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This is the first book to look at an increasingly popular form of street art: the paste-up or ""wheatie."" Many street artists don't graffiti or stencil any more but use pre-prepared paper images that can be taken down, thereby avoiding a vandalism charge. The book shows the work of 20 artists, with photographs of their work, an article about their work, and a fold-out paste-up. The fold-out pages are perforated so they can easily be removed. Some of the paste-ups are laser cut with attaching tags so they can be popped out. There's also an introductory interview with cult street artists Sten &

Graffiti --- Street art --- Art, Street --- Art, Wall --- Wall art --- Art and society --- Mural painting and decoration --- Performance art --- Politics in art --- Graffiti culture --- Folklore --- Inscriptions

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Street art. --- Art, Street --- Art, Wall --- Wall art --- Art and society --- Mural painting and decoration --- Performance art --- Politics in art --- Graffiti

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The first appearances of graffiti "tags" (signatures) on New York City subway trains in the early 1970's were discarded as incidents of vandalism or the rough, violent cries of the ignorant and impoverished. However, as the graffiti movement progressed and tags became more elaborate and ubiquitous, genuine artists emerged whose unique creativity and unconventional media captured the attention of the world.Featuring gallery and street works by several contributors to the graffiti scene, this book offers insight into the lives of urban artists, describes their relationship with the bourgeois art

Graffiti --- Street art --- Painting, American --- Painting, Modern --- Washington Color School (Group of artists) --- Art, Street --- Art, Wall --- Wall art --- Art and society --- Mural painting and decoration --- Performance art --- Politics in art --- Graffiti culture --- Folklore --- Inscriptions

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Das vorliegende Buch präsentiert eine neue Analyse der Verbindungen zwischen dem Kunstgenre Graffiti und dem Werk Jean-Michel Basquiats und spricht insofern sicherlich ein breites Publikum an. Es gibt gegenwärtig nur äußerst wenige Studien zu dieser Thematik, was diese originelle Analyse umso wichtiger macht. Der Autor analysiert den vergleichbaren Hintergrund der Graffiti-Künstler und Basquiats, hebt gleichzeitig jedoch auch die Unterschiede hervor, die Basquiat internationale Berühmtheit verschafften, während der Großteil der Graffiti-Künstler anonym geblieben ist.

Graffiti --- Street art --- Painting, American --- Graffiti culture --- Folklore --- Inscriptions --- Painting, Modern --- Washington Color School (Group of artists) --- Art, Street --- Art, Wall --- Wall art --- Art and society --- Mural painting and decoration --- Performance art --- Politics in art

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Un ouvrage s'intéressant à la prodigalité des espaces d'art public, à la diversité des oeuvres proposées et à la disparité des pratiques artistiques. Il met l'accent sur la lente mais sûre symbiose de l'entertainment et du social, qui rejoint la représentation de la démocratie, vendue comme une image de bien être et de réussite sociale, et démontre que les artistes s'emploient à lutter contre. ©Electre 2016

Art, Municipal --- Street art --- City planning --- Art urbain --- Art dans la rue --- Urbanisme --- Art [Public ] --- Art [Street ] --- Art [Wall ] --- Art dans la ville --- Art de rue --- Art des rues --- Art en milieu urbain --- Art mural --- Art public --- Arts de la rue --- Kunst [Openbare ] --- Murals --- Openbare kunst --- Public art --- Wall art --- Social aspects --- Sociologie urbaine --- Espace public --- Espace urbain --- Politique urbaine --- Rapport art-architecture