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MAD-faculty 17 --- schilderen --- schildertechnieken --- Wabi-Sabi --- kunst en filosofie
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Architecture --- Wabi-sabi. --- Symbolisme en architecture --- Esthétique --- Aspect psychologique
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Wabi-sabi is "the" quintessential Japanese aesthetic. It is a beauty of things imperfect, impermanent, and incomplete. It is a beauty of things modest and humble. It is a beauty of things unconventional.
philosophy --- filosofie --- kunst --- art [fine art] --- Aesthetics --- esthetica --- Art --- aesthetics --- Philosophy --- Japan --- design --- kunsttheorie --- designtheorie --- Wabi-sabi --- poëzie --- kunst en poëzie --- kunst en design --- 745.01 --- 7.01 --- Kunstbeschouwing ; Japan ; Wabi-Sabi --- Kunst ; theorie, filosofie, esthetica --- #breakthecanon --- art [discipline]
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Twenty-plus years after the initial publication of Wabi-Sabi: for Artists, Designers, Poets & Philosophers, Leonard Koren is back with further insights into this seminal aesthetic paradigm. An important book for art and design theorists, and other thoughtful creators.
7.01 --- Kunstbeschouwing ; Japan ; Wabi-Sabi --- design --- kunsttheorie --- designtheorie --- Wabi-sabi --- Japan --- filosofie --- 770.6 --- kunst --- productdesign --- poëzie --- kunst en poëzie --- kunst en design --- 745.01 --- Kunst ; theorie, filosofie, esthetica --- productdesign, filosofie, esthetiek en kritiek --- MAD-faculty 17 --- kunst en filosofie --- Wabi-Sabi
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"Le minimalisme japonais est devenu une force émergente du design et l'essence de l'esthétique Wabi Sabi, un style qui se cache derrière la nouvelle tendance des intérieurs bruts. Les designers ont transformé le genre traditionnel Wabi Sabi, une beauté simple qui peut résister au temps, pour créer une décoration moderne et des espaces dont les éléments essentiels deviennent le design le plus en vogue du moment. "Une architecture zen : le style Wabi Sabi" présente une collection d'intérieurs bruts suivant une approche moderne du style Wabi Sabi à travers une trentaine de projets internationaux réalisés par les architectes et designers d'intérieurs les plus influents du monde"
Wabi-sabi. --- Décoration intérieure --- Architecture intérieure --- Maisons d'architectes --- Sabi Influence --- Wabi Influence --- Interior decoration --- Decoration and ornament --- Japanese influences --- Themes, motives
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The Living Surface is een alternatief biologieboek over 'Urban Nature': een onderzoek naar sporen van verval in de openbare ruimte in grote steden. In het boek staan trage processen centraal, zoals waargenomen in vlekken en verval in de publieke ruimte en in de productiemethoden van de handtuft -techniek. Ingenieur en designcriticus Ed van Hinte, wetenschapper Hanneke Gelderblom en Lizan Freijsen reflecteren op de grenzen van design, kunst en wetenschap.
746.07 --- Freijsen, Lizan °1960 (Zwijndrecht, Nederland) --- Installaties ; met textiel --- Thema's in de textielkunst; trage processen ; vorming van vlekken ; schimmel ; ontbinding ; veroudering ; Wabi Sabi --- Textiel ; tapijten ; handtuften --- Textielkunst ; textielkunstenaars --- Art --- staining [coloring] --- flatweaves --- Freijsen, Lizan --- Motif décoratif --- Design
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Explore two essential textile-art concepts with leading artist Shelley Rhodes. Fragmentation and repair are two of the biggest buzzwords in textile and mixedmedia art, and in this fascinating and beautiful book renowned textile artist Shelley Rhodes explores both concepts, with a wealth of fresh ideas, practical advice and inspiring examples from her own work and from embroiderers around the world, including Debbie Lyddon and Alice Fox. Fragmentation lies at the heart of Shelley's work, and she shows how she deconstructs and reassembles cloth, paper and objects to create new pieces, incorporating found objects and materials she has collected over the years to add a personal note. She covers using salvaged and recycled materials, repurposing household items, and methods of distressing and manipulating surfaces by burning, piercing, rust-dyeing and even composting. She also shows how larger pieces of work can be cut up and the components worked on individually to form a series of smaller works with strong visual impact. Special attention is given to darning and patching, traditionally seen simply as ways to prolong the life of garments but now appreciated as meaningful and decorative techniques in their own right, and Shelley also investigates the Japanese concepts of wabi-sabi (finding beauty in imperfection) and mottainai (using every last scrap), both of which constantly inform her work. This beautifully illustrated book is the ideal companion for any textile artist wanting to bring notions of fragility, fragmentation and repair into their own work.
