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Art --- paintings [visual works] --- drawings [visual works] --- installations [visual works] --- carpetbags --- Wa Lehulere, Kemang
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What is the relevance of Dada and its artistic strategies in our current moment, one marked by post-truth politics, information floods and big data? How can contemporary art highlight the neglected nuances of cultural representation in the present day? While it may feel like we are living in a period of anomaly with the rise of the alt-right, this book shows how the Dada movement's artistic response to the aggressive nationalism and fascism of its time offers a fruitful analogy to our contemporary era. Dada's counter-cultural strategies have long been endorsed by artistic avantgardes and subcultures. *Dada Data* details how modern-day movements have appropriated such tactics in their ways of addressing the public both on- and offline. Bringing together contributions from interdisciplinary scholars, curators and artists working in global contexts that explore an array of artistic modes of persuasion and resistance, the book demonstrates how contemporary art can bring out neglected nuances of our post-truth moment. In linking the Dada movement's counter-cultural activities to modern phenomena such as post-internet art, information floods and big data mining, the book collates original propaganda with diverse artwork from such figures as Hannah Höch, Paula Rego, Tschabalala Self, Sheida Soleimani and South African artists donna Kukama and Kemang Wa Lehulere. Doing so, *Dada Data* brings together a rich scrapbook of Dada resources and perspectives that are highly relevant to present-day political concerns.
Art --- Contemporary [style of art] --- interdisciplinarity --- Dada --- Wa Lehulere, Kemang --- Kukama, Donna --- Self, Tschabalala --- Soleimani, Sheida --- Höch, Hannah --- Rego, Paula --- anno 1900-1999
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Art --- paintings [visual works] --- installations [visual works] --- photography [process] --- racial discrimination --- colonization --- camouflage --- video art --- apartheid --- postcolonialism --- human figures [visual works] --- Wa Lehulere, Kemang --- Nazareth, Paulo --- Mujinga, Sandra --- Self, Tschabalala
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Art --- histories [literary works] --- art [discipline] --- social stratification --- political art --- Rakowitz, Michael --- Breitz, Candice --- Klein, Astrid --- Arcangel, Cory --- Berksoy, Semiha --- Dawood, Shezad --- Himid, Lubaina --- Janssens, Ann Veronica --- Nkanga, Otobong --- Ogboh, Emeka --- Rosenkranz, Pamela --- Sarkissian, Hrair --- Wa Lehulere, Kemang --- Zaatari, Akram --- Abu Hamdan, Lawrence --- Pacheco, Bruno --- Balteo Yazbeck, Alessandro --- Arsanios, Marwa --- Rafman, Jon --- Cheng, Ian --- Phillipson, Heather --- Caland, Huguette --- Kasten, Barbara --- Shemza, Anwar Jalal --- Wasif, Munem --- Douglas, Stan --- Marwan --- Jaar, Alfredo
