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This study of male witches addresses incidents of witch-hunting in Britain and Europe, using feminist categories of gender analysis to critique the feminist agenda that mars many studies. It advances a more balanced and complex view of witch-hunting and ideas about witches in their gendered forms.
Esoteric sciences --- History of Europe --- anno 1500-1599 --- anno 1600-1699 --- Warlocks --- Witchcraft --- History. --- Warlocks. --- Witchcraft. --- Witchcraft - Europe - History. --- Parapsychology & Occult Sciences --- Social Sciences --- Occultists --- Witches --- Wizards --- History
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Arthurian romances --- Merlin (Legendary character) --- Wizards --- Enchanters --- Sorcerers --- Magicians --- Warlocks --- Adaptations --- Drama --- German literature
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The strix was a persistent feature of the folklore of the Roman world and subsequently that of the Latin West and the Greek East. She was a woman that flew by night, either in an owl-like form or in the form of a projected soul, in order to penetrate homes by surreptitious means and thereby devour, blight or steal the new-born babies within them. The motif-set of the ideal narrative of a strix attack - the 'strix-paradigm' - is reconstructed from Ovid, Petronius, John Damascene and other sources, and the paradigm's impact is traced upon the typically gruesome representation of witches in Latin literature. The concept of the strix is contextualised against the longue-durée notion of the child-killing demon, which is found already in the ancient Near East, and shown to retain a currency still as informing the projection of the vampire in Victorian fiction.
Witchcraft --- Witches --- Mythology, Roman. --- Roman mythology --- Occultists --- Warlocks --- Wiccans --- Black art (Witchcraft) --- Sorcery --- Occultism --- Wicca
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This book critiques historians' assumptions about witch-hunting as well as their explanations for this complex and perplexing phenomenon. The authors insist on the centrality of gender, tradition and ideas about witches in the construction of the witch as a dangerous figure. They challenge the marginalisation of male witches by feminist and other historians. The book shows that large numbers of men were accused of witchcraft in their own right, in some regions, more men were accused than women. The authors analyse ideas about witches and witch prosecution as gendered artefacts of patriarchal societies under which both women and men suffered. They challenge recent arguments and current orthodoxies by applying crucial insights from feminist scholarship on gender to a selection of statistical arguments, social-historical explanations, traditional feminist history and primary sources, including trial records and demonological literature. The authors assessment of current orthodoxies concerning the causes and origins of witch-hunting will be of particular interest to scholars and students in undergraduate and graduate courses in early modern history, religion, culture, gender studies and methodology.
Witchcraft --- Warlocks --- History. --- literature --- gender --- witchcraft --- Demonology --- Early modern Europe --- Early modern period --- Torture --- Witch-hunt
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This book critiques historians' assumptions about witch-hunting as well as their explanations for this complex and perplexing phenomenon. The authors insist on the centrality of gender, tradition and ideas about witches in the construction of the witch as a dangerous figure. They challenge the marginalisation of male witches by feminist and other historians. The book shows that large numbers of men were accused of witchcraft in their own right, in some regions, more men were accused than women. The authors analyse ideas about witches and witch prosecution as gendered artefacts of patriarchal societies under which both women and men suffered. They challenge recent arguments and current orthodoxies by applying crucial insights from feminist scholarship on gender to a selection of statistical arguments, social-historical explanations, traditional feminist history and primary sources, including trial records and demonological literature. The authors assessment of current orthodoxies concerning the causes and origins of witch-hunting will be of particular interest to scholars and students in undergraduate and graduate courses in early modern history, religion, culture, gender studies and methodology.
Witchcraft --- Warlocks --- History. --- literature --- gender --- witchcraft --- Demonology --- Early modern Europe --- Early modern period --- Torture --- Witch-hunt
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Beggars --- Trials (Witchcraft) --- Warlocks --- Witchcraft --- Legal status, laws, etc --- History --- History --- History --- Salzburg (Austria : Land) --- History.
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Rescued from the outrageous neglect of his aunt and uncle, a young boy with a great destiny proves his worth while attending Hogwarts School for Witchcraft and Wizardry.
Wizards --- Magic --- Schools --- Latin language materials --- England --- Latin language materials. --- Latijn --- Enchanters --- Sorcerers --- Magicians --- Warlocks --- School stories --- Magic tricks
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Italian literature --- Inquisition --- Witches --- Fiction. --- -Witches --- -Occultists --- Warlocks --- Wiccans --- Holy Office --- Autos-da-fé --- Fiction --- Italy --- -Fiction --- -Holy Office --- Inquisition - Fiction. --- Witches - Fiction.
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Arranged in chronological order, these pieces add up to nothing less than a full-scale history of the greatest tour band in the history of rock. From Tom Wolfe's account of the Dead's first performance as the Grateful Dead (at an Acid Test in 1965), to Ralph Gleason's 1967 interview with the 24-year-old Jerry Garcia, to Mary Eisenhart's obituary of the beloved leader of the band, these selections include not only outstanding writing on the band itself, but also superb pieces on music and pop culture generally. Fans will be fascinated by the poetry, fiction, drawings, and rare and revealing photographs featured in the book, as well as the anthology's many interviews and profiles, interpretations of lyrics, and concert and record reviews. Still, The Grateful Dead was more than a band-it was a cultural phenomenon. For three decades it remained on one unending tour, followed everywhere by a small army of nomadic fans.; This phenomenon is both analyzed and celebrated here, in such pieces as Ed McClanahan's groundbreaking article in Playboy in 1972, fan-magazine editor Blair Jackson's 1990 essay on the seriousness of the drug situation at Dead concerts, and Steve Silberman's insightful essays on the music and its fans.
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