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A queer literary and cultural studies examination of the wedding ceremony (rather than the resulting marriages) which finds it to be a space of more open possibilities than might normally be supposed.
Bruiloften in de film --- Bruiloften in de literatuur --- Bruiloften in de volkscultuur --- McCullers, Carson, 1917-1967. The Member of a Wedding --- Noces dans la culture populaire --- Noces dans la littérature --- Noces dans le cinéma --- Orientation sexuelle dans la littérature --- Seksuele gerichtheid in de literatuur --- Sexual orientation in literature --- Weddings in literature --- Weddings in motion pictures --- Weddings in popular culture --- American fiction --- -Weddings in literature. --- Same-sex marriage --- -Popular culture --- Sexual orientation in literature. --- Weddings in motion pictures. --- Weddings in popular culture. --- Weddings --- -Culture in motion pictures. --- 392.4/.5 <73> --- Motion pictures --- Marriage --- Popular culture --- Gay marriage --- Homosexual marriage --- Lesbian marriage --- Same-sex unions --- Civil unions --- American literature --- History and criticism. --- Verloving. Huwelijk. Huwelijksgebruiken. Partnerkeuze. Polyandrie. Polygamie. Monogamie--Verenigde Staten van Amerika. VSA. USA --- Sociology of literature --- Sociology of the family. Sociology of sexuality --- Film --- Sociology of culture --- United States --- 20th century --- History and criticism --- Faulkner, William --- Culture in motion pictures --- Same-sex marriage in literature --- Weddings in literature. --- Culture in motion pictures. --- United States of America
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This book is the first comprehensive and systematic study of cross-class romance films throughout the history of American cinema. It provides vivid discussions of these romantic films, analyses their normative patterns and thematic concerns, traces how they were shaped by inequalities of gender and class in American society, and explains why they were especially popular from World War I through the roaring twenties and the Great Depression. In the vast majority of cross-class romance films the female is poor or from the working class, the male is wealthy or from the upper class, and the romance ends successfully in Marriage or the promise of Marriage.
Love in motion pictures. --- Marriage in motion pictures. --- Weddings in motion pictures. --- 791.43 <09> --- 791.43.04-055.2 --- 791.43.04-055.2 De vrouw in de film --- De vrouw in de film --- 791.43 <09> Filmgeschiedenis. Filmhistorie --- Filmgeschiedenis. Filmhistorie --- Motion pictures --- Marriage in moving-pictures --- Culture --- Film genres. --- Sociology. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Cultural and Media Studies. --- American Cinema. --- Genre. --- Gender Studies. --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Expression, Gender --- Sex role --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Social theory --- Social sciences --- Genre films --- Genres, Film --- Motion picture genres --- Cultural studies --- Study and teaching. --- United States. --- Psychological aspects --- Plots, themes, etc. --- Love --- History. --- Philosophy. --- History and criticism --- Motion pictures-United States. --- American Cinema and TV. --- Motion pictures—United States. --- Love in motion pictures --- Marriage in motion pictures --- Weddings in motion pictures --- Romance films --- Marriage --- PERFORMING ARTS / Film / General --- Affection --- Emotions --- First loves --- Friendship --- Intimacy (Psychology) --- Married life --- Matrimony --- Nuptiality --- Wedlock --- Sacraments --- Betrothal --- Courtship --- Families --- Home --- Honeymoons --- Chick flicks --- Love films --- Hollywood romance films --- Romance (Motion pictures) --- Romance movies --- Romance pictures (Motion pictures) --- Romantic films --- Romantic movies --- In motion pictures. --- in motion pictures. --- Social classes in motion pictures.
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