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Art --- art [discipline] --- globalization --- kunstsociologie --- Vo, Danh --- Khan, Hassan --- Phinthong, Pratchaya --- Solh, Al, Mounira --- Apang, Minam --- Hu, Xiaoyuan --- Issa, Iman --- Paris, Nicolas --- Pastrana, Gary-Ross --- Pica, Amalia --- Takala, Pilvi --- Vega Macotela, José Antonio --- Villar Rojas, Adrián --- Wa Lehulere, Kemang --- Yiadom-Boakye, Lynette --- Younis, Ala --- Ponce de Léon, Rita --- Dault, Julia --- Andrade, de, Jonathas --- Deville, Abigail --- Lee Kit --- Marcelle, Cinthia --- McKenzie, Dave --- Park, Bona --- Sierra, Gabriel --- Tabet, Rayyane --- Telleria, Mariana --- Wu Tsang --- CAMP --- House of Natural Fiber --- Invisible Borders --- The Propeller Group --- Public Movement --- Slavs and Tatars
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Art --- Mwangi, Ingrid --- Hutter, Robert --- Gush, Simon --- Baloji, Sammy --- Gasteli, Jellel --- Karray, Mouna --- Langa, Moshekwa --- Magema, Michèle --- Mazmouz, Fatima --- Mntambo, Nandipha --- Nasr, Moataz --- Ntakiyica, Aimé --- Rose, Tracey --- Wa Lehulere, Kemang --- Watts, Ouattara --- Mwangi Hutter --- Akindiya, Akirash --- Amin, Heba Y. --- Ammar, Héla --- Awofeso, Abdulrazaq --- Balbzioui, Yassine --- Bassene, Arébénor --- Ben Khelil, Yesmine --- Boutros, Nabil --- Cheremeh, Poku --- Chereno Ng'ok, Mimi --- Creuzet, Julien --- Dagnogo, Gopal --- Dalleas Bouzar, Dalila --- Miranda, de, Mónica --- Diouf, Mbaye Babacar --- Ehikhamenor, Victor --- El Hammami, Badr --- ElMeleegy, Yasmine --- Eshetu, Theo --- Fadugba, Modupeola --- Fanny, Franck Abd-Bakar --- Gbré, François-Xavier --- Gonthier, Yo-Yo --- Jasse, Délio --- Jemal Siala, Mouna --- Kala, Euridice Getulio --- Kambalu, Samson --- Katz, Bronwyn --- Kheir, Ala --- Kimani, Wanja --- Kitenge Banza, Moridja --- Limoud, Youssef --- Mapoubi, Anna --- Mazirh, Safaa --- Mekawei, Yara --- Haggag, Lamis --- Muluneh, Aïda --- Munroe, Lavar --- Ndoye, Douts --- Oshun, Folakunle --- Parree, Amira --- Pefura, Maurice --- Sagna, Henri --- Sama, Hippolythe --- Wambugu, William --- Attia, Kader --- anno 2000-2099 --- Africa
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Art --- art [discipline] --- technology [general associated concept] --- cities --- political art --- identity --- landscapes [environments] --- Rakowitz, Michael --- Gates, Theaster --- Cao Fei --- Denny, Simon --- Hadjithomas, Joana --- Issa, Iman --- Joreige, Khalil --- Madani, Tala --- Manna, Jumana --- Nkanga, Otobong --- Paglen, Trevor --- Panayiotou, Christodoulos --- Qureshi, Imran --- Richards, James --- Sarkissian, Hrair --- Shah, Tejal --- Steyerl, Hito --- Thomas, Hank Willis --- Trecartin, Ryan --- Villar Rojas, Adrián --- Wa Lehulere, Kemang --- Xu Zhen --- Yiadom-Boakye, Lynette --- Abu Hamdan, Lawrence --- Al Maria, Sophia --- Andrade, de, Jonathas --- Lee Kit --- Henrot, Camille --- Tanaka, Koki --- Magdy, Basim --- Ulman, Amalia --- Guan, Xiao --- Zhou Tao --- Cheng, Ian --- Kambalu, Samson --- Novitskova, Katja --- Satterwhite, Jacolby --- Bridle, James --- Makhacheva, Taus --- Linder, Adam --- Jie, Cui --- Crespo, Andrea --- Bailey, Jeremy --- Dullaart, Constant --- Phillipson, Heather --- Blas, Zach --- Hempton, Celia --- Abbas, Nadim --- Williams, Amanda --- Cahill, Zachary --- Barrada, Yto --- GCC --- Assemble --- DIS --- The Propeller Group
