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Seeing Through Tears is a groundbreaking examination of crying behavior and the meaning behind our tears. Drawing from attachment theory and her own original research, Judith Nelson presents an exciting new view of crying as a part of our inborn equipment for establishing and maintaining emotional connections. In a comprehensive look at crying through the life cycle, this insightful volume presents a novel theoretical framework before offering useful and practical advice for dealing with this most fundamental of human behaviors.
Crying. --- Weeping --- Emotions --- Nonverbal communication
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Crying has fascinated mankind for millenia. Since ancient times, we have known that emotional tears are a unique human characteristic. Unsurprisingly, over hundreds of years, scholars from different backgrounds have speculated about the origin and functions of human tears. According to Charles Darwin, tears fulfilled no adaptive function. And yet, this seems in sharp contrast to statements in the popular media about the significance of crying. Crying is thought to bring relief andis considered healthy - and withholding tears unhealthy. In addition, tears have been said to inhibit aggression in
Crying. --- Weeping --- Emotions --- Nonverbal communication --- Crying --- psychology.
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The idea for this book began with David Lavery's 2007 column for flowtv.org. ""The Crying Game: Why Television Brings Us to Tears"" asked us to consider that ""age-old mystery"": tears. The respondents to David's initial survey-Michele Byers among them-didn't
Crying. --- Crying --- Weeping --- Emotions --- Nonverbal communication --- Social aspects.
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Human beings are the only species to have evolved the trait of emotional crying. We weep at tragedies in our lives and in those of others - remarkably even when they are fictional characters in film, opera, music, novels, and theatre. Why have we developed art forms - most powerfully, music - which move us to sadness and tears? This question forms the backdrop to Michael Trimble's discussion of emotional crying, its physiology, and its evolutionary implications. His exploration examines the connections with other distinctively human features: the development of language, self-consciousness, re
Crying. --- Emotions. --- Feelings --- Human emotions --- Passions --- Psychology --- Affect (Psychology) --- Affective neuroscience --- Apathy --- Pathognomy --- Weeping --- Emotions --- Nonverbal communication
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"Sacred and profane, public and private, emotive and ritualistic, internal and embodied, medieval weeping served as a culturally charged prism for a host of social, visual, cognitive, and linguistic performances. Crying in the Middle Ages addresses the place of tears in Jewish, Christian, and Islamic cultural discourses, providing a key resource for scholars interested in exploring medieval notions of emotion, gesture, and sensory experience in a variety of cultural contexts. Gertsman brings together essays that establish a series of conversations with one another, foregrounding essential questions about the different ways that crying was seen, heard, perceived, expressed, and transmitted throughout the Middle Ages. In acknowledging the porous nature of visual and verbal evidence, this collection foregrounds the necessity to read language, image, and experience together in order to envision the complex notions of medieval crying."--
Crying --- Emotions (Philosophy) --- Middle Ages --- Medievalists --- Philosophy --- Weeping --- Emotions --- Nonverbal communication --- History --- Historiography --- Art --- Crying. --- Emotions (philosophy) --- Emotions (philosophy). --- Gesellschaft. --- Kultur. --- Kulturvergleich. --- Künste. --- Literary criticism --- Middle ages --- Mittelalter. --- Weinen (motiv). --- Weinen. --- Medieval. --- Historiography. --- Geschichte 500-1500. --- crying [weeping] --- History of civilization --- art history --- anno 500-1499 --- Pleurs --- Emotions (Philosophie) --- Moyen Age --- Histoire --- Historiographie --- History. --- crying --- cultuurgeschiedenis
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James Elkins tells the story of paintings that have made people cry, contrasting the emotions shown before works of art in the past, and the tearlessness with which most people approach works of art in the 21st century.
