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"An accessible introduction to the world of The Walking Dead, this book looks across platforms and analytical frameworks to characterize the fictional world of The Walking Dead and how its audiences make use of it. From comics and television to social media, apps, and mobile games, utilizing concepts derived from Literary Studies, Media Studies, History, Anthropology and Religious Studies, Matthew Freeman examines the functions and affordances of new digital platforms. In doing so, he establishes a new transdisciplinary framework for analyzing imaginary worlds across multiple media platforms, bolstering the critical arena of world-building studies by providing a greater array of vocabulary, concepts, and approaches. The World of the Walking Dead is an engaging exploration of stories, their platforms, and their reception, ideal for students and scholars of world-building, film and tv studies, new media, and everything in-between"--
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Rick, Lori, Shane, Carl, Dale, Andrea, and Michonne--human survivors of a zombie apocalypse--don't know much about philosophy, but philosophical ideas continue to shamble on through their world, and there's no excape from them.The Walking Dead is both a hugely successful comics series and a popular TV show. This epic story of a zombie apocalypse is unique. It focuses on the long-term individual, social, and moral consequences of survival by small groups of humans in a world overrun by infected zombies.Guns, chainsaws, and machetes are not enough for survival: humans
Graphic novels --- Zombies in literature. --- Kirkman, Robert. --- Walking dead (Television program)
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This book traces how The Walking Dead franchise narratively, visually, and rhetorically represents transgressions against heteronormativity and the nuclear family. The introduction argues that The Walking Dead reflects cultural anxiety over threats to the family. Chapter 1 examines the destructive competition created by heteronormativity, such as the conflict between Rick and Shane. Chapter 2 focuses on the actual or attempted participation of characters such as Carol and Negan in queer relationships. Chapter 3 interprets zombies as queer antagonists to heteronormativity, while Chapter 4 explores the incorporation of zombies into the lives of characters such as the Governor and the Whisperers. The conclusion asserts that The Walking Dead presents both queer alternatives to and damaging contradictions within the traditional heterosexual family model, helping to question this model and to consider the struggle of queer American families. Overall, this study holds special interest for students and scholars of queerness, zombies, and the family.
Zombies in popular culture. --- Families in mass media. --- Sexual minorities' families. --- Homosexuality and television. --- Homosexuality on television. --- Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Gays on television --- Homosexuality in television --- Television --- Television and homosexuality --- Families --- Family in mass media --- Mass media --- Kirkman, Robert. --- Bonansinga, Jay R. --- Walking dead (Comic book) --- Walking dead (Television program) --- Popular Culture. --- Motion pictures. --- Culture. --- Gender. --- United States-Study and teaching. --- Literature, Modern-20th century. --- Popular Culture . --- Adaptation Studies. --- Culture and Gender. --- American Culture. --- Contemporary Literature. --- Cultural sociology --- Sociology of culture --- Civilization --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Performing arts --- Social aspects --- History and criticism --- United States—Study and teaching. --- Literature, Modern—20th century. --- Literature, Modern—21st century.
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