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Art --- histories [literary works] --- art [discipline] --- geography --- urban planning --- Afif, Saâdane --- Vo, Danh --- Macuga, Goshka --- Barba, Rosa --- Antunes, Leonor --- Garcia Torres, Mario --- Bonvicini, Monica --- Tonel --- Abidi, Bani --- Abonnenc, Mathieu Kleyebe --- Alves, Maria Thereza --- Amorales, Carlos --- Aranda, Julieta --- Atoui, Tarek --- Baghramian, Nairy --- Baraya, Alberto --- Bennett, Gordon --- Castillo Deball, Mariana --- Caycedo, Carolina --- González, Beatriz --- Gupta, Shilpa --- Haloi, Ganesh --- Issa, Iman --- Leiderstam, Matts --- Nkanga, Otobong --- Panayiotou, Christodoulos --- Radul, Judy --- Robert, Jimmy --- Stevenson, Michael --- Sundaram, Vivan --- Tagore, Gaganendranath --- Mofokeng, Santu --- Wa Lehulere, Kemang --- Zink Yi, David --- Eichwald, Michaela --- Abdalian, Zarouhie --- Angelidakis, Andreas --- Cahill, Zachary --- Gutiérrez, Cynthia --- Alesworth, David Chalmers --- Baldi, Bianca --- Banfield, Patrick Alan --- Gothe-Snape, Agatha --- Kopelman, Irene --- Xiaofei, Li --- Suhail, Mariam --- Durham, Jimmie --- Tillmans, Wolfgang --- Dean, Tacita --- Nashat, Shahryar --- Sala, Anri --- Höller, Carsten --- Bulloch, Angela --- Ligon, Glenn --- Nicolai, Olaf --- Zaccagnini, Carla --- Xiu Xiu [San Jose, Calif.] --- Center For Historical Reenactments [Johannesburg] --- Slavs and Tatars --- Berlin
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‘Drawing. The Bottom Line’ presents drawing related work of 54 international artists. Drawing has always been there, will ever be there, and becomes particular present in times of crisis. Once described as the mother of all arts drawing lies at the bottom of all artistic activities. The freedom of art lives in drawing. ‘Drawing. The Bottom Line’ embraces the singular practices of all participating artists, whose approach derives out a drawing, or where the history and conventions of the medium find a particular reflection. The presented work hovers between quick sketch and complex construction, between explosive expression and controlled stasis, and, essentially between fast and slow, since drawing is the medium of absorbed time. As most elegant parasite amongst the media drawing stays immune towards many Zeitgeist-attacks, from material patina to the hunger of the curator. A drawing trace can lead you far out to another century in the same way as it can sketch the beginning of something new. Drawing jumps from diary to film, from thought to narration, from material to idea, and from study to mastery, such as the artists wants. They can let it dig deep into their minds as they can make it touch the ground. Because every picture starts with a separation, which is a line. Drawing. The Bottom Line includes contributions by John Berger, Martin Germann, Philippe Van Cauteren, and short-text introductions by approximately 40 international experts in the field of drawing, mainly selected by the invited artists. The participating artists: Adel Abdessemed, Tomma Abts, Francis Alÿs, William Anastasi, Anna Barriball, Marc Bauer, Thomas Bogaert, Monica Bonvicini, Michaël Borremans, Andrea Bowers, Manon de Boer, Thierry De Cordier, Edith Dekyndt, Johan De Wilde, Tacita Dean, Trisha Donnelly, Ellen Gallagher, Andrea Galiazzo, Nikolaus Gansterer, Julian Göthe, Roni Horn, Henri Jacobs, Mark Lombardi, Nick Mauss, Mark Manders, Paul McCarthy, Lucy McKenzie, Julie Mehretu, Matt Mullican, Marc Nagtzaam, Jockum Nordström, Henrik Olesen, Gabriel Orozco, Raymond Pettibon, Chloe Piene, Carol Rama, Robin Rhode, Salam Atta Sabri, Thomas Schütte, Mithu Sen, Jim Shaw, Paul Sietsema, Alexandre Singh, Bart Stolle, Elly Strik, Ante Timmermans, Rosemarie Trockel, Ignacio Uriarte, Erik Van Lieshout, Anne-Mie Van Kerckhoven, Sandra Vasquez de la Horra, Jorinde Voigt and Kemang Wa Lehulere.
