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The book is a rare case study of the dynamics, processes and shifts around the creation and reading of one of the world’s major monuments, through all the processes of its design and making. The frieze which represents the Great Trek and Voortrekker occupation of South Africa (1835-52) is one of the largest of its kind. The key question is how, a century later, were eighteen years of Voortrekker memory transformed into a 92-metre marble frieze?
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For the first time the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa's interior during the 'Great Trek' (1835-52) represents a crucial period of South Africa's past. Forming the concept of the frieze both reflected on and contributed to the country's socio-political debates in the 1930s and 1940s when it was made. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument. Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze through all the stages of its design to its shipping to post-war Italy to be copied into marble and final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it depicts this. It also investigates the active role the Monument played in the development of apartheid, and its place in post-apartheid heritage. The second volume, to be published later this year, expands on the first, considering each of the twenty-seven scenes in depth, providing new insights into not only the frieze, but also South Africa's history.
Fries. --- Südafrika. --- Voortrekker. --- ART / History / Ancient & Classical.
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The book is a rare case study of the dynamics, processes and shifts around the creation and reading of one of the world’s major monuments, through all the processes of its design and making. The frieze which represents the Great Trek and Voortrekker occupation of South Africa (1835-52) is one of the largest of its kind. The key question is how, a century later, were eighteen years of Voortrekker memory transformed into a 92-metre marble frieze?
Choose an application
The book is a rare case study of the dynamics, processes and shifts around the creation and reading of one of the world’s major monuments, through all the processes of its design and making. The frieze which represents the Great Trek and Voortrekker occupation of South Africa (1835-52) is one of the largest of its kind. The key question is how, a century later, were eighteen years of Voortrekker memory transformed into a 92-metre marble frieze?
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An investigation into the spatial politics of separation and division in South Africa, principally during the apartheid years, and the effects of these physical and conceptual barriers on the land. In contrast to the weight of literature focusing on post-apartheid South Africa, the focus of this book includes the spatial, political and cultural landscape practices of the apartheid government and also refers to contemporary work done in Australia, England and the US. It probes the uncertainty and ambiguity of identities and cultures in post-apartheid society in order to gain a deep understan
Landscapes --- Landscapes in literature. --- Land use --- Apartheid --- Political aspects --- History --- History. --- South Africa --- Politics and government --- Blacks --- Segregation --- Land --- Land utilization --- Use of land --- Utilization of land --- Economics --- Land cover --- Landscape assessment --- NIMBY syndrome --- Landscape in literature --- Countryside --- Landscape --- Natural scenery --- Scenery --- Scenic landscapes --- Nature --- Black people --- voortrekker --- monument --- south --- africa --- national --- party --- rule --- afrikaner --- nationalism --- african
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For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa's interior during the 'Great Trek' (1835-52) represents a crucial period of South Africa's past. Conceptualising the frieze both reflected on and contributed to the country's socio-political debates in the 1930s and 1940s when it was made. The book considers the active role the Monument played in the rise of Afrikaner nationalism and the development of apartheid, as well as its place in post-apartheid heritage. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument. Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze, through all the stages of its design, to its shipping to post-war Italy to be copied into marble from Monte Altissimo, up to its final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it is depicted. The second volume expands on the first, by investigating each of the twenty-seven scenes of the frieze in depth, providing new insights into not only the frieze, but also South Africa's history. François van Schalkwyk of African Minds, co-publisher with De Gruyter writes: From Memory to Marble is an open access monograph in the true sense of the word. Both volumes of the digital version of the book are available in full and free of charge from the date of publication. This approach to publishing democratises access to the latest scholarly publications across the globe. At the same time, a book such as From Memory to Marble, with its unique and exquisite photographs of the frieze as well as its wealth of reproduced archival materials, demands reception of a more traditional kind, that is, on the printed page. For this reason, the book is likewise available in print as two separate volumes. The printed and digital books should not be seen as separate incarnations; each brings its own advantages, working together to extend the reach and utility of From Memory to Marble to a range of interested readers.
ART / History / Ancient & Classical. --- Voortrekker Monument --- Pretoria --- Boer pioneers --- Great Trek --- Pretoria (South Africa) --- South Africa --- South Africa. --- Buildings, structures, etc. --- History --- África del Sur --- África do Sul --- Afrika Selatan --- Afrique du Sud --- Azania --- Dél-Afrika --- Dél-Afrikai Köztársaság --- Derom Afriḳah --- Dorem-Afriḳe --- Güney Afrika --- Güney Afrika Cumhuriyeti --- iRiphabhulikhi yeNingizimu Afrika --- iRiphabhuliki yaseNingizimu Afrika --- iRiphabliki yeSewula Afrika --- iRiphabliki yomZantsi Afrika --- I͡U.A.R. --- I͡UAR --- I͡Uzhno-Afrikanskai͡a Respublika --- I͡Uzhno-Afrikanskiĭ Soi͡uz --- Janūb Ifrīqiy --- Jihoafrická republika --- Juhoafrická republika --- Jumhūrīyat Janūb Ifrīqiy --- Južná Afrika --- Južnoafrički savez --- Minami Afurika Kyōwakoku --- Nan Fei --- Nan Fei Gongheguo --- Nanfei --- Nanfei Gongheguo --- Repabliki ya Afrika-Borwa --- Rephaboliki ya Aforika Borwa --- Rephaboliki ya Afrika Borwa --- Repubblica del Sud Africa --- Republic of South Africa --- República da África do Sul --- República de Sudáfrica --- Republiek van Suid-Afrika --- Republik Südafrika --- Republik Suedafrika --- Republika Południowej Afryki --- République Sud Africaine --- Riphabliki ya Afrika Dzonga --- Riphabul̳iki ya Afurika Tshipembe --- RSA --- Sud África --- Sudáfrica --- Südafrika --- Suid-Afrika --- Unie van Suid-Afrika --- Union of South Africa --- Africa, South --- Pretorii︠a︡ (South Africa) --- Tshwane (South Africa) --- Jacaranda City (South Africa) --- Pretoria (Gauteng, South Africa)
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