Listing 1 - 10 of 19 | << page >> |
Sort by
|
Choose an application
Art and war. --- War and literature --- War and art --- Art and history --- Art and state --- Literature and war --- Literature
Choose an application
As the centenary of the Great War approaches, citizens worldwide are reflecting on the history, trauma, and losses of a war-torn twentieth century. It is in remembering past wars that we are at once confronted with the profound horror and suffering of armed conflict and the increasing elusiveness of peace. The contributors to Bearing Witness do not presume to resolve these troubling questions, but provoke new kinds of reflection. They explore literature, the arts, history, language, and popular culture to move beyond the language of rhetoric and commemoration provided by politicians and the military. Adding nuance to discussions of war and peace, this collection probes the understanding and insight created in the works of musicians, dramatists, poets, painters, photographers, and novelists, to provide a complex view of the ways in which war is waged, witnessed, and remembered. A compelling and informative collection, Bearing Witness sheds new light on the impact of war and the power of suffering, heroism and memory, to expose the human roots of violence and compassion. Contributors include Heribert Adam (Simon Fraser University), Laura Brandon (Carleton University), Mireille Calle-Gruber (Université La Sorbonne Nouvelle), Janet Danielson (Simon Fraser University), Sandra Djwa (emeritus, Simon Fraser University), Alan Filewod (University of Guelph), Sherrill Grace (University of British Columbia), Patrick Imbert (University of Ottawa), Tiffany Johnstone (PhD Candidate, University of British Columbia), Martin Löschnigg (Graz University), Lauren Lydic (PhD, University of Toronto), Conny Steenman Marcusse (Netherlands), Jonathan Vance (University of Western Ontario), Aritha van Herk (University of Calgary), Peter C. van Wyck (Concordia University), Christl Verduyn (Mount Allison University), and Anne Wheeler (filmmaker).
War and literature. --- War in literature. --- War in art. --- Art and war. --- Peace in literature. --- Peace in art. --- Literature and war --- Literature --- War and art --- Art and history --- Art and state
Choose an application
War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images. Simultaneously, she explores the merging of photojournalism and artistic practices, the effects of visual framing, and the construction of both sanctioned and counter-hegemonic narratives in a global contest of images. As a result of the global visual culture in which anyone may produce as well as consume public imagery, the wide variety of visual and documentary practices present realities that would otherwise be invisible or officially off-limits. In our digital era, the prohibition and control of images has become nearly impossible to maintain. Using carefully chosen case studies—such as Krzysztof Wodiczko’s video projections and public works in response to 9/11 and the wars in Iraq and Afghanistan, the performance works of Coco Fusco and Regina Galindo, and the practices of Israeli and Palestinian artists—Apel posits that contemporary war images serve as mediating agents in social relations and as a source of protection or refuge for those robbed of formal or state-sanctioned citizenship. While never suggesting that documentary practices are objective translations of reality, Apel shows that they are powerful polemical tools both for legitimizing war and for making its devastating effects visible. In modern warfare and in the accompanying culture of war that capitalism produces as a permanent feature of modern society, she asserts that the contest of images is as critical as the war on the ground.
Art and society. --- War and society. --- Art and war. --- Art --- Art and sociology --- Society and art --- Sociology and art --- Society and war --- War --- Sociology --- Civilians in war --- Sociology, Military --- War and art --- Art and history --- Art and state --- Social aspects
Choose an application
The present volume provides a critical insight into the relationship of art and war. It shows how artists perceive war and how they depict it, to warn the spectator but to cure their own trauma at the same time. War causes destruction, loss, and trauma. Many artists have used their art to express feelings and memories related to these losses and their own traumatic experiences. The artwork that came into existence due to such processes reflects on events of our past, but should be considered a warning at the same time. To deal with human suffering means to fully engage with the artist remains of human war experiences. The present volume aims to provide a critical insight into the relationship between art and war, showing how artists dealt with human losses, destruction, and personal trauma.
History. --- Annals --- Auxiliary sciences of history --- Violence in art. --- Art and war. --- War and art --- Art and history --- Art and state --- War Art --- Art History --- Military History --- First World War --- Vietnam War --- War Artists
Choose an application
Cultural Cleansing and Mass Atrocities: Protecting Cultural Heritage in Armed Conflict Zones addresses the connection between cultural heritage and cultural cleansing, mass atrocities, and the destruction of cultural heritage. Pulling together various threads of discourse and research, Cultural Cleansing and Mass Atrocities outlines the issues, challenges, and options effecting change.