Drawing --- drawing and drawing techniques --- tekenkunst --- tekeningen --- hedendaagse kunst --- kunst --- eenentwintigste eeuw --- Wa Lehulere Kemang --- Voigt Jorinde --- Vasquez de la Horra Sandra --- Van Lieshout Erik --- Van Kerckhoven Anne-Mie --- Uriarte Ignacio --- Trockel Rosemarie --- Timmermans Ante --- Strik Elly --- Stolle Bart --- Singh Alexandre --- Sietsema Paul --- Shaw Jim --- Sen Mithu --- Sabri Salam Atti --- Rhode Robin --- Rama Carol --- Piene Chloe --- Pettibon Raymond --- Orozco Gabriel --- Olesen Henrik --- Nordström Jockum --- Nagtzaam Marc --- Mullican Matt --- Mehretu Julie --- McKenzie Lucy --- McCarthy Paul --- Mauss Nick --- Manders Mark --- Lombardi Mark --- Jacobs Henri --- Horn Roni --- Göthe Julian --- Gansterer Nikolaus --- Gallagher Ellen --- Galiazzo Andrea --- Donnelly Trisha --- De Wilde Johan --- Dekyndt Edith --- De Cordier Thierry --- de Boer Manon --- Dean Tacita --- Bowers Andrea --- Borremans Michaël --- Bonvicini Monica --- Bogaert Thomas --- Bauer Marc --- Barriball Anna --- Anastasi Anna --- Alÿs Francis --- Abts Tomma --- Abdessemed Adel --- 741.039 --- 735.8 --- 743 --- geschiedenis der schilder- en tekenkunst, 20e eeuw, algemene stromingen --- praktijk van schilderen en tekenen, anatomietekenen - figuurtekenen --- Exhibitions --- 21st century --- drawing techniques --- drawing [image-making] --- Tekenkunst ; 2000 - 2050 --- drawings [visual works] --- Contemporary [style of art] --- Nordström Jockum --- Göthe Julian --- Borremans Michaël --- Alÿs Francis --- tekeningen. --- hedendaagse kunst.
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Art, Modern --- kunst --- 7.039 --- kunst en politiek --- eenentwintigste eeuw --- biënnale van Venetië --- biennale di Venezia --- Exhibitions --- Biënnale van Venetië (58ste ; 2019) --- Kunsttentoonstellingen ; internationale --- Beeldende kunst ; 21ste eeuw --- Kunstgeschiedenis ; 2000 - 2050 --- Beeldende kunst ; 1ste helft 21e eeuw --- Art --- art [fine art] --- Weerasethakul, Achichatpong --- Vo, Danh --- Jamie, Cameron --- Moulène, Jean-Luc --- Saraceno, Tomás --- Hein, Jeppe --- Lee, Bul --- Altindere, Halil --- Atoui, Tarek --- Bader, Darren --- Baghramian, Nairy --- Beloufa, Neïl --- Bircken, Alexandra --- Bove, Carol --- Büchel, Christoph --- Condo, George --- Eisenman, Nicole --- Epaminonda, Haris --- Favaretto, Lara --- Gaillard, Cyprien --- Gill, Gauri --- Gupta, Shilpa --- Hamilton, Anthea --- Hernandez, Anthony --- Ikeda, Ryoji --- Liu Wei --- Loboda, Maria --- Margolles, Teresa --- Muholi, Zanele --- Nkanga, Otobong --- Sun Yuan & Peng Yu --- Saputra, Handiwirman --- Steyerl, Hito --- Upson, Kaari --- Ursuţa, Andra --- Wa Lehulere, Kemang --- Yin Xiuzhen --- Abu Hamdan, Lawrence --- Atkins, Ed --- Yu Ji --- Rico Jiménez, Gabriel --- Smith, Michael E. --- Taylor, Henry --- Strachan, Tavares --- Rafman, Jon --- Cheng, Ian --- Yi, Anicka --- Serapinas, Augustas --- Singer, Avery --- Catala, Antoine --- Gutierrez, Martine --- Minoliti, Ad --- Akunyili Crosby, Njideka --- Armitage, Michael --- Arunanondchai, Korakrit --- Carbotta, Ludovica --- Da Corte, Alex --- Darling, Jesse --- Gupta, Soham --- Halawani, Rula --- Jafa, Arthur --- Joseph, Kahlil --- Kadyrova, Zhanna --- Kang, Suki Seokyeong --- Katayama, Mari --- Lolis, Andreas --- Mulleady, Jill --- Müller, Ulrike --- Nabuqi --- Norbu, Khyentse --- Orupabo, Frida --- Wertheim, Margaret --- Wertheim, Christine --- Durham, Jimmie --- Douglas, Stan --- Trockel, Rosemarie --- Marclay, Christian --- Gonzalez-Foerster, Dominique --- Mehretu, Julie --- Slavs and Tatars --- MAD-faculty 19 --- hedendaagse kunst --- Biënnale van Venetië --- catalogus --- Corte, Da, Alex --- Ji, Yu --- art [discipline]
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