Applied arts. Arts and crafts --- cloth --- mixed media --- textile materials --- textile processes and techniques --- textile art [visual works] --- mixed media works --- Textile crafts --- Textile fabrics --- Found objects (Art) --- Decorative arts --- Textile arts --- Rhodes, Shelley --- Wabi-sabi --- mottainai --- Lyddon, Debbie --- Fox, Alice --- textielkunst --- recyclage --- patchwork --- stoppen --- 779.8 --- Fabric crafts --- Textile fiber crafts --- Handicraft --- Fancy work --- Fiberwork --- Applied arts --- Art industries and trade --- Art --- Found art --- Objects, Found (Art) --- Ready-mades (Art) --- Readymades (Art) --- Art, Modern --- Cloth --- Fabrics --- Textile industry and fabrics --- Textiles --- Dry-goods --- Weaving --- Textile fibers --- Repairing --- Recycling --- textielkunst, overige --- Themes, motives. --- Wabi sabi ; vergankelijkheid ; verwering ; aftakeling ; imperfectie ; onvolmaaktheid --- Beeldende kunst ; met textiel --- collage; mixed media --- Textielkunst ; technieken en vormen --- 746.02 --- Textielkunst ; technieken
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Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers. In The Beautiful, Novel, and Strange Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty - worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.
Litterature et societe --- Art et litterature --- Roman anglais --- Litterature anglaise --- Esthetique --- Esthetica. --- Letterkunde. --- Engels. --- Literature and society. --- Fiction --- English fiction. --- Art and literature. --- Aesthetics, British. --- Literature and society --- Aesthetics, British --- Art and literature --- English fiction --- Histoire et critique. --- Technique. --- History --- History and criticism. --- 1700-1799 --- Great Britain. --- Visual arts --- Aesthetics --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Literature --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Aesthetics, English --- British aesthetics --- English aesthetics --- English literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Social aspects --- Art, Théorie de l' --- Art --- Arts --- Contribution à l'esthétique --- Et l'esthétique --- Philosophie des arts --- Théorie artistique --- Théorie de l'art --- Théories artistiques --- Critique et interprétation --- Culture visuelle --- Esthétique --- Esthétique et droit --- Esthétique et morale --- Académisme --- Allusion --- Apollinien et dionysiaque --- Architecture --- Art pour l'art --- Auteur (esthétique) --- Authenticité (art) --- Avant-garde (esthétique) --- Beau (esthétique) --- Beauté féminine (esthétique) --- Camp (style) --- Catharsis --- Cinéma --- Comique --- Contemporanéité (esthétique) --- Création (esthétique) --- Déformation (esthétique) --- Dernières oeuvres --- Détails (philosophie) --- Dilettantisme (esthétique) --- Dimension (esthétique) --- Double (esthétique) --- Douceur --- Échelle (ordre de grandeur) --- Éclectisme (esthétique) --- Élégance --- Ellipse (esthétique) --- Empathie (esthétique) --- Entre-deux (esthétique) --- Épique (esthétique) --- Esthétique anarchiste --- Esthétique communiste --- Esthétique comparée --- Esthétique environnementale --- Esthétique fasciste --- Esthétique marxiste --- Esthétique national-socialiste --- Fantastique --- Fin de siècle (esthétique) --- Flou (esthétique) --- Force (esthétique) --- Forme (esthétique) --- Goût (esthétique) --- Grâce (esthétique) --- Grandiose (esthétique) --- Grotesque --- Harmonie (esthétique) --- Humour --- Imaginaire (philosophie) --- Imagination (philosophie) --- Immobilité (esthétique) --- Improvisation (esthétique) --- Informe (esthétique) --- Insignifiance (esthétique) --- Inspiration --- Ironie --- Jeu (philosophie) --- Jugement esthétique --- Kitsch --- Laideur --- Légèreté --- Littérature --- Médiévisme (esthétique) --- Modernisme (esthétique) --- Montage (esthétique) --- Mouvement (esthétique) --- Musique --- Nature (esthétique) --- Nouveauté --- Objet (esthétique) --- Orientalisme --- Originalité (esthétique) --- Peinture --- Pittoresque --- Poïétique --- Post-postmodernisme --- Postmodernisme --- Premières oeuvres --- Provocation (esthétique) --- Répétition (esthétique) --- Représentation (esthétique) --- Reste (esthétique) --- Ruines (esthétique) --- Rythme --- Silence (philosophie) --- Simultanéité (esthétique) --- Spectaculaire --- Stimmung --- Style --- Sublime --- Théâtre --- Tradition (philosophie) --- Transgression --- Valeurs (philosophie) --- Vulgarité --- Wabi-sabi --- Philosophie --- Littérature et art --- Littérature et arts plastiques --- Littérature et beaux-arts --- Littérature et peinture --- Littérature et sculpture --- Peinture et littérature --- Poésie et art --- Poésie et peinture --- Poésie et sculpture --- Sculpture et littérature --- Critique d'art --- Architecture et littérature --- Cubisme et littérature --- Ekphrasis --- Littérature et photographie --- Ut pictura poesis (esthétique) --- Arts et littérature --- Société et littérature --- Femmes et littérature --- Littérature et géographie --- Littérature postcoloniale --- Sociologie de la littérature --- Vie littéraire --- Féminisme et littérature --- Institution littéraire --- Psychologie sociale et littérature --- Histoire --- Aspect religieux --- Philosophie et esthétique --- Aspect social --- Esthétique et religion
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