of current studio and post-studio practice; the critical strategies of artists who have used the studio situation as the subject or point of origin for their work; the insights to be gained from archival studio projects; and the expanded field of production that arises from responding to new conditions in the world outside the studio. The essays and artists' statements in this volume explore these questions with a focus on examining the studio's transition from a workshop for physical production to a space with potential for multiple forms of creation and participation.

art theory --- studios [work spaces] --- kunstbeschouwing --- hedendaagse kunst --- Contemporary [style of art] --- Art --- art [fine art] --- Nauman, Bruce --- Arceneaux, Edgar --- Höller, Carsten --- Venlet, Richard --- Orozco, Gabriel --- Goldstein, Jack --- Warhol, Andy --- Tillmans, Wolfgang --- Weiner, Lawrence --- McCarthy, Paul --- Smithson, Robert --- Bourgeois, Louise --- Hesse, Eva --- Bacon, Francis --- Wallace, Ian --- Irwin, Robert --- Acconci, Vito --- Woodman, Francesca --- Keita, Seydou --- Duchamp, Marcel --- Krasiński, Edward --- Schneemann, Carolee --- Murakami, Takashi --- Rosler, Martha --- Nelson, Mike --- Kippenberger, Martin --- Roth, Dieter --- Brancusi, Constantin --- Laboratoire Agit-Art [Dakar] --- Atelier Van Lieshout [Rotterdam] --- Art & Language --- anno 2000-2009 --- anno 1900-1999 --- Artists' studios --- Artists' studios. --- Laboratoire Agit'Art [Dakar] --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Corps humain, thème --- Art studios --- Artists' workshops --- Ateliers --- Studios, Artists' --- Workshops, Artists' --- Workshops --- Kunst --- kunst --- kunsttheorie --- ateliers [werkruimten] --- art [discipline] --- Atelier d'artiste --- Art conceptuel --- Espace de travail --- Fonds d'archives --- Muséologie --- Exposition --- Scénographie