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War poetry, French.

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World War, 1914-1918 --- War poetry, French.

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La défaite de 1870 et l'annexion de la Moselle et de l'Alsace par l'Empire allemand ont inspiré de très nombreuses chansons, dont les plus célèbres et les plus marquantes sont rassemblées dans ce recueil. On pourrait croire à tort, qu'elles ont sombré dans un oubli complet. En fait, de nombreux Lorrains en conservent le souvenir. Ces chansons, pour la plupart dues à des compositeurs et des paroliers parisiens, à l'imagination aussi débordante que partiotique, peuvent aujourd'hui faire sourire... Mais n'oublions pas que les refrains de la Revanche, tout comme ceux de la Grande Guerre que l'on trouvera rassemblés en fin de volume, ont été fredonnés avec émotion par plusieurs générations. Ils constituent un témoignage irremplaçable sur une époque qui a durablement marqué l'histoire de la Lorraine.

War poetry, French --- War songs --- Franco-Prussian War, 1870-1871 --- World War, 1914-1918 --- Patriotic poetry, French. --- Patriotic music

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French poetry --- War poetry, French --- World War, 1939-1945 --- History and criticism --- Underground movements --- Literature and the war --- France --- 20th century --- Political poetry [French ] --- French poetry - 20th century - History and criticism --- War poetry, French - History and criticism --- World War, 1939-1945 - Underground movements - France --- World War, 1939-1945 - Literature and the war --- French poetry - 20th century --- World War, 1939-1945 - Poetry

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The study of resistance developed here, by Dr Esther Rowlands, consists of a fresh interrogation of the notion of resistance discourse. Here, for the first time, this detailed study of selected, wartime texts produced by Francis Ponge, Benjamin Péret, Henri Michaux and Antonin Artaud, compiled between 1936 and 1946, presents a specific critique of resistance which investigates the possibility for opposition and subversion to take place without direct allusion to the object of resistance. This investigation questions the criteria according to which literature is perceived as being 'resistant' and suggests that historical and political referentiality may be deemed retaliative and reactionary, thereby risking replication of the dominant order. The relationship between language and power structures is elucidated through allusion to modern theorists Michel de Certeau, Michel Foucault, Ross Chambers and Françoise Proust. The necessary framework for a study of the poetic voice draws upon aspects of the post-structuralist work of Jacques Derrida and Giles Deleuze, incorporating specific theories expounded by the Surrealist leader, André Breton. The works of the above theorists are foundational to this new critique of poetic discourse which, when applied by Dr Esther Rowlands, to the wartime works of the four named writers, suggests that language itself may be recognised as a locus of resistance. This book is designed to be of interest both to undergraduates and to researchers studying Surrealism, Second World Wartime Literature and Critical Theory.

Poetry --- Ponge, Francis --- Artaud, Antonin --- Péret, Benjamin --- Michaux, Henri --- Anti-Nazi movement in literature --- Résistance (Guerre mondiale 1939-1945) dans la littérature --- Verzetsbeweging (Wereldoorlog 1939-1945) in de literatuur --- French poetry --- 20th century --- History and criticism --- Surrealism (Literature) --- War poetry, French --- World War, 1939-1945 --- France --- Underground movements