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Wax-modeling. --- Waxing (Dentistry) --- Waxes. --- Wax-modeling. --- Waxing (Dentistry)
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eebo-0121
Wax craft --- Wax-modeling --- Waxworks
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Wax figures --- Wax-modeling --- Wax modellers
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Pur nella varietà di studi che negli ultimi anni ha indagato in modo approfondito il fenomeno reliquiale, è rimasta nell'ombra una tipologia di reliquie--i corpisanti in ceroplastica--che a partire dal pontificato di Clemente XIV si iniziò a produrre a Roma, dapprima in una tecnica mista, per poi diffondersi in brevissimo tempo in quasi ogni angolo della cattolicità. Il saggio, nel tracciare le principali coordinate storiche e religiose del fenomeno, grazie ai risultati ottenuti dallo spoglio analitico di numerosi archivi si sofferma a riflettere sui luoghi e sui modi di produzione di tale classe di artigianato artistico devozionale, facendo emergere la personalità di colui al quale è possibile assegnare con certezza la paternità del prototipo di tali simulacri reliquiali: si tratta di un chirurgo toscano, l'altrimenti ignoto Antonio Magnani, nativo di Sorano e attivo a Roma nell'ultimo trentennio del XVIII secolo e nei primi anni del secolo successivo.
Corps saints --- Relics --- Reliquaries --- Wax-modeling
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Waxing (Dentistry) --- Waxing up (Dentistry) --- Dental casting --- Prosthodontics --- Wax-modeling
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Human anatomy --- Applied arts. Arts and crafts --- Ziegler, Friedrich --- three-dimensional --- wax-modeling
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An account of the practice of anatomical modelling in mid-eighteenth-century Italy, showing how anatomical models became an authoritative source of medical knowledge, but also informed social, cultural, and political developments at the crossroads of medical learning, religious ritual, antiquarian and artistic cultures, and Grand Tour spectacle.
History of civilization --- History of Italy --- anno 1700-1799 --- Wax-modeling. --- Anatomy --- 1700-1799 --- Italy.
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Human anatomy --- Wax-modeling --- Anatomie humaine --- Céroplastique --- Models --- History --- History --- Modèles --- Histoire --- Histoire
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Of all the artifacts from the history of medicine, the Anatomical Venus--with its heady mixture of beauty, eroticism and death--is the most seductive. These life-sized dissectible wax women reclining on moth-eaten velvet cushions--with glass eyes, strings of pearls, and golden tiaras crowning their real human hair--were created in eighteenth-century Florence as the centerpiece of the first truly public science museum. Conceived as a means to teach human anatomy, the Venus also tacitly communicated the relationship between the human body and a divinely created cosmos; between art and science, nature and mankind. Today, she both intrigues and confounds, troubling our neat categorical divides between life and death, body and soul, effigy and pedagogy, entertainment and education, kitsch and art. The first book of its kind, The Anatomical Venus, by Morbid Anatomy Museum cofounder Joanna Ebenstein, features over 250 images--many never before published--gathered by its author from around the world. Its extensively researched text explores the Anatomical Venus within her historical and cultural context in order to reveal the shifting attitudes toward death and the body that today render such spectacles strange. It reflects on connections between death and wax, the tradition of life-sized simulacra and preserved beautiful women, the phenomenon of women in glass boxes in fairground displays, and ideas of the ecstatic, the sublime and the uncanny.Joanna Ebenstein is a multidisciplinary artist, curator, writer, lecturer and graphic designer. She originated the Morbid Anatomy blog and website, and is cofounder (with Tracy Hurley Martin) and creative director of the Morbid Anatomy Museum in Brooklyn, New York. She is coauthor of Walter Potter's Curious World of Taxidermy, with Dr. Pat Morris; coeditor of The Morbid Anatomy Anthology, with Colin Dickey; and acted as curatorial consultant to Wellcome Collection's Exquisite Bodies exhibition in 2009. She has also worked with such institutions as the New York Academy of Medicine, the Dittrick Museum and the Vrolik Museum.
Museology --- Human anatomy --- Art --- museology --- anatomy --- Wax-modeling --- Anatomy, Artistic --- Death in art --- Models --- History --- Human anatomy - Models - Exhibitions --- Human anatomy - Models - Exhibitions - Florence --- Wax-modeling - Italy - History - Exhibitions --- Anatomy, Artistic - Exhibitions --- Death in art - Exhibitions --- museumgeschiedenis
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