emotion --- art appreciation --- Art --- art theory --- crying [weeping] --- kunstfilosofie --- Aesthetics of art --- philosophy of art --- waarneming --- emoties --- Affective and dynamic functions --- esthetica --- perception --- aesthetics --- Painting --- Visual perception --- Appreciation. --- Psychological aspects. --- 7.01 --- 7.049 --- Kunstbeschouwing ; schilderkunst --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Appreciation --- Psychological aspects --- Kunst ; theorie, filosofie, esthetica --- Iconografie ; verschillende onderwerpen --- crying
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For many Christians in America, becoming filled with Christ first requires being empty of themselves-a quality often overlooked in religious histories. In Emptiness, John Corrigan highlights for the first time the various ways that American Christianity has systematically promoted the cultivation of this feeling. Corrigan examines different kinds of emptiness essential to American Christianity, such as the emptiness of deep longing, the emptying of the body through fasting or weeping, the emptiness of the wilderness, and the emptiness of historical time itself. He argues, furthermore, that emptiness is closely connected to the ways Christian groups differentiate themselves: many groups foster a sense of belonging not through affirmation, but rather avowal of what they and their doctrines are not. Through emptiness, American Christians are able to assert their identities as members of a religious community. Drawing much-needed attention to a crucial aspect of American Christianity, Emptiness expands our understanding of historical and contemporary Christian practices.
Christian life --- Christianity --- Christian sects --- Emotions --- Customs and practices. --- History. --- Religious aspects --- Christianity. --- christian, christianity, religion, faith, history, american culture, united states of america, usa, religious histories, empty, filled with christ, deep longing, wilderness, time, belonging, doctrines, community, contemporary practices, customs, believers, connection to god, bible, fasting, weeping, crying, without food, sacrifice.
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Die komparatistische und interdisziplinäre Untersuchung analysiert die Bedeutung des Schreis für die Erweiterung des künstlerischen Ausdrucksrepertoires und der ästhetischen Reflexion zwischen 1740 und 1900. Sowohl seine Beziehung zu bislang tabuisierten Themen als auch sein Status als Grenzphänomen fördern eine experimentelle künstlerische Gestaltung, die im Zeichen des Exzesses eine Eigendynamik entfaltet. Seine Legitimation als ästhetische Ausdrucksform bezieht er immer wieder aus wissenschaftlichen, technischen, sozialen sowie politischen Entwicklungen und Diskursen. Sie bestimmen auch die kulturellen Unterschiede und Wechselwirkungen der Wahrnehmungsmuster und ihrer Akzentsetzungen im deutschsprachigen und im französischsprachigen Raum.
Crying --- Emoties in de kunst --- Emoties in de literatuur --- Emotions dans l'art --- Emotions dans la littérature --- Emotions in art --- Emotions in literature --- Gehuil --- Pleurs --- Weeping --- Literature, Comparative --- German literature --- French literature --- Art and literature --- Music and literature --- Literature --- Dreams in literature --- History and criticism --- History and criticism. --- Aesthetics. --- German literature - 18th century - History and criticism --- German literature - 19th century - History and criticism --- French literature - 18th century - History and criticism. --- French literature - 19th century - History and criticism. --- Literature - Aesthetics.
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Crying --- Religious aspects --- Christianity --- History of doctrines --- Pleurs --- History of civilization --- anno 500-1499 --- Weeping --- Emotions --- Nonverbal communication --- Spiritual life --- Church history --- Theology --- Vie spirituelle --- Eglise --- Théologie --- History --- Aspect religieux --- Christianisme --- Histoire des doctrines --- Histoire --- Europe --- Religious life and customs --- Vie religieuse --- Crying - Religious aspects - Christianity - History of doctrines - Middle Ages, 600-1500. --- Larmes --- EMOTIONS --- PLEURS --- CIVILISATION MEDIEVALE --- MOEURS ET COUTUMES --- EUROPE --- OCCIDENT --- HISTOIRE --- CIVILISATION --- HISTOIRE RELIGIEUSE --- MOYEN AGE --- Civilisation médiévale --- Moeurs et coutumes
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Crying --- Laughter --- Laughing --- Emotions --- Nonverbal communication --- Wit and humor --- Weeping --- Biblical teaching. --- Bible. --- Luc (Book of the New Testament) --- Lucas (Book of the New Testament) --- Luka (Book of the New Testament) --- Lukan săn zăn︠g︡g (Book of the New Testament) --- Lukas (Book of the New Testament) --- Luke (Book of the New Testament) --- Lūqā (Book of the New Testament) --- Nuga pogŭm (Book of the New Testament) --- Ruka den --- Ruka ni yoru fukuinsho --- Criticism, interpretation, etc.
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