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Children --- Children in literature --- History --- Goethe, Johann Wolfgang von, --- Children in literature. --- History. --- Children - History --- Goethe, Johann Wolfgang von, - 1749-1832. - Wilhelm Meister
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Auffallend ist, dass unser Bildungskonzept nicht von Pädagogen, sondern von Schriftstellern stammt. Die vielen Medien produzieren neue, überschüssige Möglichkeiten der Kommunikation, die notwendigerweise neue Verarbeitungsformen erfordern. Auffallend ist dabei die Zersplitterung und Fragmentierung unseres Wissens. Sie macht neue Syntheseleistungen des Wissens notwendig macht und fragt zugleich nach Wertentscheidungen. Wissenschaftliches Wissen bedarf der Ergänzung durch Orientierungswissen. Welche Konzepte stehen zur Verfügung?
Bildungsromans --- German fiction --- Literature and society --- History and criticism --- Goethe, Johann Wolfgang von, --- German fiction - History and criticism --- Literature and society - Germany --- Goethe, Johann Wolfgang von, - 1749-1832. - Wilhelm Meister's apprenticeship --- Goethe, Johann Wolfgang von (1749-1832). Wilhelm Meister --- Éducation --- Roman d'éducation allemand --- Dans la littérature --- Histoire et critique
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GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- BIOGRAPHIE --- REZEPTION --- WILHELM MEISTER --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- BIOGRAPHIE --- REZEPTION --- WILHELM MEISTER
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GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- WILHELM MEISTER --- LEIDEN DES JUNGEN WERTHERS, DIE --- WAHLVERWANDTSCHAFTEN, DIE --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- WILHELM MEISTER --- LEIDEN DES JUNGEN WERTHERS, DIE --- WAHLVERWANDTSCHAFTEN, DIE
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Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden.
Mimesis in literature. --- Romanticism --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Goethe, Johann Wolfgang von, --- Artistic production. --- Demographic change. --- Early German Romanticism. --- Goethe. --- Mimesis. --- Romantic novel. --- Self-imitation. --- Wilhelm Meister.
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European fiction
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European poetry
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Intertextualität.
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Lyrik.
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History and criticism.
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History and criticism.
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Heliodorus,
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Petronius Arbiter.
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Goethe, Johann Wolfgang von,
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Goethe, Johann Wolfgang {von.
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Heliodorus
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