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Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists. Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey & Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles.
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installations [visual works] --- religions [belief systems, cultures] --- Iconography --- Art --- Weems, Carrie Mae --- anno 1900-1999 --- United States --- kunst over kunst --- United States of America
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Art --- photographs --- installations [visual works] --- families [kinship groups] --- video art --- race [group of people] --- power --- gender [sociological concept] --- Weems, Carrie Mae
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Since the 1980s, the artist Carrie Mae Weems has challenged the status of the black female body within the complex social fabric of American society. Her photographic work probes various spaces from the American kitchen table, to the historical archives of the Hampton School, to the ancient landscapes of Rome. Tugging at established roots of power that perpetuate violence and injustice, Weems's photographic portraits of her muse have not only become iconic, but she has become a rallying voice for change through her engaged performances, video work, and convenings. This October Files volume brings together critical essays and interviews that explore Weems's work, shedding light on her interventions in the fields of photography, African American art, and the institutions that shape the field of art history at large.
Photographic criticism --- twintigste eeuw --- eenentwintigste eeuw --- fotografie --- kunst --- film --- installaties --- Verenigde Staten --- Afro-Amerikanen --- vrouwen --- gender studies --- lichamelijkheid --- 7.071 WEEMS --- Photography --- Photography criticism --- Criticism --- Weems, Carrie Mae, --- Criticism and interpretation. --- Art --- photography [process] --- video art --- performance art --- bodies [animal components] --- African American --- women [female humans] --- Weems, Carrie Mae --- Photographie --- Thema's in de kunst ; rassenpolitiek ; Afro-Amerikaanse problematiek --- Fotografie ; 2de helft 20ste eeuw ; Verenigde Staten --- Thema's in de fotografie ; de vrouw --- Weems, Carrie Mae °1953 (°Portland, Oregon) --- 77.092.07 --- 7.07 --- Fotografen A-Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z
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"Art21" est une série de portraits documentaires d'artistes contemporains de tous horizons. Avec leurs mots, ils évoquent leur démarche, les processus de création et les techniques ou dispositifs mis en place pour répondre à leur approche esthétique. Chaque épisode propose trois ou quatre artistes à l'oeuvre réunis sous un même thème."Compassion" - Un travail artistique est-il capable de nous amener à tempérer nos pulsions les plus destructrices ? Comment le sentiment d'empathie des artistes peut-il se transmettre à travers des oeuvres qui abordent des sujets problématiques et se penchent sur la condition humaine ? Cet épisode s'attaque à ces questions à travers le travail de trois artistes.1. William Kentridge, né en 1955 à Johannesburg (Afrique du Sud).2. Carrie Mae Weems, née en 1953 à Portland (Oregon, États-Unis).3. Doris Salcedo, née en 1958 à Bogotá (Colombie).
Art --- Weems, Carrie Mae --- Kentridge, William --- Salcedo, Doris --- anno 2000-2009 --- anno 2010-2019 --- Réalisatrice --- Portrait --- Art graphique --- Dessin --- Animation --- Installation-art --- Optique --- Photographie --- États-Unis --- Colombie --- Afrique du sud
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Iconography --- Art --- Photography --- Film --- assemblages [sculpture] --- installations [visual works] --- photography [process] --- video art --- culturele diversiteit (kunst) --- Als, Hilton --- Harris, Lyle Ashton --- Turner, Darryl --- Weems, Carrie Mae --- Douglas, Stan --- Simmons, Gary --- Simpson, Lorna --- anno 1900-1999 --- United States of America
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Art --- histories [literary works] --- science [modern discipline] --- racial discrimination --- mass media --- video art --- performance art --- fiber art --- political art --- architecture [object genre] --- photography [discipline] --- gender --- narrative art --- Weems, Carrie Mae
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