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"Lana and Lilly Wachowski are intensely political film writers, directors, and producers whose work has made an indelible impact on American popular culture. From The Matrix (1999) to Cloud Atlas (2012), they have left their mark as innovators in the industry, consistently pushing the boundaries of what is perceived as technically and topically possible in studio film. They are also the world's first major transgender film directors and arguably the most influential transgender cultural producers in human history. Their coming out makes possible a reevaluation of the Wachowskis' entire oeuvre as curating alternate approaches to gender, emobodiment, and perception, that might be retrospectively theorized as "trans." In this study, Cael Keegan will argue that the Wachowskis' work can be read as an aesthetic history of transgender political consciousness as it has evolved in popular media. He explores the significance of the Wachowskis as film and genre innovators who have permanently altered the technology and aesthetics of mainstream Hollywood cinema. Keegan sees the radical identities at play in many of their early films as emerging from a queer sensibility and a hoped-for sense of the body's plasticity. Moving chronologically through the Wachowskis' filmography, he uses the films' theorization of gender and embodied identity at the intersection of convergence, virtuality, biopolitical surveillance and capitalist realism to open these much-discussed works to new modes of analysis"--
Wachowski, Lilly, --- Wachowski, Lana, --- Wachowski, Larry, --- Wachowski, Laurenca, --- Wachowski, Laurence, --- Wachowski, Andy, --- Criticism and interpretation.
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Motion pictures --- Cinéma --- History --- Histoire --- Wachowski, Andy, --- Wachowski, Larry, --- Matrix (Motion picture) --- Joshua Clover --- film --- filmgeschiedenis --- sciencefiction --- speciale effecten --- twintigste eeuw --- Verenigde Staten --- Wachowski Andy --- Wachowski Larry --- 791.471 WACHOWSKI --- Cinéma --- Wachowski, Lilly, --- Wachowski, Lana,
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Depuis désormais un quart de siècle, Lana et Lilly Wachowski se sont imposées comme des cinéastes originales et influentes du paysage hollywoodien. Que ce soit avec Matrix, Speed Racer, Cloud Atlas ou Sense8, elles ont repoussé les limites du cinéma afin de défendre une vision du monde singulière. Le corpus wachowskien nous invite à repenser le rapport entre le global et le particulier, entre le groupe et l'individu, entre la majorité et la minorité. Les Wachowski n'ont cessé d'évoquer cette question dans leurs travaux, celle-ci étant particulièrement d'actualité avec le développement de la mondialisation et d'Internet, les questionnements sur la place des minorités et les interrogations sur les inégalités sociales engendrées par le capitalisme. Très loin de restreindre tous ces débats à un cadre binaire, les réalisatrices développent une vision dialectique du monde qui leur permet de transcender toutes les limites et d'inventer une nouvelle utopie cinématographique, tant politique qu'esthétique, pour le XXIe siècle.
Wachowski --- Cinéma --- Individu --- Collectif --- Capitalisme --- Polyphonie --- Japanimation --- Internet --- Mondialisation --- Homosexualité --- Transidentité --- LGBT --- Racisme --- Esclavage --- Totalitarisme --- Minorité --- Majorité --- Transculturalité --- Arts & sciences humaines > Arts du spectacle
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kunst --- kunsttheorie --- eenentwintigste eeuw --- traagheid --- video --- film --- fotografie --- wandelen --- futurisme --- Bergson Henri --- Benjamin Walter --- Eliasson Olafur --- Balla Giacomo --- Bragaglia Giulio --- Boccioni Umberto --- Klee Paul --- Riefenstahl Leni --- Wesely Michael --- Sugimoto Hiroshi --- Kluge Alexander --- Subin Nina --- Masuyama Hiroyuki --- Weir Peter --- Herzog Werner --- Parsons Nick --- Tykwer Tom --- Wachowski Larry --- Wachowski Andy --- Doherty Willie --- Gordon Douglas --- Parreno Philippe --- Cardiff Janet --- Hitchcock Alfred --- Viola Bill --- D'Ilbakliwine --- 7.01 --- Slow life movement. --- Arts --- Philosophy.
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Motion pictures --- Independent filmmakers --- Cinéma --- Réalisateurs de cinéma indépendants --- Biography --- Biographie --- Cinéma indépendant --- Histoire et critique --- #SBIB:012.AANKOOP --- #SBIB:309H1320 --- film --- twintigste eeuw --- Verenigde Staten --- filmregisseurs --- Cassavetes John --- Brakhage Stan --- Warhol Andy --- film en homoseksualiteit --- Lee Spike --- Van Sant Gus --- Vasquez Joseph B. --- gender studies --- Gray F. Gary --- Haynes Todd --- Kalin Tom --- Troche Rose --- Araki Gregg --- Peirce Kimberley --- Jarmusch Jim --- Linklater Richard --- DiCillo Tom --- Holofcener Nicole --- Hartley Hal --- Solondz Todd --- Tarantino Quentin --- Ferrara Abel --- Altman Robert --- Anderson Paul Thomas --- Kaufman Charlie --- Jonze Spike --- Korine Harmony --- Lynch David --- Sayles John --- McNaughton John --- Franklin Carl --- westerns --- Singer Bryan --- Wachowski Andy --- Wachowski Larry --- Soderbergh Steven --- African American cinema --- afro-amerikaanse film --- 791.43 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Cinéma --- Réalisateurs de cinéma indépendants --- Vasquez Joseph B --- Histoire et critique.
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