Art treasures in war --- Art and war --- Cultural property --- Cultural property, Protection of --- Cultural resources management --- Cultural policy --- Historic preservation --- War and art --- Art and history --- Art and state --- Protection --- Government policy --- Art and war. --- Art treasures in war. --- Protection.
Choose an application
soldiers --- coortegardjes --- wars --- Renaissance --- Iconography --- History of Europe --- anno 1400-1499 --- anno 1500-1599 --- Art [Renaissance ] --- Art and war --- Art de la Renaissance --- Art et guerre --- Kunst [Renaissance] --- Kunst en oorlog --- Renaissance art --- Renaissancekunst --- Art, Renaissance --- War and art --- Art and history --- Art and state --- Art, Renaissance. --- Art and war.
Choose an application
Warfare, and the circumstances surrounding it, have often provided important impulses for cultural production. This book explores the relationship between warfare and image-making in the early modern period. Rather than dealing with images simply as reproductions of actual events, the volume demonstrates complex processes by which political, national and social identities are negotiated and fashioned in warfare imagery. The book analyses three main issues: the impact of war on art, the ways in which warfare imagery supports dominant ideologies, and the manner in which such imagery also constructs alternative identities. The essays offer a broad range of methodologies while dealing with a wide array of chronological, geographical and artistic materials. Historians and art historians will find this volume particularly useful in its nuanced examination of the relationship between art and history.
Art and war. --- Art, European --- War in art. --- Art and war --- War in art --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- War and art --- Art and history --- Art and state --- Art, European - 16th century --- Art, European - 17th century
Choose an application
Art and war --- Popular culture --- Soldiers as artists --- World War, 1914-1918 --- Artists --- War and art --- Art and history --- Art and state --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- History --- Art and the war --- Collectibles
Choose an application
In the third issue of the J. Paul Getty Trust Occasional Papers in Cultural Heritage Policy series, authors Helen Frowe and Derek Matravers pivot from the earlier tone of the series in discussing the appropriate response to attacks on cultural heritage with their paper, "Conflict and Cultural Heritage: A Moral Analysis of the Challenges of Heritage Protection." While Frowe and Matravers acknowledge the importance of cultural heritage, they assert that we must more carefully consider the complex moral dimensions--the inevitable serious consequences to human beings--before formulating policy to forcefully protect it. A number of writers and thinkers working on the problem of preserving the world's most treasured monuments, sites, and objects today cite what Frowe and Matravers call extrinsic and intrinsic justifications for the protection of cultural heritage. These are arguments that maintain that protecting heritage will be a key means to achieve other important goals, like the prevention of genocide, or arguments that heritage deserves to be forcefully protected for its own sake. Frowe and Matravers deconstruct both types of justifications, demonstrating a lack of clear evidence for a causal relationship between the destruction of cultural heritage and atrocities like genocide and arguing that the defense of heritage must not be treated with the same weight or urgency, or according to the same international policies, as the defense of human lives. By calling for expanded theory and empirical data and the consideration of morality in the crafting of international policy vis-à-vis cultural heritage protection, Frowe and Matravers present a thoughtful critique that enriches this important series and adds to the ongoing dialogue in the field.
Art and war --- Architecture --- Art --- Cultural property --- Cultural property, Protection of --- Cultural resources management --- Cultural policy --- Historic preservation --- Buildings --- Buildings, Restoration of --- Conservation of buildings --- Restoration of buildings --- War and art --- Art and history --- Art and state --- Conservation and restoration --- Protection --- Government policy --- Restoration --- Repair and reconstruction --- E-books
Choose an application
Cultural Genocide and the Protection of Cultural Heritage examines the various lenses through which the international community defines attacks on cultural heritage--legal, accountability, security, counterterrorism, and atrocity prevention--and proposes a sixth, cultural genocide, that can be used to recast the debate over how to best protect the world's cultural heritage.
Art and war. --- Art treasures in war. --- Architecture --- Art --- Cultural property --- Conservation and restoration. --- Protection. --- War and art --- Art and history --- Art and state --- Cultural property, Protection of --- Cultural resources management --- Cultural policy --- Historic preservation --- Buildings --- Buildings, Restoration of --- Conservation of buildings --- Restoration of buildings --- Art and war --- Protection --- Government policy --- Restoration --- Conservation and restoration --- Repair and reconstruction
Listing 1 - 10 of 19 | << page >> |
Sort by
|